art

I remember walking into the Holland Land Office Museum and looking at the large portrait of a young child hanging on the wall. 

It brought me back to a time when I took my daughters to have their yearly picture taken. It was either at J.J. Newberry or W. T. Grant Department Store. The cost of the sitting was free, and the price for an eight by 10 picture was 99 cents. 

You had three choices for background. If your child behaved and smiled, you could be on your way in 15 minutes, but if your child was not in the mood for that milestone 5-year-old portrait, you might have to leave without a picture. 

As difficult as it was to get a photo of a 5-year-old picture in 1981, the process was much more challenging in the 1850s. 

When Alva B. Willis from Elba wanted a portrait of his five-year-old son, Charlie, referred to as his favorite son, Willis needed to find an artist, which was a difficult task. 

One day, a peddler/sign painter put up a sign at Willis Tavern stating that he would do paintings of all kinds at a reasonable rate. Mr. Willis commissioned this artist to paint his son’s portrait.

In the 1850s, making paints and brushes was tedious. The brushes were made of squirrel and oxen hair tied together and inserted into a turkey quill. The quills were attached to wooden handles that were also made by hand. The different-sized brushes were distinguished by comparing them to the size of a bird. For example, the smallest brush would be called a lark, and the largest brush would be a swan. 

Making the paint was also quite an ordeal. The Colors were dull or muted earth pigments, red, yellow, ochre (yellow-brown), and lamp black (bluish-black). The pigments were ground into a powder and put into small containers. When needed, the powder was mixed with linseed oil. 

The next order of business was what Charlie should wear for his portrait. It was decided that he would wear his Sunday best. His mother made him a soft red dress embellished with many tiny stitches at the neck and hem. White pantaloons, daintily embroidered with delicate flowers, covered his knees. This was not an unusual outfit for a young boy in the 1850s.

The setting for the picture was at Spring Creek in Byron. It was a four-mile wagon ride for Charlie and his father. In the spring, Charlie was positioned with a fishing pole and a line of three freshly caught fish in one hand. On the ground beside him was his white hat, and in the band of the hat was a large ostrich feather.

It was a long and tiring day for Charlie to stand in the hot July sun for four to five hours. 

He would celebrate at the end of the day that he was free until tomorrow, when this ordeal would begin again. 

Charlie’s father was thrilled with the results and promptly paid the artist $160.00 for the portrait. 

Unfortunately, the portrait was never signed, and the story did not end there. Charles' great-grandson, Donald Prichard of Georgia, donated the portrait to the Holland Land Office in the 1990s. Many visitors have enjoyed viewing the portrait over the years, but it began to need restoration. So, after months of being away for conservation, the portrait of Charles Willis is back at the museum.   

So, please visit the Holland Land Office Museum and view a portrait of the 5-year-old Charlie with a fishing pole, holding a line with three fish, and posing in a red dress with white pantaloons.

Requiems are a centuries-old art form.

The most famous, perhaps, is Mozart’s, which was left unfinished (though finished by other composers) at the time of his own death.

Typically, composers write eight or nine movements corresponding to the Catholic Mass for the Dead. A vocalist or chorus sings the mass in Latin.

Typically.

Thirty-five years ago, Laurence Tallman, a Genesee County resident, had a different idea. He became intrigued with the idea of composing a requiem that was purely orchestral—no singing, just the music, with the lyrics implied by the melody.

On September 28, Tallman's “Unsung Requiem” will have its world premiere at Genesee Community College, where the Genesee Symphony Orchestra will perform it.

"The piece was inspired by an experiencing Maurice Durufle’s Requiem with the Crane Chorus and Orchestra in Potsdam way back in 1989," Tallman said to The Batavian. "Even then, as a composition student, I thought it would be amazing to write a requiem using the form that would be just instruments. It's been mulling around in my head forever. Then, 200-some compositions later, and finally, the time and the inspiration were there, and so I constructed this piece, so based on an actual Requiem form, the nine movements that are typical in it, but there's no singing."

This isn't the first time GSO has performed a piece by Tallman, but this is a piece that Musical Director Shade Zajac encouraged Tallman to complete so the orchestra could perform it.

"The things he's done of mine have been very playful, very funny," Tallman said. "I get hired a lot for humor pieces and pieces that have a lot of moving parts to it. I told him about this, and I said, 'This has always been on the back burner, and I've got bits and pieces of it done.' I started showing him some sketches, and he's like, 'I love this. I love this idea. I think you should invest in this, and we'll get the group to do it.'" 

