Photo by Howard Owens
Requiems are a centuries-old art form.
The most famous, perhaps, is Mozart’s, which was left unfinished (though finished by other composers) at the time of his own death.
Typically, composers write eight or nine movements corresponding to the Catholic Mass for the Dead. A vocalist or chorus sings the mass in Latin.
Typically.
Thirty-five years ago, Laurence Tallman, a Genesee County resident, had a different idea. He became intrigued with the idea of composing a requiem that was purely orchestral—no singing, just the music, with the lyrics implied by the melody.
On September 28, Tallman's “Unsung Requiem” will have its world premiere at Genesee Community College, where the Genesee Symphony Orchestra will perform it.
"The piece was inspired by an experiencing Maurice Durufle’s Requiem with the Crane Chorus and Orchestra in Potsdam way back in 1989," Tallman said to The Batavian. "Even then, as a composition student, I thought it would be amazing to write a requiem using the form that would be just instruments. It's been mulling around in my head forever. Then, 200-some compositions later, and finally, the time and the inspiration were there, and so I constructed this piece, so based on an actual Requiem form, the nine movements that are typical in it, but there's no singing."
This isn't the first time GSO has performed a piece by Tallman, but this is a piece that Musical Director Shade Zajac encouraged Tallman to complete so the orchestra could perform it.
"The things he's done of mine have been very playful, very funny," Tallman said. "I get hired a lot for humor pieces and pieces that have a lot of moving parts to it. I told him about this, and I said, 'This has always been on the back burner, and I've got bits and pieces of it done.' I started showing him some sketches, and he's like, 'I love this. I love this idea. I think you should invest in this, and we'll get the group to do it.'"
Tallman, who lives in Byron with his husband, is a retired music teacher. He taught at Byron-Bergen Central Schools. He is the music director for the First Presbyterian Church of Byron and plays contrabassoon and piano in the GSO. He received his B.M. and M.M. in Music Education from the Crane School of Music at SUNY Potsdam. He also has a certificate of compositional study from the Birmingham Conservatory of Music in Birmingham, England.
He said his requiem reflects the text and moods of the Mass for the Dead.
"Some of them are very somber and pensive. Some of them are playful and joyful," Tallman said. "The lux aeterna is like the light that you know we're searching for. And then the in paradisum ends with this lovely kind of ascension into the Netherworld."
He said the last movement is composed through the lens of his own passing and he had some fun with it.
"(It is) what would it be like if I was in that state of transition and then, ideally, the ascension," Tallman said. "So that piece has a lot of musical allusions to some of my favorite works of music, and it just becomes this collage of sound. The agnus dei has this little repeated pattern that is a variation of a pop tune that is very obscure, and everything builds around that pattern. It's dedicated to a pop star I loved in the 1980s (Alison Moyet), who got me through a lot."
The concert is at 7 p.m. Saturday in the Stuart Steiner Theater at GCC. Tickets are $17 for adults, seniors $12, and students (with ID) may attend for free.
Additional works on the program:
- Canzona per Sonare No. 2, Gabrieli
- Crisantemi for String Orchestra, Puccini
- Ritual Music, David Skidmore
- A Young Person's Guide to the Orchestra, Britten (which Tallman will narrate).
For more information, click here.
