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Enter through the coffee shop for art and music @ The Harve

By Joanne Beck
The Harve Brian Kemp and Mary Jo Whitman

Nothing like the smell of burnt shopping cart to go with your morning coffee.

That was just one of several teasers thrown online to pique viewers’ interest during these past four months of preparation for a surprise exhibit on the city’s east side.

Considering the involvement of artists, sponsoring businesses, with the lead being GO ART!, and Harvester Center LLC serving as host, this project has been kept under wraps fairly well. 

That is until now, when founders Brian Kemp and Mary Jo Whitman decided it’s time to announce:  Enter Through The Coffee Shop @ The Harve.

“So Brian came to me with this idea, he was like, ‘We should take over an industrial space and see what we can do.’ And you know, Brian always has a lot of ideas. And the next day, he said, can you meet me at the Harvester in 30 minutes? He showed me the room, and he's like, ‘You want to do it?’ I'm like, ‘All right. ‘And that's how it started,” Whitman said.

While that may sound like a rather calm beginning, it has been anything but ever since they temporarily claimed the 7,000-square-foot space at 56 Harvester Center in January.

Rectangular in shape, with long rows of windows for ample natural sunlight, it’s a space easily accessible through The Pub Coffee Hub, owned by Rob Credi.

The Harve

Kemp and Whitman put the word out for artists, and the walls have been gradually bleeding color with brilliant murals and 3D sculptures, while the room's footprint has been carpeted with the shell of a red car, artwork and the makings of a bar area. 

Is it an art exhibit? A gallery? A space for mingling and reflection while enjoying refreshments and listening to live music? Or perhaps a new avenue for artists to publicly expose their creations? Yes, yes, yes and most certainly, yes.

One other possibility, of course, is that it also brings people over to Harvester Center, which seems to be getting more buzz as a growing business center again. 

The Harve’s debut will be with an opening reception from 5 to 11 p.m. June 3, and a VIP invitation-only event the evening before.

The Harve

Step into the capacious room, and it’s hard not to notice the sweeping mural of a blonde-haired, vivid blue-eyed doll on one end wall that sits next to a take on the Cheshire cat in a vibrant purple atop red mushrooms in a dazzling, eye-catching still vignette. And all of it was painted by Dan Butler in an astounding four days.

Across the room in a corner is Kemp’s studio, filled with various materials and about 20 works already done.

“It’s been cool having this much space,” he said. “I have 10 more things I’m working on.”

On one wall is Whitman’s sculpture-in-progress. It seems fitting, given a prior disclosure, that she often leans toward darker works of art. 

A big black puff of clouds stretched along toward the top of the wall, with two people dressed in black below, and one of them with a shopping cart — painted black — against the wall. It actually rains, and the clouds have lightning, she said.

From those early moments of walking into such an expansive space, she and Kemp didn't really fumble with ideas of what to do or how to go about bringing their collective visions to life, they said. 

The Harve

“It’s absolutely amazing how everything has just fallen into place. Rob’s extending his hours when we’re open Fridays and Saturdays in June,” Whitman said. “We just started asking questions. There was a BBC documentary, ‘Exit Through the Gift Shop,’ so it’s a parody of that, ‘Enter Through The Coffee Shop.'

“It was just perfect clarity based on ‘Exit Through The Gift Shop,’ but kind of an opposite message that you know, instead of commodifying the arts let’s bring the arts to people to help support local business,” she said.

There will be two cars in the show, and they will hopefully be in the demolition derby in July, Kemp said. Having wheels helps with their other vision for the main floor, which brings together street art, graffiti and murals.

The Harve

“We’re literally going to have the place kind of like a street, we're gonna have little elements of this street scene. Like we're trying to make it look like a street … traffic cones, construction cones, the cars,” he said. “You can just come in and walk around. You can grab a seat. Rob … will be open, so you can grab a coffee or a sandwich. We're hoping to have some alcohol available.”

There are a couple of comfy couches there right now for seating, and tables and chairs will be moved from The Pub Coffee Hub for exhibit patrons, he said. They have booked four acts for live music already, with the potential for more.

They’ve worked with about 10 artists, Credi and Jarrod Clark, who manages Harvester Center LLC. Go HERE to stay up-to-date on details.

Mary Jo Whitman

Photos of Brian Kemp, an artist and owner of T-Shirts Etc. in Batavia, and Mary Jo Whitman, an artist who works at GO ART! in Batavia, at The Harve at 56 Harvester Ave., Batavia, by Howard Owens.

Batavia Players seek community support, promise state-of-art facility

By Joanne Beck
Main St. 56 Theater

Sometimes fundraisers help to augment a nonprofit’s goals and projects, but that’s not quite the case for Batavia Players, Patrick Burk says.

Main St. 56 Theater, an ambitious downtown symbol of the arts in all their dramatic glory — up on a stage featuring the community’s own — is dependent on the funds raised during a final push for donations.

Titled “Be Our Guest,” the campaign is designed to offer folks an opportunity to give what they can — a little or a lot, Burk said. There was a kick-off at the theater-in-progress in late April, and Broadway actor John Bolton was a featured “Be Our Guest.”

“John is wonderful and so dedicated to keeping and maintaining the Batavia Players and the Main St. 56 Theater as a top notch performance space,” Burk said. “He was very gracious and giving to the actors and volunteers and provided some wonderful insights on the profession.  We thoroughly enjoyed having him here to help shine a light on our needs and the project in total.”

The project has received grant funding, however, due to COVID — yes everyone is tired of hearing about it, but the lasting effects are nonetheless real — prices of everything have gone up, Burk said. Delays, increased labor and raw material costs, have added to the total expense.

This fundraiser is for the purchase of new seating, and lighting and sound upgrades to provide a state-of-the-art facility “that is comfortable and inviting for our audiences,” the campaign material states.

“We need to raise these funds in order to complete the theater,” he said. “It’s that simple."

When might we expect to see a show at there? 

That depends on who you talk to, he said. The theater is about 80 percent complete.

“Our ability to move forward is directly attached to the 'Be Our Guest' campaign. I have no idea. I have been telling myself that it will be sometime after Sept. 1 of this year.  Maybe the Christmas show in December,” Burk said. “Again, all of this depends on when we can raise the funds as well as get the work done. We are looking for volunteers for a multi-day work session that will be announced soon.”

During a recent interview with Bolton, he spoke fondly of community theater and how it belongs in every city, including Batavia. 

What’s a community without live theater?

“A community without theater (or any of the arts for that matter) loses so much.  The arts of a community are a distinct part of that community.  It would be like losing your favorite or most known landmark.  Community theaters are an outlet for those that want to perform and do not have the resources or the ability to go far from home to achieve that,” Burk said.  “They are spaces that help talent develop and as we have seen from the past, we do develop great talent here that goes on to bigger and better things. We have past participants of the Batavia Players performing on Broadway, being on national tours and starring on the stage and screen. John Bolton is a great example of those that got exposed to the profession locally and then went on to perform professionally all over the United States. 

“The Batavia Players have been in existence for close to 93 years. When you look back at all that they have accomplished and all the people that we have touched and worked with it is amazing,” Burk said. “I feel that we are a great reflection of our community and the area in general and that we provide an excellence in the performing arts area with talented veterans and new people on a regular basis.”