Tallman, who lives in Byron with his husband, is a retired music teacher. He taught at Byron-Bergen Central Schools. He is the music director for the First Presbyterian Church of Byron and plays contrabassoon and piano in the GSO. He received his B.M. and M.M. in Music Education from the Crane School of Music at SUNY Potsdam. He also has a certificate of compositional study from the Birmingham Conservatory of Music in Birmingham, England.

He said his requiem reflects the text and moods of the Mass for the Dead. 

"Some of them are very somber and pensive. Some of them are playful and joyful," Tallman said. "The lux aeterna is like the light that you know we're searching for. And then the in paradisum ends with this lovely kind of ascension into the Netherworld."

He said the last movement is composed through the lens of his own passing and he had some fun with it.

"(It is) what would it be like if I was in that state of transition and then, ideally, the ascension," Tallman said. "So that piece has a lot of musical allusions to some of my favorite works of music, and it just becomes this collage of sound. The agnus dei has this little repeated pattern that is a variation of a pop tune that is very obscure, and everything builds around that pattern. It's dedicated to a pop star I loved in the 1980s (Alison Moyet), who got me through a lot."

The concert is at 7 p.m. Saturday in the Stuart Steiner Theater at GCC. Tickets are $17 for adults, seniors $12, and students (with ID) may attend for free.

Additional works on the program: 

• Canzona per Sonare No. 2, Gabrieli
• Crisantemi for String Orchestra, Puccini
• Ritual Music, David Skidmore
• A Young Person's Guide to the Orchestra, Britten (which Tallman will narrate).

For more information, click here.

Press Release:

The Holland Land Office Museum is proud to announce its latest exhibit, “Don Carmichael: Ink in History.” The exhibit will open on Tuesday, August 13 and will be on display through December. “Don Carmichael: Inked in History” features over 50 pieces of artwork from Don Carmichael in various mediums from throughout his life. The works come from the museum’s collections alongside others loaned from Carmichael’s friends and family. 

The exhibit can be seen during the museum’s normal operating hours of Tuesday-Saturday 10 a.m. - 4 p.m.

Don Carmichael (1926-2005) was one of the most iconic artists from Genesee County in the 20th century and continues to grace the walls of homes and businesses across the County. Locally known for his famous pen-and-ink sketches, called “Memories of Historic Batavia.” 

Don Carmichael captured the historic essence Batavia and Genesee County offered, and many have loved them ever since and have proudly displayed them in their homes and offices. Luckily, Carmichael sketched dozens of the landmark structures before Urban Renewal tore them down in the 1970s, or he captured the structures through old photographs. Carmichael stated, “I’m fond of Batavia and Batavia history, it’s rapidly disappearing, so I decided to record it for posterity.” Before his iconic pen-and-ink drawings, Carmichael played a major role in the community by being the Director of advertising at The Daily News, Where he worked for over 30 years.

Press Release:

Robin Laney Ettinger, member of the Anna Ingalsbe Lovell Chapter, NSDAR, received First Place in the DAR New York State Fiber Arts competition: crochet category for the second time.

The 2024 theme was "Stars and Stripes Forever in Our Hearts through the Arts''. She crocheted a red, white, and blue shawl using a "sparkle" yarn in the style of "Crochet Filet," which throughout the rows of the shawl, heart motifs are crocheted using the stitch. The shawl represents Ettinger’s respect for the U.S. flag.

Robin’s crochet shawl was selected to represent the 121 chapters in New York State for the National Society (NSDAR) Heritage Committee Contest. Although she did not place in the national contest, she is pleased with the ultimate winning creations.

Robin learned how to crochet from her mother, a skill handed down to her from her grandmother. She is a member of the Prayer Shawl mission group at Northgate FMC which crochets shawls, face clothes, and scarves for local and world communities.

For more information on the NSDAR or if you are interested in joining, please visit DAR. org

The sun was out and people were in a happy place in Downtown Batavia on Saturday for the 2024 Batavia Ramble Music & Arts Fest, which was spread out over Jackson Street, School Street, and, of course, in Jackson Square.

For a lot of people and musicians, the festival was their first experience with the new stage in the square.

It received rave reviews for visibility and acoustics. The soundman said it was a big improvement, with the metal ceiling providing a great acoustic reflection.

The stage was funded by a state grant as part of a larger city of Batavia project to transform Jackson Street into a more attractive public square.  The total grant was for $750,000 with the stage being just one component of the costs.

Twenty-five acts performed on two stages, including the stage on Jackson Street.

