arts

Batavia Society of Artists will be hosting its Member's Summer Art Show, kicking it off with an opening reception this week at Go-Art/Seymour Place, 201 East Main St., Batavia. The free reception is from 6 to 8 p.m. Thursday, and light refreshments will be served.

Fifteen artists and 39 paintings will be on display, and there will be a People's Choice Award in lieu of a traditional judge for the exhibit. Spectators will have an opportunity to cast their vote, and the winning artist will receive a $75 prize during the reception. 

"So please come out and vote for your favorite painting," organizers say.

A cash bar will be available at Tavern 2.0.1.

Submitted photos of Batavia Society of Artists' works.

Press Release

GO ART! Announces Upcoming Statewide Community Regrant Program Funding Opportunities and Schedule of SCR Grant Workshops. What is the SCR Program? The Statewide Community Regrant Program (formerly DEC) was developed by the New York State Council on the Arts in 1977 in response to a mandate by New York’s Legislature that there be a greater local involvement in funding decisions, affecting local non-profit organizations, offering artistic or cultural services and programs, and to ensure New York State’s cultural funding reached every part of the State.  The program is funded statewide – in all 62 counties, and funds are regranted by local arts agencies through a transparent peer panel funding process. 

An organization or individual with a fiscal agent that meets NYSCA and GO ART! criteria may request regrant funds.  Through the Statewide Community Regrant Program (also known as the SCR Program), GO ART!, NYSCA and the New York State Legislature hope to extend, upgrade and increase the arts and cultural programming in Genesee and Orleans Counties. The goal is to make state arts support available to geographically, economically, and ethnically diverse segments of the state’s population. 

SCR grants are designed to support and develop the capacity of individual artists, collectives, and small nonprofit organizations to develop high quality local arts projects and programming and contribute to Genesee and Orleans County communities by providing opportunities for the public to experience and engage with the arts. Emphasis is placed on the quality and artistic merit of proposed projects and the depth and authenticity of audience experience, participation and engagement. 

Through the SCR Program, GO ART! awarded over $100,000 to individuals and organizations throughout Genesee and Orleans Counties last year alone and over 1.5 million dollars in the 35 years that GO ART! has been administering the program.

Applications will be accepted from Sept 15 – Nov 1, 2022 for the 2023 SCR Grant Cycle.

Funding Opportunities:
Community Arts Grants (Reach Grants) provide seed grants to individual artists, collectives and arts organizations for projects and activities that enable Genesee and Orleans County communities to experience and engage with the performing, literary, media, and visual arts. Individual Artist Commission (RIPPLE Grant) supports local, artist-initiated activity, and highlights the role of artists as important members of the community. The Commission is for artistic projects with outstanding artistic merit that work within a community setting. 

The Arts Education Program (Spark Grant) is offered in two funding strands: K-12 In-School Projects and After-School and Community-based Learning. Funds can support arts education projects that take place in-school during the school day and/or in after-school and community-based settings for youth and/or senior learners and must be carried out in partnership with a public school or a community-based organization. Emphasis is placed on the depth and quality of the creative process through which participants learn through or about the arts. Projects must focus on the exploration of art and the artistic process. Inter-curricular collaboration for in-school projects is encouraged but not required.

Funding amounts differ from program to program, but the maximum allowable project request from each applicant is $5,000. Applicants may submit up to THREE separate project requests in any grant cycle, with the total of all requests not to exceed $5,000.

Who is Eligible?

• Nonprofit organizations, NYS incorporated nonprofits, agencies of local government (not New York State agencies)
• Individual artists, groups or collectives, unincorporated entities must have a fiscal sponsor or community partner (see specific program guidelines)
• All applicants must be over the age of 18 and have a permanent address in the county in which the programming will take place.

Selection Process:

Awards are based on a competitive, transparent peer panel review process. A panel composed of artists, arts administrators, and community leaders (who work and/or reside in Genesee or Orleans county) review each project on the basis of its own merits and against others in the application pool. Awards are based on panel recommendations at the completion of the review
process. Limited funds are available, and priority is given to applications that meet the specific program criteria published within SCR guidelines.

Schedule of upcoming SCR Grant Workshops ALL potential applicants are required to attend a grant workshop. Registration is required at least two days prior to the scheduled workshop.