Donations of certain levels will be placed on an engraved plaque in the theater lobby area. The goal is to raise $150,000. Make checks payable to Batavia Players Inc., P.O. Box 256, Batavia, NY, 14021-0256. For more information, email burk.patrick1956@gmail.com.

Photo of Main St. 56 Theater by Howard Owens.

Polka fans Sturr crazy for a night of fun and dancing at Batavia Downs

By Howard B. Owens

There was a polka party featuring the Jimmy Sturr Orchestra at Batavia Downs Thursday night while WBBZ taped four segments of the station's weekly show, Polka Buzz, for broadcast in May.

Sturr has won 18 Grammys for his polka albums and is the undisputed King of Polka.  

PreviouslyJimmy Sturr coming to Batavia to spread the love for Polka

Photos by Howard Owens.

Besides playing with Jimmy Sturr, Chris Caffery's other gig as lead guitarist for the Trans-Siberian Orchestra.

Southern gospel homecoming set for Needhams at Batavia First Methodist

By Jazmyne Boozer

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Joyce and Bob Spamer fell in love with the soulful sounds of southern gospel music over a decade ago. In an effort to share that love with others, they embarked on booking concerts for their fellow Western New Yorkers.

Through their foundation, Southern Gospel New York, the Spamers seek out Southern gospel talent from all over the South and invite them north for concerts.

Now, the pair is hosting a concert featuring the hometown southern gospel band, the Needhams.

With over two decades under their belts touring and singing together, the Needhams will return to their hometown of Batavia to perform a homecoming concert.

The band has written and recorded seven albums, including their latest: "Legacy."

This album features 10 new songs and commemorates the group's 25th anniversary.

The Needhams is a family band. Formed by Sr. David Needham, the band is comprised of Dave Needham (his son), Diane Needham (his daughter), and her husband Steve Mummert.

Being big fans of the storytelling and talent of the band, the Spamers wanted to ensure that the Needhams felt loved and honored by their hometown.

“We wanted to make it big this year because they’re celebrating their anniversary in singing. The dad, Dave Sr. has been singing for 60 years, he started the Needhams,” Joyce Spamer said. “It’s encouraging. They need the encouragement to know that people are excited about what they do. They are putting us on the map.”

The family gravitated to gospel, Bob Spamer said, and to music's personal meanings.

“We’ve always loved gospel music. There’s a message in the music,” Spamer said. “These gospel songs tell a story. A lot of people write from the experiences they’ve had.”

All who wish to attend the event on May 26 are invited to go to Batavia First Methodist Church at 8221 Lewiston Road, Batavia. The concert begins at 7 p.m. No tickets are required, however, a love offering will be taken to help support the ministry of the Needhams.

Submitted photo

GO ART! awards state grants to multiple artists and community organizations

By Press Release

Press release:

On Sat, April 22, GO ART! announced the 2023 Statewide Community Regrant (SCR) Program Grantees at the Hoag Library in Albion.

The Statewide Community Regrant Program was developed by the New York State Council on the Arts (NYSCA) in 1977 in response to a mandate by New York’s Legislature that there be greater local involvement in funding decisions, affecting local non-profit organizations, offering artistic or cultural services and programs, and to ensure New York State’s cultural funding reached every part of the State.  The program is funded statewide, in all 62 counties, and NYSCA funds are regranted by local arts agencies through a transparent peer panel funding process.  Through the Statewide Community Regrant Program GO ART!, NYSCA and the New York State Legislature hope to extend, upgrade and increase the arts and cultural programming in Genesee and Orleans Counties. The goal is to make state arts support available to geographically, economically, and ethnically diverse segments of the state’s population. 

Through the SCR Program, GO ART! awarded a total of $210,000 in regrant funding to 50 artists and organizations for events and programming throughout Genesee and Orleans counties.

The Statewide Community Regrant Program consists of three different grants Reach, Ripple and Spark:

REACH: The GO ART! Community Arts Grants (Reach Grants) provide seed grants to individual artists, collectives and arts organizations for projects and activities that enable Genesee and Orleans County communities to experience and engage with the performing, literary, media, and visual arts. Each year the program supports arts projects, including concerts, performances, public art, exhibitions, screenings, festivals, workshops, readings, and more. 

GENESEE COUNTY REACH GRANTEES:

  • Batavia Business Improvement District - Jackson Square Concert Series - $5000
  • Batavia Concert Band - 2023 Batavia Concert Band Summer Concert Series - $3231
  • Batavia Development Corp - Murals in the Batavia City Centre - $2800
  • Batavia Players, Inc - 2023 Theater Season - $5000
  • Bergen Historical Society - Holiday Mural Panels - $4286
  • Bill & Kay McDonald - Homegrown Concert Series 2023 - $5000
  • Brian Kemp (Batavia Business Improvement District) - TableTop ArtShow - $5000
  • Byron-Bergen Public Library - Enriching lives through the Arts - $4954
  • David Burke (Warrior House of WNY) - The Goose Community Center Indoor Mural - $2500
  • Elba Betterment Committee - EBC Presents Art Around Town (Again) - $5000
  • Friends of the Batavia Peace Garden - Artistic Interpretive Panels - $5000
  • Gillam-Grant Community Center - Community Art Adventure - $4849
  • Genesee Chorale, Inc - Genesee Chorale 2023 Season - $5000
  • Genesee Symphony Orchestra - 2023 Concert Series - $5000
  • GLOW OUT! - 2023  Pride Festival - $4500
  • Haxton Memorial Library - Talented Thursdays - $5000
  • Heather Davis (St. Mark's Episcopal Church) - Opera on the Oatka - $1500
  • Holland Land Office Museum - Guest Speaker & Concert Series - $3500
  • Hollwedel Memorial Public Library - Shake on the Lake Presents William Shakespeare - $5000
  • Michelle Cryer (Friends of the Batavia Peace Garden) - Batavia Water Storage Tank Mural - $2800
  • Oakfield Betterment Committee - Oakfield Labor Daze - $5000
  • St. Mark's Episcopal Church - Music at St. Mark's - $2970
  • Thera Sanchez (Habitat for Humanity) - Batavia's Gold Mural - $3000
  • Warrior House of WNY - Learning Through Art - $5000
  • William Peterson (Batavia Players) - Everyone Has a Story - $5000
  • Woodward Memorial Library - Art All Year ­- $5000

ORLEANS COUNTY REACH GRANTEES:

  • Albion Merchants Association - Concerts on the Canal - $5000
  • Cobblestone Society & Museum - Cobblestone Museum Arts Series for 2023 - $5000
  • Friends of Boxwood Cemetery - Boxwood at Night - $4160
  • Hoag Library - Hoag Music Series - $5000
  • Howard Barry (Community Free Library) - Myron Holley Erie Canal Mural - $5000
  • Lee-Whedon Memorial Library - Finally Fridays! 2023 - $3200
  • Lyndonville Lions Club - I Hear the Music - $5000
  • Orleans County Historical Association – Multidisciplinary Live History Event- $5000 
  • Veronica Morgan - I was a "Hoggee" on the Erie Canal - $5000
  • Vette (Albion Merchant Association) - Albion Summer Concert -$4768
  • Village of Albion - Bridging the Village Music Series - $5000
  • Village of Holley - Concerts at the Canal - $3000
  • Yates Community Library - More than Just Books - $5000

RIPPLE: The GO ART! Individual Artist Commission (Ripple Grant) supports local, artist-initiated activity, and highlights the role of artists as important members of the community. The Commission is for artistic projects with outstanding artistic merit that work within a community setting. 