Press Release:

Join us for an unforgettable evening of creativity and community in Jackson Square in Batavia on Friday, July 5, from 6 - 10 p.m. Presented by Jo David Arts and Iburi Photography, this special event promises a rich blend of live performances, visual arts, and an electrifying DJ set to close the night.

Kicking off the evening at 5:30 PM, performers can sign up for the Open Mic session, which runs from 6 - 9 p.m. Musicians and performers are encouraged to take the stage at Jackson Square and share their talents. Kevin Lewis-Iburi will host the open Mic, with Scotty DiMartino of Esdee Entertainment closing the night with an epic DJ set and light show.

GO ART! will be bringing their First Friday Open Art Session to the Square. Artists of all media are invited to bring their latest pieces or start new ones. While tables will be set up for convenience, artists are welcome to bring their easels and create in the open air.

"We're excited to bring this event to Jackson Square," said Mary Jo Whitman of Jo David Arts. "This is a great opportunity for local performers and artists to showcase their work and connect with the community in a fun and supportive environment."

Akari Lewis-Iburi of Iburi Photography added, "It's been humbling to witness the talent, musicianship, and comradery of Batavia light up our open mics at the studio this year. We are so thrilled to collaborate with Jo David Arts and GO ART!'s First Friday Open Art Session to bring our open mic performers on stage for a unique immersive art experience!"

This free event is open to the public, making it a perfect outing for anyone looking to experience the vibrant art scene in Batavia. Mark your calendars for Friday, July 5, and join us at Jackson Square for a night of artistic expression and entertainment you won't want to miss!

For more information on Open Mic contact: Iburi Photography at info@iburiphotography.com.

For more information on Open Art Sessions contact: Mary Jo at mjwhitman@goart.org. 

Le Roy Jr-Sr High School held its annual art show this past week, and on Friday morning, Principal David Russell invited The Batavian to meet with three senior art students, Savannah Harms, Abby Rose Root, and Paityn Cooper.

Savannah Harms
Harms said she's been an artist "ever since I was a baby, practically.

"I mean, my mother has always loved art, so I was looking up to her since I was a child. She was drawing, she was tattooing, she was doing everything, so when I was looking up at her, I was watching her do her drawings, and I'd be in the back corner trying to draw exactly what she was.  I've loved it ever since I could even learn to draw."

To her, art is a form of freedom.

"In every artistic piece that you look at around here, you can see the emotion, the feelings that are put into the piece," Harms said. "What was targeted behind that? So, for example, my Edward Scissorhands, what I think about I did this the time that Johnny Depp was going through all of the things he was going through (in his legal case) case. You could just see the emotional distraught. I did that piece, kind of just reflecting that this was a very vulnerable moment. In that movie, it was acting, but you can see just that vulnerable moment. So, I mean, I just love the emotion that can be put into pieces. And you can just see somebody's raw feelings when you look at their artwork."

As for artists she admires, it's no surprise her mom tops her list.

"A lot of people always pick very famous or popular artists, but it's always I always go to my mother," Harms said. "She's somebody who I could not see anybody surpassing her level."

After graduation, Harms will become a full-time tattoo artist.

"I love tattooing," Harms said. "It's a different type of art. I love creating something that I can put on somebody's body forever."

Abby Rose Root
Root's mother is also an artist.

"I grew up with furniture all about me being painted by her, paintings of hers on the wall, and watching her do color pencils, oils, gouache and all different types of mediums," Root said. "She's definitely been a key component in keeping me motivated during my process because she always gives me reassurance when I need it and helps when I need it."

The work on display in the show displayed an interest in fantasy.

"I just like to draw it," she said. "I love this idea of a magical world where you can space whenever you like, and whatever you imagine can come true."

At the top of the artists who inspire her is Le Roy HS art teacher Antonio Ieon Koukides.

"He inspires me because I love the way he can teach all different people, and no matter where they come from, not matter their background, no matter what their skill level is, he's always able to help them improve," Root said.

After graduation, Root plans to attend Genesee Community College for two years for a fine arts degree. Then, she will see where she wants to go after that, whether to continue to pursue art or maybe get a degree in business. 

"Then maybe I could become a teacher or own my own studio or maybe do both," Root said.

Paityn Cooper
Cooper figures her art journey began when she was about nine years old, inspired by her dad, who is an artist.

She said she likes art because "it expresses things that I usually wouldn't be able to say in words."

She said she tried to make her paintings unique and not fit into any specific genre.

Cooper isn't planning a career in art.

"I want to use it as a hobby and to express what's going on through my life throughout my life," she said.

Additional photos of some of the art on display from the show below.