• Sat, 8/27 @ 10am GO ART! 201 E Main Street, Batavia
• Sat, 9/3 @ 10am, Virtual (zoom link will be provided upon registration)
• Tue, 9/6 @ 6pm, Woodward Memorial Library, 7 Wolcott St, Leroy
• Sat, 9/10 @ 10am, Hoag Library, 134 Main St, Albion
• Mon, 9/12 @ 5pm, Hollwedel Memorial Library, 5 Woodrow Drive, Pavilion
• Tue, 9/13 @ 6pm, Orleans YMCA, 306 Pearl Street, Medina
• Sat, 9/17 @ 10am, Haxton Memorial Library, 3 N Pearl St, Oakfield
• Mon, 9/19 @ 6pm, Virtual (zoom link will be provided upon registration)
• Tue, 9/20 @ 5pm, Byron-Bergen Public Library, 13 S Lake St
• Sat, 9/24 @ 5pm, Yates Community Library, 15 N Main St Lyndonville

For more information on the application process, to register for a workshop, to apply, or nominate a panelist please visit www.goart.org/grants. If you have any questions about the program contact the SCR Program Coordinator, Mary Jo Whitman, at mjwhitman@goart.org.

Press release:

Batavia Downs Gaming & Hotel has announced the lineup for indoor fall concert dates, which will take place inside Park Place this fall on select Fridays.

On Friday, Sept. 2, Batavia Downs welcomes Forever Seger – The Silver Bullet Experience.  Forever Seger creates a dynamic journey through the timeless music of Bob Seger featuring lead singer, Kevin Reid. Authentic vocals, commanding performance, and Reid’s unmistakable 1970’s Seger-look captures their audience and propels The Silver Bullet Experience onto the top-ranking concert stages and festivals in North America.

Bennie and the Rest: A Tribute to Elton John makes their Batavia Downs debut on Friday, Nov. 4.  The band of incredible musicians takes you on a journey through the musical hits of Sir Elton John.  The show is headlined by Rochester Native and Broadway veteran, Jason Ostrowski.

“We are excited to extend our events back inside for the fall,” said Henry Wojtaszek, President and CEO for Batavia Downs Gaming & Hotel. “The Pepsi Rockin’ the Downs concert series was a tremendous success, and we look forward to providing more entertainment throughout the fall and winter months.”

Tickets for these two shows will be available at www.BataviaConcerts.com beginning at 4pm on Monday, August 15^th.

Tickets for the two tribute shows mentioned above are $15 for GA and $25 for VIP, which gives access to the first 2 rows.   All tickets can be redeemed for $10 in Free Play at Player’s Club within 24 hours of the show. 

Tickets are also on sale for already announced events:  Batavia Downs Catches the Polka Buzz – A Polka Party with WBBZ and the 2022 Vodka & Gin fest presented by Stoli and Ford’s Gin.

Flashback plays "Lodi" during the First Presbyterian Church of Elba bicentennial picnic in the Elba Village Park on Saturday.

Press release:

Batavia Downs Gaming & Hotel has announced that WBBZ’s popular show, Polka Buzz, will tape several shows inside the Park Place Room on Thursday, Aug. 25 at 7 p.m.  Local Polka Band, “The Buffalo Touch”, will perform that evening.

Tickets are $10 and can be purchased on the Batavia Downs official tickets website, BataviaConcerts.com now.   Tickets can also be purchased at the Lucky Treasures Gift Shop. Tickets can be redeemed for $10 in Free Play on the day of the show.

Those wishing to spend the night can take advantage of a $69 Hotel Special, which includes $40 in Free Play ($20 per person, based on double occupancy) and includes 2 tickets to the show!  Check out the Batavia Downs Facebook Page for info on booking a hotel room to receive these perks.

“Polka Buzz” celebrates Polka music as a recorded dance party program, featuring the top Polka Bands in the country.  Local Media Personality Ron Dombrowski hosts the show and brings his knowledge of Polka music to the television screen. Dombrowski has been broadcasting polka programs since 1979 on both radio and television.

“We are excited to once again bring Polka Buzz on the road for the summer,” said Dombrowski.  “We hope to see lots of our fellow Polka fans from Batavia, Buffalo, Rochester and the surrounding areas at our Batavia Downs Show!”

The Homestretch Grill, located adjacent to the Park Place Room, will feature food and drink for those attending the event.  Several specials including Polish Beer, Vodka and Food will be available.

“Hosting the Polka Buzz on site is something we’ve been looking to do for a long time, “said Scott Kiedrowski, Vice President of Operations.  “Hosting these unique, fun and affordable events is what sets Batavia Downs apart from other entertainment venues.”