GENESEE COUNTY RIPPLE GRANTEES:

  • Eric Zwieg - Passenger: A Billion Little Pieces - Postmodern Reflections - $2500
  • David Burke - Harvester Center Hallway Mural - $2500
  • William Schutt - Connecting Hands Connecting Communities - $2500
  • Joshua Lang - On Dreams - $2500

ORLEANS COUNTY RIPPLE GRANTEES:

  • Eric Weatherbee - The Humble Bard Present - $2500

SPARK: The Arts Education Program (Spark Grant) supports arts education projects for youth and/or senior learners. Emphasis is placed on the depth and quality of the creative process through which participants learn about the arts. Projects must focus on the exploration of art and the artistic process.

GENESEE COUNTY SPARK GRANTEES:

  • Genesee County Youth Bureau - Re:Creation (Drawings of Nature) - $3200
  • Strength in Numbers Organization Inc - Strength In Numbers Organization Youth Music Program - $5000
  • Linda Miranda Fix (Batavia Central School District) - #kindness,empathy&you mural - $5000
  • Laura Jackett (Byron-Bergen Public Library) - Art Workshops at the Libraries - $5000

ORLEANS COUNTY SPARK GRANTEES:

  • Patricia Greene (Orleans County Chamber of Commerce) - Art Experiences for Seniors - $5000
  • Judd Sunshine (Lyndonville Central School District) - Erie Canal Songwriting Project - $3300

These grants are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.  

Photos by Tom Rivers/Orleans Hub.

Top photo: Gregory Hallock (right), executive director of the Genesee-Orleans Regional Arts Council greets about 75 people during an announcement on Saturday for $210,000 in grants to local arts programs. He is joined at Hoag Library in Albion by Mary Jo Whitman (left), the education and Statewide Community Regrant Program coordinator; and Jodi Fisher (center), the GO ART! administrative assistant.

GO ART! officials on Saturday presented checks for $210,000 to about 50 different artists, community organizations and municipalities to support cultural programs in 2023. The funding was presented to about 75 people at the Hoag Library in Albion.

Sara Vacin, executive director of GLOW Out, said a grant will help fund the GLOW Pride Fest on June 9 in Batavia.

Jimmy Sturr coming to Batavia to spread the love for Polka

By Howard B. Owens

Not many legends play concerts in Batavia, but this Thursday, Batavia Downs will host Jimmy Sturr -- winner of 18 Grammy Awards, leader of a polka band since age 11, and musical artist who has recorded 152 records.

His first recording in 1964, in the midst of Beatlemania, was a 45 -- the A-side was a song Sturr wrote, "Hepsa Polka" -- and he's been touring and recording since, building a reputation as the King of Polka.

"I fell in love with it (Polka) at an early age," Sturr said during an interview with The Batavian. 

That won't be hard to understand once you know a bit about where he grew up.

Sturr was born in 1941 and raised in Florida, NY, and even with international success, he's never left Florida, NY.

He's perhaps as proud of his hometown as he is of Polka.

"It's funny, but Florida, New York is known as -- now don't get upset when I tell you this because I know you think your part of the state is the Onion capital of the country -- well, Florida, New York is supposedly the onion capital of the country. We grow, I guess they say, approximately 30 percent of the nation's onions."

Sturr is Irish, but Florida, NY, was 85 percent Polish when he was growing up.

"A lot of the people came over from Poland and Germany working in the black dirt, and they brought all their traditions with them, one of which was their music," Sturr said. "That's how I fell in love with the music. My high school dances all had Polka bands. The local radio station had a Polka show every day. And of course, we had those three-day Polish weddings. So you know, I just fell in love with Polka."

If you were coming of age as a musician in the 1940s and 1950s, it wasn't a bad time to fall in love with Polka.  Some of the genre's most influential musicians -- such as Frankie Yankovic, Walt Solek, Larry Chesky, and Myron Floren -- were cutting popular albums. Myron Floren became a regular on the "Lawrence Welk Show," playing a Polka segment that a young Jimmy Sturr never missed.

He quickly became a proficient musician and, by 1952, was leading his own band. In one interview, Sturr said his band was the third call band because he was so young.  If the more established bands in town were booked, Sturr got the call, which still led to plenty of performance experience and helped launch his career.

Sturr said he was also influenced by the Big Bands of the East Coast that occasionally passed through his hometown. 

"For some reason, most of the bands that came here were from New England, from Massachusetts, and some were from New Jersey and New York," Sturr said. "That's the kind of music I grew up on with bands that came from that area. I sort of molded my band in that direction. That's why we have such a big band."

And it's a good band.  There are dozens of live recordings of the Jimmy Sturr Orchestra on YouTube that demonstrate how well the band plays together, their dynamic performances, and individual musicianship.

Sturr, from early in his career, wanted to be an ambassador for Polka.

He realizes there is a bit of a stigma attached to Polka.  That it's grandma and grandpa's music, but he's seen for himself how young people can enjoy the music -- which is really party music -- as much as anybody.

"You know, once we can get them to hear the music -- just like last week in Buffalo (for a Dyngus Day celebration) -- there were a lot of people who weren't Polka fans, but they were there for the party," Sturr said. "Once they heard it, they were hooked. I had them hooked. They stayed the whole night."

Spreading the love for Polka is one reason Sturr has recorded with so many other artists who aren't usually associated with Polka, such as Arlo Guthrie, Mel Tillis, Bela Fleck, Brenda Lee, Charlie Daniels, Bobby Vinton, Porter Wagner, Ray Price, the Oak Ridge Boys, Bill Anderson, and Allison Krauss.

Willie Nelson has appeared on five Sturr LPs.

"I read a book one time on Willie Nelson, and that's how this whole thing sort of started," Sturr said. "I read that Willie Nelson started in a Polka band back in his home state of Texas. So I thought, 'Well if I ever get the opportunity to meet Willie, I'm going to ask him if he would record with me.' Well, sure enough, not long after that, I had the opportunity to perform with Willie on the same show. After the show, I snuck around and said, 'Willie, would you be interested in recording some polkas with our band?' And he said, 'I'd love to do that. And we did. That was back in around 1998."

By then, Sturr was already a big star, thanks to the Grammy Awards. 

The Recording Academy didn't get around to declaring Polka a genre worthy of its own award until 1986, when Frankie Yankovic won that first award.  The next year, Sturr won the first of his Grammys, starting a string of six consecutive Grammys for best Polka album.  He would win 12 more before the category was eliminated in 2009.  Since 2011, Polka artists have been eligible for awards in the Regional Roots Music category, but so far, no Polka act has won that award.

"If we had not won 18 Grammys, I think we would be just another, quote, polka band," Sturr said. "But the Grammys meant so much. You get to meet a lot of people, people like Willie Nelson. I mean, from that, we got to play Farm Aid. I'm sure we wouldn't be doing that If we hadn't won those Grammys."

In his effort to appeal to younger music fans, Sturr has always welcomed a variety of musicians into his band.  His current guitarist is Chris Caffery, lead guitarist for the Trans-Siberian Orchestra.

"That's one reason I like to tour with Chris Caffery," Sturr said, explaining his desire to reach young fans. "He comes out with the long hair, and he does rock guitar with the horns, and it sounds quite good. It's a good mix. And, of course, the young kids all of a sudden, they're right into it. And the next song I play would probably be a Polka. And those kids are still getting into it. They'll get into the polka." 