Savanah Freeman, a Le Roy High School senior, needed to complete 15 hours of community service for graduation and contacted me as Le Roy Municipal Historian with an idea.  

Savannah had painted store windows in Batavia and thought that maybe she could paint some windows in Le Roy.  

I suggested that Savanah work on some ideas about the solar eclipse that could be put in the front windows of the Le Roy Town Hall.   

Savannah showed me some of her artwork and immediately I knew that Savannah had the talent to design some unique murals, but wondered whether there was enough time to get them completed in time.  

Savannah had never worked on anything that big, but she was excited about the prospect.  

We decided it would be best for Savannah to paint the murals on huge pieces of paper so she could work on them at home.  

In two weeks, Savannah completed two large murals. One was a brightly colored mural with the Le Roy Village Hall on one side, and the other was a black-and-white image of the solar eclipse barn on the Fort Hill Farm on Route 19.  

Savannah says these murals are the biggest pieces of art she has ever done, but she has enjoyed the challenge of working on something new. She only wished that she had had more time so she could have added more detail. 

Savannah worked on the designs and sketched them out on paper, and then she called for some help from her friend Ariana Dinehart to do some of the painting.  

Both girls said they learned a lot about Le Roy history, especially about the Village Hall which is a focal point of the large color mural.  

The girls are best friends and attended school in Rochester before moving to Le Roy in August.  They said that the move to Le Roy has been the best thing that has happened to them. 

“Everyone in Le Roy — the teachers and the other students — have been so wonderful,” Savannah said.

Savannah, who is related to the Lathan family, points out that her family has “been here forever.” 

Savannah says that her mother has had the biggest influence on her art.  

“She has done every form of art in some way or another, and she has shown me that I can make a career out of something I love to do,“ Savannah said.

On Thursday, Savannah’s two murals were put up in the Town Hall windows. Almost immediately, folks gathered outside to take a look at the unique murals. They will be on display until the end of April.

Then they might be included in the school’s art show. Savannah says, “I definitely would love them to go somewhere where they won’t collect dust.”

Will Savannah watch the eclipse? 

“I am really stoked to see the eclipse,” she said “I don’t plan on going anywhere just because of how many people are coming to see it, but I will definitely be hoping for no clouds so I can sit in my backyard and watch.” 

Business owner and artist Brian Kemp invites the public to a first-time event that involves five art galleries in downtown Batavia this weekend. Batavia Art Stroll will run from 11 a.m. to 3 p.m. Saturday at Eden Cafe & Bake Shop, Iburi Photography, T-Shirts Etc., Eli Fish Brewing Co. and GO Art!

"This grassroots initiative, spearheaded by Judy from Eden, Akari from Iburi Photography, and yours truly, aims to celebrate our local artists and their incredible talent," Kemp said to The Batavian Friday. "We're transforming Batavia into a haven for art enthusiasts and culture aficionados alike. Our lineup of locations is nothing short of spectacular, featuring some of the most eclectic spots in town. Each venue promises a unique and immersive experience, showcasing the diverse array of artistic expressions our community has to offer."

Whether you're a seasoned art connoisseur or simply looking for a fun-filled day out, Kemp promises that the Batavia Art Stroll has something for everyone. 

"Expect to be dazzled by captivating exhibits, demonstrations, and perhaps even a few surprise performances along the way," he said.

The galleries are at Eden, 242 Ellicott St., Iburi, 35 Jackson St., T-Shirts Etc., 37 Center St., Eli Fish, 109 Main St., and GO Art!, 201 E. Main St.

Press Release:

The Batavia Society of Artists is hosting artist David Burke at GO ART! Seymour Place on Tuesday, March 12 starting at 7 p.m. 

David will be demonstrating a more intuitive painting for this demo, using a new squeegee technique with dots of paint to easily create cool designs. Light refreshments will be served. 

The 2.o.1. Tavern will be open for cash purchases.  Non-members are welcome for a $5 fee.  New members are always welcome, all mediums and skill levels. The yearly Single membership is $30, Couples $50, and Students/Veterans $10. 

GO ART! Seymour Place is located at 201 E. Main St. Batavia.

Submitted photos

Press Release:

Interested in participating in a small program that is taking over libraries around the country? Richmond Memorial Library is excited to announce the first-ever Tiny Art Show.

Starting Friday, March 1 register online to reserve a kit that will be available for pick-up starting Monday, March 4 from the library’s Reference Desk. Each take-home kit includes a 4”x4” canvas, paints, a palette, and brushes. 

This program is for ages 12+ and is open to the first 30 who register. Using the supplies provided and/or your own materials, create a tiny artwork (no larger than a 4-inch cube). 