Photo via TheBuffaloTouch.com

By L. Kent Wolgamott/Last Word Features

“Jukebox Charley” isn’t really Charley Crockett’s moniker. It’s the title of his newly released 11th album. But it’s a fair description of the man, who performs a jukebox full of songs, like the Johnny Paycheck-penned title cut, that brings classic country back to vivid life.

The fourth album in his “Lil’ G.L. Presents:” series is intentionally packed with Crockett’s versions of honky-tonk tunes that even the biggest vintage country fans won’t know.

“Folks nowadays don’t know any of the classic stuff at all,” Crockett said. “We really wanted to do some stuff those guys might not know. Not just to stump them. That’s the real thing. So why not put stuff people haven’t heard before?”

There’s a very personal reason why Crockett unearths obscure gems like Jerry Reed’s “Feel for You,” Willie Nelson’s “Home Motel,” George Jones’ “Out of Control” and Tom T. Hall’s “Lonely in Person” and “I Hope It Rains at My Funeral.”

“I’ve written a lot of songs," he said. “Sometimes I write good ones, sometimes I don’t. If I’ve got any chance of writing a good song, it’s because I’m learning these (classic) songs.”

Crocket brings his honky tonk sound to the Darien Lake Performing Arts Center on Sunday as part of the Outlaw Country Festival.

Another key influence, he said, is Bob Dylan.

“If you’re not looking at Dylan, you’re not thinking about songwriting,” Crockett said. “I know there’s a Grand Canyon for some folks between Bob Dylan and Tom T. Hall. I love Tom T. Hall. I recorded a couple of his songs on this (“Jukebox Charley”) album. The reality is if you took Tom T. Hall out of me, I’d still be good. But take Dylan out and I probably wouldn’t be doing it at all.”

Crockett, 38, began his music career at age 17, developing what he calls his “Gulf and Western” country sound as he hit the road with his pawn shop guitar, playing at first on the streets, then clubs and other venues while independently releasing 10 previous albums and overcoming open heart surgery in 2019 to correct a congenital defect.

Too independent, too country, and too distinctive for Nashville and country radio, Crockett won Emerging Act of the Year at the 2021 Americana Honors & Awards.

“For me, coming out of complete obscurity, digging a hole through the floor, if not for Americana, I don’t know where I’d be,” Crockett said.

Photo by Bobby Cochran.

ZZ Top’s “Raw” is as close to being an accidental album as it gets.

The album, which was released on July 22, is drawn from a session at Gruene Hall in New Braunfels, Texas in which singer/guitarist Billy Gibbons, bassist Dusty Hill, and drummer Frank Beard played versions of such familiar songs as “La Grange,” “Tush,” “Gimme All Your Lovin’” and “Legs” in the most live, spontaneous and basic setting possible.

The performances were filmed for use in the recent ZZ Top documentary celebrating the band’s 50-year history with its classic lineup, “That Little Ol’ Band from Texas.” That was supposed to be it, end of the story.

“The tunes on that occasion unfolded quite in the moment,” Gibbons said, recalling the session in a new e-mail interview. “Our director, Sam (Dunn), wanted a sequence where we played in the present day as a balance to the film’s historical narrative. We got in there and did what we did and later, much later, realized we had an album.” 

As Gibbons indicated, upon further review, the performances captured something worth hearing in its entirety – the unmistakable Texas blues-rock boogie of ZZ Top in its most authentic state. And the “Raw” album became a reality.

That authentic ZZ Top sound will be part of Sunday's Outlaw Country Festival on Sunday.

The album provides one of the last live documents of ZZ Top with Hill, who passed away in July 2021. A hip injury had prevented Hill from joining Gibbons and Beard for last summer’s tour, so long-time guitar tech Elwood Francis stepped in on bass. When Hill died, the band barely took time off before resuming the tour, knowing that’s what Hill would have wanted. 

Nevertheless, Hill’s death came as a shock.

“It was quite sudden, and we remained under the assumption he’d rally, recover and rejoin us,” Gibbons said. “We just had to deal with the reality of departure, and the quick turnaround helped reinforce “the show must go on” ethos. Our crew, our friends, fans, and followers have been a huge source of comfort.”

Now with Francis considered a long-term third member, Gibbons believes ZZ Top still has plenty to say musically. He’s hinted that an album of new material could happen.

“Elwood is certainly in with us for the long haul,” Gibbons said. “It’s still ZZ Top, not ZZ Top 2 or ZZ Top with an asterisk. The genuine article abides!”  