Sturr's performance at Batavia Downs on Thursday is part of WBBZ's Polka Buzz broadcast from Batavia Downs.

Tickets are $20 and can be purchased on the Batavia Downs official tickets website, BataviaConcerts.com.   Tickets can also be purchased at the Lucky Treasures Gift Shop. Tickets can be redeemed for $20 in Free Play on the day of the show.

Photos: GO ART!'s steel drum concert on Saturday

By Howard B. Owens

GO ART! hosted a steel drum band concert in the City Centre concourse on Saturday.

The featured bands were: 

  • Ithaca College, “I C Steel” 
  • Steel Alchemy Community Steelband from Geneseo
  • Rochester Institute of Technology’s “Tiger Steel” 
  • Lancaster High School, “Carnival Kids Steel Orchestra”  

Photos by Howard Owens

Community artists invited to submit works for show at Roz Steiner gallery

By Press Release

Press release:

Who: Calling all artists, sculptors, craftsmen, woodworkers, fiber artists, mixed media artists, photographers, painters, etc.

What: Art installations/gallery exhibitions/group shows for exhibition in the Roz Steiner Art Gallery

Where: Roz Steiner Art Gallery ~ Genesee Community College ~ 1 College Road ~ Batavia, NY 14020

When: Schedule for the 2023-2024 season and beyond

The Roz Steiner Art Gallery presents exhibitions by a variety of regional artists, faculty and students. We are proud to partner with the local community to uplift artists. The gallery opened in 2011, and since then, we have held a variety of shows featuring visual works, sculpture, ceramics, fiber arts, photography and other media. We offer a large professional space with state-of-the-art lighting and SMART technology to allow the presentation of new digital media, as well as online exhibitions. With over 1,700 square feet of space and equipped with moveable walls, the Roz Steiner Art Gallery is a flexible environment perfect for both intimate and large-scale exhibitions.

We also offer a secondary exhibition space in the form of the Stuart Steiner Theatre lobby. Equipped with the same fiberglass rail system as the gallery, we are able to install 2-dimensional work there.

The Art Gallery offers culturally-enriching events to GCC students and the community through a variety of media styles, concepts and processes. The College is an integral part of the arts community and works with regional arts organizations to enhance the Western New York art community.

The submissions and acceptance process are ongoing, so you can submit an application to the gallery at any time. Go to https://www.genesee.edu/campus-life/center-for-the-arts/art-gallery/ to submit your proposal. Please email gccgallery@genesee.edu if you have any questions.

Submission requirements

  • Portfolio (digital/website preferred)
  • Biography
  • Artist Statement
  • Resume or CV
  • Exhibit proposal (include size and number of pieces to be displayed)
  • Available to do solo exhibitions, duos and group shows

Quality of Artwork

  • must be professionally matted and framed/displayed; ready to hang
  • aesthetically show professional quality skills and techniques
  • conceptually show originality and creativity
  • artwork must fill the gallery space accordingly (single, duo or group exhibit)

Scheduling Goals

  • schedule a diversity of media and concepts within a year's exhibition plan
  • offer students exhibit times for fine arts and digital arts
  • offer exhibit times for professional artists
  • offer exhibit times for community arts organizations that are prepared to exhibit high-quality art at an age-appropriate level (high school/college/ and adult group exhibits will be considered
  • Our goal is to create a well-rounded exhibit schedule that meets the above requirements.

Jury Procedure

The GCC Gallery Committee will jury the artwork and create a schedule of events for the Roz Steiner Gallery. The Gallery Advisory Committee will then approve the proposed schedule. After the exhibit schedule has been approved, the Gallery Manager will send out acceptance letters and collect Gallery Contracts from the participating artists. Exhibits dates will be confirmed and reserved when the artist hands in the signed contract agreeing to the exhibition terms.

Swift, Mars, Elvis and Disco coming to Batavia Downs

By Press Release

Press Release:

Batavia Downs Gaming & Hotel has announced the onsale dates for two upcoming concerts taking place at Batavia Downs Gaming & Hotel’s Park Place Room along with the facility’s first “Silent Disco.”

22K Magic – a Tribute to Taylor Swift and Bruno Mars makes it’s Batavia Downs debut on Saturday, September 2nd.  Hailing from Canada, music talents Carla and Joshua bring the spirit and energy of Taylor and Bruno to their performances.  Together, they put on a show with all your favorite songs, clean lyrics and a whole lot of fun.  Tickets are $15 and attendees receive $10 in Free Play on the day of the show.

Also making his first appearance at Batavia Downs is Rick Alviti’s Tribute to Elvis “That’s the Way it Was.” This Elvis tribute is high-energy and full of audience interaction.  Rick has performed all over the country and in many parts of the world including the Wynn Resort in Las Vegas.   This tribute to Elvis show is truly the closest thing to a live Elvis performance you will ever see or hear.  The event is happening on Saturday, September 9.  Tickets are $30 for VIP, $20 for General Admission and attendees receive $15 in Free Play on the day of the show.

For the first time ever, Batavia Downs will be hosting a “Silent Disco” on Saturday, September 16.  A Silent Disco is an event where people dance to music listened to on wireless headphones rather than on speakers. Several types of music will be broadcast to attendees who are wearing those headphones, so party goers could be listening to several different types of music at a given time.  Since those without the headphones hear no music, the effect is a room full of people dancing to no sound.  Tickets for this event are $20 and include $10 in Free Play. 

Tickets for these events will be available at www.BataviaConcerts.com beginning on Tuesday at 10 a.m.

“We are thrilled to welcome these new and exciting events to Batavia Downs this fall,” said Henry Wojtaszek, President and CEO for Batavia Downs Gaming & Hotel. “Tribute concerts featuring modern pop stars have proven to be a huge draw to attract new guests into our facility.  We know there are many Elvis fans out there and WNY’s own Rick Alviti is one of the best at preserving the King’s music for all his fans.  With so many of our own employees enjoying Silent Discos at other entertainment venues, we knew it was time to do one here.”

Round II of All-County offers 'pinnacle' experience: music students can make music together

By Joanne Beck

By 5:45 p.m. Friday, the dense heat was broken up by intermittent breezes, which provided some cool comfort for a group of students in the back of Le Roy Junior-Senior High School.

They weren’t playing baseball or having a picnic, or goofing around at all. Students and music teachers were at the tail end of a three-hour practice in prep for Saturday’s Genesee-Wyoming Music Educators Association All-County chorus and band concerts. The band room doors were wide open, leaking out a steady rhythm of brass, woodwinds and percussion.

This is Kiptyn Cone’s first all-county event, and he’s enjoying it, he said. His favorite performance piece is “Metal Heads,” which, as the name implies, features a lot of heavy metal style and metal sounds, including cowbells and brake drums. A fifth-grader from Le Roy, Kiptyn is a percussionist who really appreciates the full drum set.

“With all the toms and the snare drum and bass drum with the foot pedal and high hat and splendid cymbal,” he said during a quick break.

The 10-year-old is following in his older brother’s footsteps, but he also believes the drums have an important role in a band.

“They’re keeping the beat, kind of the rest of the band depends on the percussion, the drums in particular. And because we’re the ones like, boom, boom, boom, keeping the beat so they know what to follow,” he said, sharing how he feels about Saturday’s concert. “I’m actually not feeling nervous. I feel pretty prepared. I feel like I know my stuff.”