This is an art show for ages 12 and up please create your art with that audience in mind. The artwork must be suitable for display in a public space for all ages. 

Objects, paper, and materials of any kind except food may be glued to the canvas or turned into a sculpture, but artwork must be 4" in all directions or smaller. 

Nonfiction and IT Librarian Elizabeth Beardslee shares that, “We are excited to offer this program to our patrons! We hope they love the idea as much as we do. We look forward to the tiny art bringing people into the library to see the displays. Our hope is that this is a program that can grow and get bigger each year!”

These tiny artworks will be displayed in the main area of the library, as well as on the library’s social media pages starting April 1. 

The deadline to return the artwork to Richmond Memorial Library by March 29 to be included in the Tiny Art Show. One entry per artist. 

Artwork can be retrieved from the library by the artist after the show, starting May 6. Artwork that is not picked up by June 31 will become the property of Richmond Memorial Library and may be discarded. The library reserves the right to exclude any work. 

The registration link will appear online at batavialibrary.org/calendar on March 1. For more information, contact Librarian Elizabeth Beardslee at ebeardslee@nioga.org or Teen Services Library Assistant Ellen Caton at ecaton@nioga.org.

Nearly 100 artists -- 99 to be exact -- entered 264 works of art to the annual Table Top Art Competition, which honors winners with cash prizes and reproductions of their work on placemats that will be on table tops at local restaurants in March.

From that wealth of creativity, 20 finalists were selected and unveiled at Eli Fish on Tuesday night.

There were five honorable mentions and 15 winners, with each of the 15 works of art being reproduced on placemats and the top three winners receiving cash prizes of $200, $100, $50, and a People's Choice winner receiving $100.

The top three winners were Chris Stangler,  Vanessa Loftus, and Debra Meier.  Shauna Blake won the People's Choice voting.

Press Release:

Congresswoman Claudia Tenney (NY-24) today announced that her office is accepting submissions for the 2024 Congressional Art Competition from high school students in New York's 24th District.  

Since 1982, high school students from all 50 states, the District of Columbia, and U.S. territories have been invited by members of the U.S. House of Representatives to participate in this esteemed nationwide art competition. Over the years, this competition has provided a platform for over 10,000 works of art to be exhibited and celebrated.

The contest winner will have their artwork displayed in the prestigious halls of the United States Capitol for an entire year. Additionally, they will be given the exciting opportunity to travel to Washington, D.C., to witness their masterpiece showcased at the Capitol. Southwest Airlines is donating two round-trip tickets for the winner and a guest to attend this year’s celebration on June 27.

All submissions must be delivered to one of Tenney’s district offices by the close of business on Friday, April 19. Additional information about the competition, including guidelines and student release forms required to participate, can be found here or by calling Tenney’s District office at (716) 514-5130.

Bontrager Real Estate & Auction Service is currently holding an online auction for the Estate of Joseph and Carmela Deni, long-time Batavia residents.  Mr. Deni owned a barbershop on Ross St., and was a founding member of the Batavia Society of Artists- as well as an avid painter.  Joseph and Carmela were active in the Batavia community and raised five children there.  This auction includes a large collection of paintings and prints by local artists, including Nina Mason Booth, Roy Mason, Rose Pontillo DiCarlo, and Joseph Deni.  Bid on WNY memorabilia, tools, fine collectibles, furniture, and household items at bontragerauction.com.  

GO ART!'s annual member and staff art show opened on Thursday evening.

The show runs through Feb. 3.

Artists with work on display are:

• Justin Reynolds
• Rebecca LaFevre
• Rich Della Costa
• Mary Bryant
• Julie A Lambert
• Jodi Fisher
• Dan Hogan
• Bryan Wright
• Donald Fryling
• David Burke
• Mary Jo Whitman
• Madeleine Rush
• Judy Wenrich

The folk tradition of music and art in Ireland informs the work of Batavia artist Adrian Morris, featured in the Winter Show of the Batavia Society of Artists at the Richmond Memorial Library.

The show opened Thursday and features 35 paintings by Morris, both his Irish landscapes and his portraits of musicians, writers, political figures, and commissioned work.

'I'm painting every day, painting all the time, in my spare time," Morris said. "It's just, I can't stop doing it. It's a passion that I've had from a young age."

In 2008, Morris immigrated to the Batavia area to be with a woman from the area. He is with a new lady now, but he stayed and has become embedded in the local art community.  His works are included in showings regularly with the BSA and at GO ART!

His Irish accent is unmistakable, as is his love for his homeland, but his love for America's musical traditions is also expressed through his work.  His portraits on display in the show include Miles Davis, Louis Armstrong, John Lennon, Neil Young, and three of Johnny Cash.

What is the fascination with The Man in Black?

"Because I'm Irish," Morris answered. "And we're into folk music, traditional folk music, and he takes a lot of bluegrass and folk stuff into his music. I love folk music, like (Bob) Dylan and Johnny Cash and all those guys, you know. There is honesty in their songs and the stories that they tell. It's all about storytelling."

One of Morris's most stunning pieces is a portrait of James Joyce, the early 20th-century novelist known for his often inscrutable prose and stories deeply rooted in his native Dublin.

All these decades after Joyce's death, with his legacy enshrined in the scholarship of great literature, it might be hard to see Joyce as a folk figure, but that is how Morris sees him, and what draws him to Joyce.

"If you're in Dublin -- Ulysses is set in Dublin -- you can literally track every part of the book," Morris said. "You can go along the train, ride along the train along the coast, and everything he described in the book is in Dublin, and his cadence of the people (in the book), the way they talk, is purely Irish. A lot of Americans say it's very hard to read, but for me, it's just like, it's, it's my tone, the way their slang words work, you know, it's a rhythm and a regional accent to Dublin,  it's very Dublinesque, and, and so that's the beauty of his prose."

Joyce, he said, brings the complexities of life into a real world of real people just trying to get through their daily lives, like any folk artist.

"He goes through the gamut of philosophy and life and all these things, but he does it in a common man's way," Morris said. "You know what I mean? There's no airs about him."

Morris's love of Ireland and folk traditions is also expressed in a portrait that might surprise some -- Frederick Douglass.

"Frederick Douglass is a big he's a big part of Ireland," Morris said. "Anti-slavery with the whole British thing, the colonization, so he was a big part of it.  He was about the abolishment of slavery and so I really respected him even before coming here, and little did I know respecting him as a child that he was such a part of Rochester and the area. I was just like, 'Wow. So I felt like I wanted to pay tribute to him."

In Ireland, Douglass is revered for a speech he gave there.

"I don't know if it's true, but some Irish people had some part in paying for his freedom (NOTE: Irish and British residents raised the 150 pounds to purchase his freedom)," Morris said. "When he went over there, he moved the Irish people so much, that might have sown the seed for them to launch a free country because they were under the rule of the British for so long, and they wanted their freedom. So it's a political thing, but it's rooted in my culture."

The BSA Winter Show is on display through December and is open during regular library hours.

Three visions of art and nature are on display in the Roz Steiner Art Gallery at Genesee Community College through the end of January, featuring WNY artists David Burke, Julie A. Lambert, and Steve Piper.

The exhibit, which is open on Tuesdays and Thursdays from 10 a.m. to 5 p.m. (closed the day after Christmas), is called "Handicraft Habitat."

Burke, a Bergen resident, said his work for this show is a mixture of realism and abstraction, mostly in acrylic. 

"They're all inspired by nature," he said.

A father who homeschooled his children, he earned an art degree from SUNY Brockport and, in 2015, decided that art was his true passion and the vocation he wanted to pursue for the rest of his life.  He's involved in the Batavia Society of Artists and GO ART! and has won numerous awards locally for his work.

His work for the show is described as inspired not just by nature but "his connection to the life of the earth and the mystery of the world. (He) uses light, shadow, color, and composition to evoke memories and emotions."

Over the past few years, he's explored "intuitive painting," a process whereby the artist "goes with the flow," laying down lines and colors as his whim or emotions or imagination dictates.

"I've been experimenting a lot more with abstraction and intuitive painting, not knowing what I'm going to do, just starting off and painting," Burke said. "Whatever comes out of me comes out, which turns out pretty nice most of the time. I never know what's gonna happen. It's really interesting."

Burke made it into the show by applying for an exhibit several months ago.

"I just applied and then forgot about it," Burke said. "Then a few weeks ago, (the director) called me and said, 'You want to have a show?' The other two people in the show are friends of mine, which I had no idea about, so it turned out really nice. It's great because I went to school here originally back in 1975. It's kind of nice to have and show and be back at GCC."

The other artists on display are Lambert and Piper.

Lambert is a master papermaker. She has a bachelor's of fine arts from SUNY Oswego. According to the program, her work explores the natural and human-created impacts on landscape. To the surprise of the viewer, Lambert’s works are often first mistaken for paintings. As viewers are drawn in, they realize that the works of art are individual pieces of handmade paper -- dyed, textured, cut, torn, and layered by the artist to express how she sees the world. 