Kiptyn is far from alone in this being his first all-county music festival. With COVID-19 and the shutdown of schools and most everything, the festival was swept up in that as well. Kids missed out on those opportunities for four years.

Dan Klinczar, vice president of the GW Music Educators Association, is not even sure if 10th graders ever had the chance to participate in all-county. The festival involves all school districts in Genesee County, plus Attica from Wyoming County.

“So for most of the students and all the junior high, and all of the elementary, this is their first all-county experience. So they get to work with a guest conductor, and they get to work for a long time. It's a long practice. So it's a really good opportunity for them to make music with other really strong and dedicated musicians across the county, which is the really cool thing,” Klinczar said. “That's the pinnacle of what musicians want to do -- make music with others. “It’s getting together today and tomorrow before the concert. They'll rehearse tomorrow from nine to 1:30 back in the same spot before they do a concert.

"And like I said, it’s a culminating event for them, you know, and this is supposed to be a mountain experience for kids because it's the opportunity for them to make music with others, and see that people across the county and outside of their small little niche of their own school who can make music and have fun together," he said. "And we’ll be awarding a couple of awards tomorrow. “

The John Mikalski Memorial Career Scholarship will be presented to seniors Evan Williams and Jackson Cain, both of Le Roy.

At 18 and about to graduate, Cain is debating which college to attend. It’s an 80-20 split, with Fredonia State College carrying more weight than Nazareth, he said, to pursue a degree in music education. He’s on a career track to teach music and, hopefully, right in his own hometown.

He is eight years older than Kiptyn and every bit as passionate about the percussion section.

“I think, with all the other tonic instruments, like the ones that have the pitches and all that, it's very easy to express yourself. And I liked that. But with something like a snare drum or a drum set, it's more difficult to bring that out. And I think that's really cool that you can, you know, if you hear someone play a snare drum, you're expecting like, oh … military,” he said. “And then if they come out, and they play the solo that's like, oh, wow, I get expression through this, even though it's just one pitch, I still get that story, and I get what is happening. So I think that's really cool. That you can take something almost one dimensional as a snare drum and turn it into something that's like, artistic and beautiful like that.”

He admitted that, at first, he wasn’t looking forward to a three-hour after-school practice. But then there’s something about several strangers coming together to create something brand new together.

“And then just like, instantly, it all comes together, because we're all practiced, and we all know what we're doing. And it's like, wow, it's like, it's just super fun that, off the ground floor, we all have a very strong understanding of the pieces,” he said. “And we really get to hear these, you know, live, and it's like, we get to watch them grow and build, it's really, really cool. I love every bit of it.”

Cain credits music teacher “Mr. N" (Nordhausen), who first taught him in fourth-grade band, has a sense of humor and other similarities that Cain can relate to, and is a fifth and sixth-grade band teacher; and Miss Dotts, “an incredible band teacher” for grades seven through 12.

The future high school graduate also described a pivotal moment that validated what he wanted to do in life. When a band director was out sick, Cain was picked to fill in, and he worked with students in band camp. He taught drumline and how to march, and afterward realized that he helped those kids.

“And even from then on, it's like, it's helped me realize a lot of things about myself, like marching band specifically was one where I realized if I apply myself, I will see the results that I want. If I really work hard, and I really focus on something that, if I'm passionate about it, I'll see the results that I want,” he said. “And then, of course, the no-brainer’s music education, and then, finding that this is a huge passion for me, and I love doing this and … this is what I want to do for the rest of my life. I want to cultivate this experience for other kids.”

Photos by Howard Owens

Mary Jo Whitman is BSA guest speaker this month, on how to prepare an exhibit

By Press Release

Press release:

The Batavia Society of Artists is hosting artist Mary Jo Whitman on Tuesday, April 11, starting at 7 p.m. at GO ART!/Seymour Place, 201 E. Main St., Batavia.  Mary Jo will be doing a demo on Preparing for an Exhibit. Which every artist needs!  The 2.o.1. Tavern will be open for cash purchases.  Non-members are welcome for a $5 fee.  We are always accepting new members, any medium or skill level, single $30, couple $50, and student/veteran $10.

Mary Jo Whitman is the Education Director/SCR Coordinator at GO ART! and an Adjunct Art History Professor at Genesee Community College. She has been a practicing artist for over 20 years, working in a variety of forms, including drawing, mural painting, photography, digital art, and sculpture, with a focus on conceptual art. Although much of her work is commissioned, she has exhibited in various group and solo exhibits, both locally and internationally.

Earning a MA in Critical Museum Studies from the University of Buffalo, her graduate research focused on exploring critical theory as it pertains to the construction of identity in a postmodern era. Graduating from SUNY Brockport summa cum laude, she holds a BA in Studio Arts with a concentration in Sculpture and a minor in Art History. Mary Jo also has an AAS in Fine Arts, with a concentration on Digital Art, from Genesee Community College.

Passionate about promoting and fostering the arts, Mary Jo served on the Board of Directors at GO ART! from 2015-2018, chairing the External Affairs and Gallery Committees. As the former Art Gallery Coordinator for the Rosalie “Roz” Steiner Art Gallery, Mary Jo focused on enhancing the student’s education through exposure to a variety of mediums and art forms while curating diverse and dynamic exhibitions for the community to enjoy. She has also had the honor of speaking as a guest lecturer to several artistic and educational groups, as well as serving as a juror for many exhibitions across the region, including the Congressional Art Competition for the 27th District.

Too much going on at GO ART! for secrets: annual report

By Joanne Beck

This past year has been a year of firsts for Genesee-Orleans Regional Art Council.

The nonprofit gave out $147,000 through its regrant program and $210,000 through COVID relief funding, both more than what’s been doled out in the past, Executive Director Gregory Hallock says.

Better known as GO ART!, it has grown exponentially with the number and variety of programs offered for children and adults, developed a budget of $100,000 from when Hallock was hired seven years ago to $600,000 now, and was the recipient of the Chamber of Commerce Special Service Recognition Award.

The facility at the corner of East Main and Bank streets in Batavia, with a site also in Orleans County, is figuratively busting at the seams to the point where staff is planning to expand in both counties. All this is to say, Hallock was plenty armed with positive data for his annual report to Genesee County legislators Monday.

“Everything we do is dramatically stepped up in numbers,” he said. “We’re no more the best-kept secret.”

Although having only 12 percent of its revenues coming from programs and fundraising seems like a good thing, it concerns Hallock, he said. That leaves GO ART! dependent on the majority of its funding from outside sources that could revise their contributions at some point.

Genesee County’s funding has been fairly steady, recorded in 1993 with a $2,500 contribution, and jumping to $6,000 in 2004, with $4,000 in state grant funds, and declining in 2010, ranging from 5 percent to 15 percent reductions. Numbers hit a low of $6,300 in 2017, and then inched up to $6,500 and again, for the last two years, where it has remained at $7,500.

According to the report, 50.6 percent of its budget goes to administrative costs of $208,395, 35.8 percent for grants ($147,465) awarded to community artists, 2.4 percent for fundraising costs of $10,138, and 11.2 percent for programs and events ($46,167).

Grants go to musical groups such as Batavia Concert Band, Genesee Chorale, The Old Hippies, and Genesee Symphony Orchestra; and to community entertainment and initiatives, including Batavia Players, Elba and Oakfield Betterment Committees, GLOW OUT!, St. Mark’s Episcopal Church, Gillam Grant Community Center, Holland Purchase Historical Society, and Bart Dentino.