Piper is originally from Kansas and moved to Rochester in 1978 to pursue a photography degree at RIT. His artistic vision, according to the program, is inspired by his rural life growing up in the mid-west. Through color, texture, and composition, he is able to take a recognizable image and create something representational. 

Photos by Howard Owens.

Google "most important living artists," and Cindy Sherman is on that list.

In fact, in 2013, she was touted as one of the six great living artists.  

Some of her works have sold for millions, setting records for photographic prints. 

That notoriety helps make Sherman interesting to Gerald Mead, who has acquired 23 of her pictures, but that's only, at best, half the reason he collects her work. Mead's interest in Sherman is both parochial and personal. Sherman and Mead both attended Buffalo State University (though about a decade apart), and Mead's passion and specialty is collecting the works of Western New York artists.

He has more than 1,700 pieces in his collection.

"She's really kind of an icon in Buffalo," Mead said. "Her name is known far and wide as one of the most significant photographers, and she has that connection to Western New York. I was really familiar with her whole body of work, and because I was a curator at the Burchfield Penny, we had her works in our collection. It just became a special interest of mine when I first started collecting."

Over the next six weeks, art lovers from the area won't need to travel to London, Paris, Venice, Amsterdam, Los Angeles, San Francisco, New York City, or even Buffalo, to see examples of Sherman's work. They can just take a little trip to GO ART! at 201 East Main St., Batavia, to see a portion of Mead's collection on display.

The show's run starts today (Wednesday) and concludes on Nov. 25, with an opening reception from 5 to 8 p.m. on Oct. 19.

The show is a real coup for GO ART! said Mary Jo Whitman, education/SCR director for the arts council. She wrote her master's thesis on Sherman.

"I'm very excited to get to know a lot of people in this area who don't always get to travel out to the bigger museums to see this kind of work will get to see it," Whitman said. "It's exciting to be able to bring these works to people, essentially."

Whitman said Sherman's work is important to her because it speaks to her in a personal way, because in her work, Sherman presents herself as a chameleon, taking on different roles as the main subject of most of her photos.

Sherman started her rise in prominence with what is still probably her most famous body of work, Untitled Film Stills. 

The series was created mostly between 1977 and 1980, mostly in New York City, with the city as a backdrop, or in her apartment. The black and white prints mimic the kind of studio publicity shots that were once produced for film noir or French avante-garde movies. Sherman conceived of the shots -- only a few directly inspired by actual movies -- created the costumes, did her own makeup, and created the pose that seemed to capture the movie's star at a pivotal plot point. 

"I felt this immediate connection with her," Whitman said. "I think it's really this idea of, you know, the constructed identity that you can be so many different people. You're in social situations, you're in professional situations, and that kind of really dictates who you are at that moment and really how many different people you can be. I know, for myself, I feel that way. I grew up in a very small town as a country girl, and I went on to be an artist, I can be a crazy hippie at times, and I can be in galleries like this as the pretentious curator. So I play a lot of different roles. I think that I just kind of felt a kinship with her after seeing her work.

After Untitled Film Stills, Sherman moved on to other series that, again, feature her in various roles and characters, such as Fairy Tales, Disasters, Centerfolds, History Portraits, Clowns, and most recently, Instagram Portraits

Mead, whose collection started with "Letraset Art Sheet #1," a collage Sherman made from British clip art in 1966, which he won as a door prize at an afterparty in 1995 for the 20th Anniversary of Hallwalls Contemporary Art Gallery (which Sherman co-founded while at Buffalo State), said his goal has been to collect something of Sherman's from each of her eras and from each decade of her career.

"I've been able to do that over the course of 35 years," Mead said.

Sherman's work appeals to him, Mead said, for that same chameleon character that inspired Whitman to study her work.

"She's used herself as the subject, but she's converted and transformed herself into personalities, personas, characters," Mead said. "She doesn't consider them portraits of people generally because she's the subject of all of them. I think it can be fascinating to see how a person can use their own appearance and alter it to have such a wide spectrum of, again, personalities, personas characters."

Also, Mead said, each photo tells a story that also allows the viewer to help fill in the narrative.

"What's interesting about her work, too, is that it's meant to sort of evoke a response or a reaction because the person in it -- they're all actors or actresses, right? Is just being caught mid-performance. So when you're looking at it, you have to get out it, 'what happened before? What's going to happen right after?' She's telling the story. The interesting thing is, a lot of times, I think people sometimes look to see what the title is to figure out what exactly is going on, but they're all untitled. She intentionally has no title on them because she wants you to bring your own understanding and your own kind of reaction to it."

It's that nuance of story and character that is one reason people should come to see Sherman's work while its on display at GO ART!, Whitman said.

"It's just really cool," Whitman said. "She's got a great idea that's really unique. I mean, she plays all the roles. She is the artist. She's the model. She's the makeup artist. She's creating the work all based on herself. There's all these different guises that she has. It's really fascinating when you kind of break it down to what it took to make each individual work. You're gonna come in, and you're gonna see what looks like a portrait to you, but when you kind of break it down, like okay, this is her in every single portrait, and you will be able to tell it's the same person. So, it's just impressive."

There's been a bit more color and visual appeal that connects the Batavia Peace Garden with a second garden along the Tonawanda Creek behind the Genesee County Court House.

Artist Michelle Cryer has painted a mural, commissioned by the Friends of the Peace Garden and paid for by a state grant administered by GO Art!, on a concrete water tank next to the creek.

The mural features the butterfly bench that once graced the garden and an overflow of water simulating a breach in the side of the tank.

Sherwin Williams donated the paint.  The city approved the project.

"Without our community, as usual, we wouldn't have this here today," said Barb Toal, who came to Cryer with the idea of paint a mural on the tank. Then they came up with the concept together.

"I wanted to bring more nature in, to cover up a cement eyesore with some nature," Cryer said. 

Press Release:

The Rosalie "Roz" Steiner Art Gallery is kicking off its 2023-2024 exhibition season with a solo show by local sculpture artist, Richard Bannister. Richard's sculptures are one-of-a-kind, unique works of art. He is a master of sculpting in wood, metal, and stone. He completes all the work on his art, by himself, in his studio.

Opening receptions for "Man's Struggle with the Gods: Sculptures by Richard Bannister" will be on September 14 from 12:30 p.m. - 2 p.m. and 5 - 7 p.m. with an artist presentation at 12:30 p.m. in the Roz Steiner Gallery.

About his artistic process, Richard says: "I now consider that the ability to create my works of art is a gift from God. However, I didn't always believe this. For years in my early studio in San Miguel, I believed that man could only destroy. I believed anyone could do what I did. All they had to do was take the time and carve a sculpture from a block of wood or marble or make an armature and apply clay for the beginnings of a bronze sculpture. I do not sketch before starting a sculpture, I simply grab a tool and begin the work. During the process of seeing a piece of art come into existence, I receive fulfillment. Because of my various procedures, materials and tools I am usually working on ten or so pieces at once. I can flow from piece to piece and pick up hours, days, or months later exactly where I left off. This is a rare blessing indeed."

Richard Bannister has had a long and storied career that has made him the artist he is today. He managed a farm with his identical twin brother at the age of 14, fought in the Vietnam War, studied at many different colleges, and gained his BFA & MFA. He also taught and headed the sculpture department at San Miguel de Allende, traveled the world lived in foreign countries, and exhibited his artwork internationally. Bannister has raised a family, written manuscripts, explored different entrepreneurial avenues, and holds a Bachelor of Theology from RBI in Tampa, Florida. His dream is to set up an art park on his 16 acres of land. His proudest achievements are his 3 children.

Richard's exhibition at the Roz Steiner Art Gallery will focus on his marble carvings, wood sculpture, and cast bronze. As an instructor in higher education, Richard developed courses discussing man's experiences with gods, demons, spirits, and other folkloric elements. Many of the pieces in his current show are a result of that line of thought. He aims to spark discussion of the things we cannot see; some of his artwork takes inspiration from Biblical tales like his sculpture Eve and the Tempterwho tempted who? (made of walnut), and Angel with the Gods (carved of black marble). Richard pulls insight from the religion of ancient Egypt and Buddhism, such as Baby Buddha (made of red oak and walnut), Egyptian Fish God, Slave Girl, and Angry King (carved black marble), which is the sculpture we are using to promote the exhibition.

Mr. Bannister has written eight manuscripts throughout his career, which form the series "My struggle with the Gods." The written saga is titled from the marble carving series that he is presently working on, "Man's struggle with the Gods". At his artist talk, Richard Bannister will discuss the inspiration behind his sculptures, and his creative process, and pull from his college courses to prompt discussion.

Roz Steiner gallery hours are Tuesdays and Thursdays from 10 a.m. - 2 p.m. and 3 - 5 p.m. The gallery is also open on Wednesdays from 9:30 a.m. - 1:30 p.m. Any changes to the gallery hours will be posted on the gallery's social media pages