Staff is pursuing additional artists, such as Rochester City Ballet for a performance of the “Nutcracker” and Nickel City Ballet, hoping to showcase those groups for less than people would have to pay to see them in bigger cities and venues, Hallock said.

“It’s more to sustain programming than to sustain us,” he said.

GO ART! has also more recently printed a flyer that will be sent out periodically to keep members updated on programs and offerings, which include podcasts, dance, music, art, culinary arts, and culturally- and diversity-focused events.

“As an organization, we’re proud to have a building that allows us to be versatile in the programming we are able to offer the greater community,” Hallock said as part of the report.

2023 File Photo of Gregory Hallock by Howard Owens.

Photos: Beach Boys celebrated in tribute band concert at Batavia Downs

By Howard B. Owens

It was sun, sand and crashing waves in Batavia Downs' Park Place Event Center on Saturday night, where the Beach Party Boys, a tribute band honoring the legacy of the quintessential Southern California surf band, The Beach Boys, put on a rocking show.

 The Beach Party Boys ran through all the Beach Boys' biggest hits for a near-capacity crowd.

Previously: 'Good Vibrations' expected at Batavia Downs on Saturday with Beach Party Boys in concert

Photos by Howard Owens

'Good Vibrations' expected at Batavia Downs on Saturday with Beach Party Boys in concert

By Howard B. Owens

At 10 years old in June 1963, Fernando Curcione was walking down a street in his Toronto neighborhood when he saw two girls dancing to a Beach Boys record on a veranda. They invited him to come on up and listen to the music.

That's the first time Curcione heard the Beach Boys, and 60 years later, he still loves their music for all the same reasons -- the harmonies and the happiness.

Curcione will bring his "Endless Summer" enthusiasm for the Beach Boys to Batavia Downs on Saturday night with the tribute band Beach Party Boys.

"It was just feel-good, uptempo music," Curcione said to The Batavian. "Years later, when I thought about everything in retrospect, of all the music that came out in the 60s, the Beach Boys, out of everything that happened -- the psychedelic era, and Motown, and R&B, in the British Invasion, everything that happened in the 60s -- it seemed to me that the Beach Boys had a wholesome kind of sound that rang with me. It just was fun music. It appeals to audiences, family audiences, and that's basically where I wanted to go, and the guys that are part of the show are the same type of chemistry."

The Beach Boys came out of the surf music scene in Southern California, adding vocal harmonies to what had been purely instrumental music -- first crafted by Dick Dale and quickly followed by bands like The Safaries, The Bel-Airs, and The Chantays -- and helped revolutionize rock and roll.  Before the Beach Boys, surf music had largely been a regional phenomenon.  But as Curcione's experience shows, the appeal of the Beach Boys (and all surf music after them) exploded beyond the California coastline and endures well into the 21st Century.

Who hasn't heard, even among the young, songs such as "Let's Go Surfin'," "California Girls," "I Get Around," "Surfin' USA," "Fun, Fun, Fun," "Help Me, Rhonda," and, of course, "Good Vibrations," Brian's Wilson's three-minute, 35-second pop song symphony.

Beach Party Boys formed in 2010 and is comprised of four guys who worked in previous Beach Boys tribute bands -- Kokomo and Endless Summer -- and a drummer who worked the long-running Collingwood Elvis Festival, which was a celebration of Elvis Presley tribute acts.

The band's lineup is Curcione on rhythm guitar and the Mike Love vocal parts, Guy Schryer on keyboards and the Brian Wilson vocal parts, Marco Spadafora drums, Andrew Canning, bass, and Jeff Scott, lead guitar.

Not too many bands last 13 years, Curcione noted.

On Saturday, Curcione said Beach Boys fans can hear all of the classics, including the band's last #1 hit, "Kokomo" (1988). Beach Party Boys even tackle some of the trickier tracks laid down by the Beach Boys when Brian Wilson became experimental in the studio after he stopped touring with the band -- starting with "Pet Sounds" -- and setting the bar higher for The Beatles to produce ever more complex and intriguing pop songs.

"It's absolutely impossible to do what they did in the studio," Curcione said. "For example, the biggest challenge is 'Good Vibrations.' It was recorded in three different studios with three different sections of the song. So when we're playing it as a five-piece band, we are taking liberties to use the instruments that we have in relation to the notes that were created by other instruments. For example, at the end of 'Good Vibrations,' you will hear a cello doing this staccato kind of thing. What I do is I turn up my Stratocaster, and I'll do exactly the same notes in the bass section of the guitar to try to emulate that sound. In terms of the harmonies, there's nothing missing from the four-part and five-part harmonies. They are completely covered. So whatever you hear on those records in the studio, we are able to reproduce it live."

As for the Theremin used in "Good Vibrations,"? Well, now bands such as Beach Party Boys have synthesizers (barely even a thing in 1966), and Curcione said it reproduces that wavy, psychedelic sound that is so recognizable in "Good Vibrations" just fine.

"Pet Sounds" -- generally considered by critics as one of the greatest LPs ever recorded -- is well represented in the Beach Party Boys set, Curcione said. They perform "Sloop John B," "Wouldn't It Be Nice," and, of course, "God Only Knows."

"I can put the 'Pet Sounds' CD on in my car, and I never get tired of it," Curcione said. "I mean, 'God Only Knows' is Paul McCartney's favorite song of all time, so that's a testament right there. I mean, Paul is an absolute genius with some of the melodies that he has come up with."

The set isn't limited to the Beach Boys catalog. They also perform other classics of the period and genre, such as Jan and Dean's "Surf City" and "GTO" by Ronnie and the Daytonas.

While the Beach Boys had a big impact on Curcione's musical life and career, his musical interests go well beyond just one band. He was a DJ for 30 years. He's an agent for Booking House, a company that specializes in booking tribute bands, including Beach Party Boys. In 2008, he released a CD of original music. He has played in and plays in other tribute bands, such as ones for the Four Seasons and, most recently, Elvis Presley. 

"We have a tribute to Elvis because of the movie that just came out," Curcione said. "There's been a resurgence of an appeal for Elvis Presley, and it seems that because Austin Butler is 23 years old. He's attracted fans that are as young as 16, 17 years old. That whole world has opened up. It's not just the baby boomers that are going to Elvis shows now."

With all this experience booking and playing in tribute bands, you might expect Curcione to have some idea why tribute bands have exploded in popularity in recent years.  And he does.

First, there are certain bands you can't see any more because key members (or all the members) are dead.  It's impossible to see The Beatles or the BeeGees, for example.

Also, he said, ticket prices are through the roof.

"With some of the international acts like Bruce Springsteen, I couldn't believe that I saw ticket prices up to $1,000. I said, 'What the heck is going on?' Curcione said. "When I was a kid, we'd buy a concert ticket for $3.50 or, at the most, 10 bucks, but it's gone insane. So, if you're a fan of, for example, the Eagles, and you can't afford $300 for a seat, you can go see Hotel California for 40 bucks. I think that's among what appeals to fans."

Show time on Saturday is 7:30 p.m. Tickets are $15, and VIP seats (the first two rows) are $25.  Tickets include $10 in free play in the casino. Doors open at 6:30 p.m. Tickets for this show, as well as others, are always available at www.bataviaconcerts.com or at the Lucky Treasures Gift Shop in the Batavia Down's lobby.

Video: Promotional video by Booking House Inc.

Three artists open new shows at GO ART!

By Howard B. Owens

It was showtime on Thursday at GO ART! for Brian Kemp and two other artists with new solo shows in one of Seymour Place's galleries.

While Kemp had won multiple local art competitions over the years, this is his first solo show.

Kemp describes his creative process as intuitive and almost childlike, and he takes found materials of wood and metal along with Duck cloth for painting to create unique and original pieces, all while listening to an assortment of tunes for inspiration.

"I love creating in this manner as it allows for unplanned expression," Kemp said. "It amazes me what comes out of my works as they develop."

Also opening on Thursday was a show by Bryan Wright. A Batavia resident, Wright is originally from Charleston.  As a child, he was drawn to the seaside and water, which remains an inspiration for his work in various mediums. 

The collection was inspired, he said, by countless hours spent digging and rummaging through the earth in search of unique rocks, shells, sand dollars, and even an occasional shark's tooth. 

"I truly enjoy working with my hands and find my training in graphic design and basic metal fabricating has proven to be practical when fixing things and effective when creating art with such rugged material," he said.

The two pieces below are by John Midla, who also has a new show at GO ART!

Photos by Jim Burns.

Polka legend Jimmy Sturr to play Batavia Downs on April 27

By Press Release

Batavia Downs Gaming & Hotel has announced that WBBZ’s popular show, Polka Buzz, will return on Thursday, April 27th, bringing with them this time the 18-time grammy award-winning Jimmy Sturr and his Orchestra. 

Jimmy Sturr and his Orchestra have won 18 out of the 24 Grammy Awards given for Best Polka Album. Sturr's orchestra is on the Top Ten List of the All-Time Grammy Awards and has acquired more Grammy nominations than anyone in the history of musical polka awards.

WBBZ will tape several shows inside the Park Place Room with doors at 6 p.m. and taping with music to begin at 7 p.m.

Tickets are $20 and can be purchased on the Batavia Downs official tickets website, BataviaConcerts.com, now.   Tickets can also be purchased at the Lucky Treasures Gift Shop. Tickets can be redeemed for $20 in Free Play on the day of the show.

Those wishing to spend the night can take advantage of a $69 Hotel Special, which includes $20 in Free Play ($10 per person, based on double occupancy) and includes two tickets to the show.  Check out the Batavia Downs Facebook Page for info on booking a hotel room to receive these perks.

“Polka Buzz” celebrates Polka music as a recorded dance party program featuring the top Polka Bands in the country.  Local Media Personality Ron Dombrowski hosts the show and brings his knowledge of Polka music to the television screen. Dombrowski has been broadcasting polka programs since 1979 on both radio and television.

“The Polka Buzz tapings have become an anticipated event here on site,” said Henry Wojtaszek, President and CEO at Batavia Downs.  “We are confident that by bringing in a Polka Legend like Jimmy and his Orchestra, even more, Western New Yorkers will come out and enjoy good music, food and company!”

The Homestretch Grill, located adjacent to the Park Place Room, will feature food and drink specials for those attending the event.  Several specials, including Tyskie Beer, Krupnik Vodka and a Polish Platter, will be available.

Photos: KISS This at Batavia Downs

By Howard B. Owens

With all the flash and bang of the real thing, tribute band KISS This entertained a packed room at Batavia Downs on Friday night.

Photos by Angelina Miconi for Batavia Downs.

Le Roy students present Les Miserables, with timeless messages about the human spirit

By Howard B. Owens

The ideals of courage and love, the life lessons of heartbreak and passion, the resilience of the human spirit, these are the themes that play out in the musical "Les Miserables," said Jacqueline McLean, the artistic director of the Le Roy High School production of the classic Broadway show.

Le Roy will perform a version adopted for high schools next weekend.

"The most important theme, in my opinion, is the importance of standing up for the dignity of the human person," McLean said. "Victor Hugo wrote the novel Les Misérables to exploit and criticize the injustice of 19th century France. This novel transcends time and still speaks of ideals that are important today, such as the rights of women, intergenerational conflict, and conflict with the government. This show is meant to renew the human spirit.

"We hope that this show and these amazing students will help you to reflect on how precious life is and how beautiful it can be even in the darkest of days and nights," she added. 

Jean Valjean is played by Evan Williams.  Williams starred in last year's production of "Newsies" and was a finalist in "Stars of Tomorrow" in Rochester in 2022.

Additional roles:

  • Inspector Javert, Nathan Yauchzee  
  • The Bishop of Digne, Alex Doty  
  • The Factory Foreman, Cooper Terry  
  • Fantine, Ashlyn Puccio  
  • Bamatabois, Jackson Cain  
  • Fauchelevent, Carter Fix  
  • Young Cosette, Leah Cashin
  • Madame Thénardier, Aubrey Puccio  
  • Young Éponine, Madelyn Emke  

For more information on the production and full cast, click here.

The play is being performed in the Le Roy Jr.-Sr. High Auditorium, 9300 South Street Road, Le Roy.

In-person show times:

  • Thursday, March 9 at  7 p.m.
  • Friday, March 10 at 7 p.m.
  • Saturday, March 11 at 7 p.m.

Tickets: Pre-sale Student/Senior Citizen: $10 Pre-sale Adult: $12. For pre-sale tickets, click here.

At the Door Student/Senior Citizen: $12; At the Door Adult: $15.

There are also two virtual performances: 

  • Friday, March 17 at 7 p.m.
  • Saturday, March 18 at 7 p.m.

Ticket prices are $10 for one viewer and $30 for family viewing.

To purchase virtual performance tickets, click here.

Photos by Howard Owens.

Notes of remembrance: farewell to former music educator Ken Hay

By Joanne Beck

Ken Hay, one of the most relentless, unforgettable and endearing forces behind the music program at Batavia City Schools, passed away Tuesday, Feb. 28. He is being remembered by former students, staff and friends for his inspiration, talent, confident swagger, and compassionate spirit.

Joshua Pacino, a 2001 Batavia High School grad, has lots of fond and funny memories of Hay, who was band director at the high school from 1982 to 2003.

"Ken Hay was full of bombast and bluster, but he was an incredibly kind teacher. In my freshman year of high school, I was hanging out with my girlfriend at the football game and missed the bus back to school,” Pacino said. “After walking into the band room 30 minutes late, I was expecting to be thoroughly reprimanded. Instead, he just gave me a look and told me my uniform and trombone were by the door and needed to be put away.

"He could be tough on his students. During a rehearsal, he would yell and holler about wanting more from us or explaining that his grandmother could do it better and she was dead,” Pacino said. “But, he was also a champion for them. You would often hear him yell out ‘Nice!’ or ‘Great job!’ in the middle of a piece, sometimes even during the concert, because he wanted you to know you had done well.”

Not only has Pacino walked away with musical lessons and memories from a beloved teacher, but he too is a music teacher, at Batavia Notre Dame High School.

“Most of the music teachers I know chose their profession because one of their own music teachers had a profound impact on their lives. I have been fortunate to have had several such teachers over the years. Each shaped who I am as a teacher, a musician, and as a person,” Pacino said. “When I left music school, I was afraid he was going to think I was a failure. He was, as I should have known, incredibly understanding, kind, and supportive of my decision. That kindness would continue over the years as I finally decided to return to music school, earned my degrees, and began my teaching career.

"We lost Ken Hay today, but I know that his talent and compassion will live on through the decades worth of students that he taught and the uncountable number of lives upon which he had a profound impact,” Pacino said.

A positive influence
Tom Jones played trumpet and met Hay in the summer of 1984 as a freshman in marching band. The 1988 BHS grad played in field marching, concert, jazz, and parade marching bands, and “anything else Mr. Hay requested of me,” he said. That included playing “Taps” at the end of Memorial Day parades in his junior and senior years, and “Amazing Grace” at a service for Terry Anderson, who was being held hostage in Iran.

“Mr. Hay was always providing ways, for me at least, to help me grow as a young man and encourage me.  For example, every Batavia Pageant of Bands, a senior band member was chosen to be his second in charge, attend meetings, coordination of adult volunteers, all band students,” Jones said. “I was with the program all four years at BHS.  Band was my favorite subject, and Mr. Hay was my most influential teacher.  I saw him every day, some evenings for jazz or marching band practices, home football games, occasional weekends for pageant competitions, parades, etc. 

“He was a very big part of my life growing up, and one the reasons why I have continued to play in multiple musical organizations since graduating BHS,” Jones said. 

Michael Muller posted his online condolences, crediting Hay for making Alexander into "a fabulous band program, in the 70s, before he came to Batavia."

"He inspired me to be the Band Director I am today. He got me started with HS NYSSMA Solos, my college auditions, all of it. The last time I saw him was when we honored him at the 2003 Batavia Pageant of Bands, which was the year he retired," Muller said. "He was a fabulous educator, conductor, leader, mentor and friend. He was the real deal, no excuses, and always got us to do great things, be it in concert band, marching band, pit orchestra, or jazz ensemble. RIP Hayster!!"

The year 1987 was a hard one for Jason Mapes, just a teenager at the time, and it was Hay who lifted him from constant pain by being attentive and caring.

“My father passed away unexpectedly in February of 1987, and that was a dark time for me, I was only 13. I had just learned how to play the trumpet a few years back under his wife, Melinda. That summer, just a few months before starting high school, Mr. Hay kept me busy and distracted. I helped him put in his swimming pool on Ellicott Street,” Mapes said. “This one time, at band camp, I learned patience and discipline and hard work. I began to gain confidence and friends and shared such wonderful memories. I participated in everything I could: band, marching band, jazz band (my favorite), chorus, orchestra. I was in the pit for two school musicals and almost became a music educator. I would have put my horn down for good before high school had it not been for Mr. Hay.”

He said he’ll never forget the manner in which Hay taught him how to shake hands. He never let you do it without putting all you had into it.

“To this day, I still play in a few local music groups, and whenever I shake someone's hand, I almost rip it off!” Mapes said. 

Lifelong lessons
Batavia City Schools Superintendent Jason Smith obtained music education from not only Hay but also other deep-rooted instruction, he said.

“As a proud BHS music alumnus, Class of 1990, I am saddened by the passing of our beloved Mr. Hay. He was not only an excellent music teacher of mine for four years, I learned valuable life and leadership lessons from him that serves me well to this day,” Smith said. “He was one of the first to contact me when I was named superintendent here, and his message of congratulations meant so much to me. Music has been and is an important part of my life, and Mr. Hay has been an integral part of the strong BCSD music tradition.”

You can tune a tuba, but you can’t tune a fish. That was one of Hay’s final true/false exam questions that Bob Pastecki remembers from his student days in 1986-87. Pastecki played trumpet for concert and jazz band, and mellophone for marching band.

What did it mean to be part of the music program?

“My younger brother was the athlete. This gave me something to do as an extracurricular activity,” Pastecki said.

“I now run The Mark Time Marchers, a fire department marching band that does 25-30 parades a year," he said. "I also serve as the Finance Manager for The Batavia Concert Band. So music is still a big part of my life.”

Playing mellophone was interesting, he said, because it is in a different key than trumpet, and his music teacher never told him that.

“He only told me that the notes on the staff were the same fingerings for both instruments. That meant I played the wrong scale to warm up,” Pastecki said. “He looked right behind me and said, ‘One of you trumpets is AWFULLY flat.’ It took me 15 years to tell him it was me. We had a good laugh at that.”

Batavia Board of Education member Alice Ann Benedict knew Ken Hay not only through the board but also because her daughter Emily had him in the band throughout her years in the district.

“Mr. Hay was a wonderful person and a very capable director of the music department. He was enthusiastic about introducing music into the lives of many of the students, starting at a very young age,” Benedict said. “Emily said to me that Mr. Hay was one of her favorite and most influential teachers. I will remember that he always had a smile on his face. He was always positive about improving the music department, and he was a dedicated teacher to the students of the district.”

Kenneth “Ken” Hay was a 1966 graduate of Byron-Bergen Central School and participated in Concert Band, Concert Choir, Yearbook Club, and Wrestling. After graduating high school, he received his bachelor’s degree in Music Education from Fredonia State College, after which he continued with graduate work at Fredonia, Brockport and Geneseo state colleges, and the University of New Hampshire at Durham.

He taught music at East Irondequoit, Alexander and Batavia school districts. He started working as Batavia City High School band director from 1982 until his retirement in 2003, being named Music Department chairman in 1991. Hay played a significant role in the success of Batavia’s concert and marching bands, jazz ensemble, and the musical pit orchestra.

For many years, he organized the Pageant of Bands in Batavia to show the musical talents of high school bands. He directed the pit orchestra for Batavia Rotary Club productions for many years.

Hay served as president of the Genesee-Wyoming Music Educators’ Association and was a member of the New York State School Music Association. Accolades include Paul Harris Fellowship (awarded by the Rotary Club), the University of Rochester’s Teaching in Secondary Schools Award (1995), recognition by Warner School of Education as being a Teacher of Excellence (2003) and earned a GO ART! Genesee-Orleans Community Arts Award (2003).

Hay shared his musical passion, inspiring students to "make music, not just play music,” and was a 2020 Musician of Note, a wall of fame to honor past BHS graduates in music.

As Jason Mapes said, “RIP Mr. Hay — you will be missed!”

Photos: Third Annual Table Top Art Show at Eli Fish

By Howard B. Owens

MaryLee Pagliaroli's mixed-media piece, "Butterfly Playtime," was awarded Best of Show at Tuesday's Third Annual Table Top Art Competition at Eli Fish Brewing.

Brian Kemp and Melissa Flint conceived of the art show three years ago, in the midst of the pandemic when galleries were closed and art shows canceled. When restaurants could open, Kemp and Flint figured they could expose the work of local artists on placemats.

The show and competition -- now with Jill Pettigrew as part of the team -- was judged by Dan Butler.

As the first-place winner, Pagliaroli received $300.

Second place, and $200, went to Margaret VanArsdale for "The Flag."  Third place and $100 was awarded to Morgan Gefell for the sculpture "Rings of Fire."

Images of the works by the three top finishers, along with honorable mentions, will be printed on placemats that restaurants can provide to diners. 

There are 36 restaurants in the community participating this year.

There were 152 artists who submitted entries.

Kemp said the Table Top show has grown beyond the expectations of its organizers.

Margaret VanArsdale with "The Flag," which was made with plastic straws.

Brian Kemp on the right.

After the awards were announced, those in attendance took a closer look at the works.

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