Photo courtesy of ZZ Top

"I've got a firecracker feeling," sings Jocelyn Arndt, lead vocalist in the brother and sister duo, Jocelyn & Chris, headliners Saturday night at Jam at the Ridge, and she certainly does.

Jocelyn lit up the stage while Chris laid down some tight groves and slinky guitar riffs during a high-energy set on a clear summer evening.

The Arndts have been writing songs together since they were in middle school in their hometown of Fort Plain, about 30 minutes west of Albany.  Since then, they've built a solid career based on hook-laden pop-rock songs highlighting Jocelyn's high-energy dynamics and her Janice Joplin-like powerful, blues-inflected vocals.  They've appeared on Paste Studio, Jam in the Van, and The Today Show.

Jam at the Ridge co-owner David Luetticke-Archbell is certainly impressed with Jocelyn & Chris, and said he intends to bring them back in future concert seasons to help them build a local following.

Previously: Brother-sister duo from Upstate to headline Jam at the Ridge on Saturday

Photos by Howard Owens.

In a do-it-yourself career that goes back about a decade, Jocelyn and Chris Arndt, who front the band Jocelyn & Chris, have never been ones to sit idle for long.

“We’re always racing ahead and looking for the next thing to do,” Jocelyn said in a late-July phone interview.

But a pandemic can stop just about anything. And that’s what happened in March 2020, just as this brother and sister from Fort Plain in upstate New York were finishing a new album planned for release ahead of a summer tour.

The band had seen their career gain momentum in 2019 when Jocelyn & Chris made their national television debut, performing the song “Outta My Head” on the “Today Show,” while the song “Kill in the Cure” charted on AAA radio.  So it wasn’t great timing to see a major tour get canceled, and the new album put on hold.

But the album, “Favorite Ghosts,” benefited from the pause. 

The Arndts, who write all of their songs together, re-examined their new songs and realized some weren’t everything they could be. And now that “Favorite Ghosts” is out, they feel things worked out for the better. 

“Honestly, I’m thankful for the album being the way it is,” said Chris, who joined his sister for the interview. “I’m more proud of it than anything else that we’ve ever made. But it’s a little bit funny to think about the fact that the version that the world almost got (two years ago) is so different from the version that the world ended up getting.”

The Arndt siblings are justifiably proud of “Favorite Ghosts.” They have three impressive previous full-length studio albums to their credit, and the new album is a particularly rich and varied effort. It ranges from the taut and catchy blues-tinged rock of “Sugar and Spice,” “Skeleton Key” and “Break Me Down” to the pop-rock of “Run Away,” the folk-inflected “So Far To Fly” to the downright delicate title track, showcasing Jocelyn’s powerhouse vocals and Chris’ tasteful guitar work along the way.

“Favorite Ghosts” will figure prominently into their July 30 show at Jam at the Ridge. They’re looking forward to their introduction to the venue. 

“We’ve been all over Western New York, around Lake Ontario and stuff,” Chris said. “I don’t think we’ve ever done Jam at the Ridge, though.”

“It seems like a cool thing they’ve got going on,” Jocelyn concurred.

The same could be said for Jocelyn & Chris.

For more information about the concert, go to https://www.jatrny.com/

Photo by Tina Pelech.

Press release:

Kiss This! returns to the Jam At The Ridge stage in Le Roy on Friday at 4:00 PM.

If you love KISS, you'll love this show!  The Look.  The Feel.  The Sound.  They bring it all.

We're gonna Rock and Roll All Night!

Tickets are available at:

• $10 pre-sale tickets available at:  https://www.simpletix.com/e/kiss-this-wny-a-tribute-to-kiss-tickets-106678
• $15 cash at the door

Kids 17 and under are FREE with a ticketed adult

Easy parking right at the GATE (skip the North Road Parking and come right to the gate).

Special Guests performers: Bad Luck Band and JUDAH

Skillet doesn’t appear to be mellowing with age. Over a 15-year recording career that includes 10 previous studio albums, the Christian crossover band has firmly established their stylistic credentials within the metal/alternative rock universe.   

Eleven albums into a career that began in 1996, Skillet is back with the decidedly hard-hitting new album, “Dominion,” and songs like “Beyond Incredible,” “Surviving The Game” and the title track that mix thick guitars, aggressive beats and grimy industrial-ish tones sweetened with big melodic choruses. 

“I always laugh and tell people that as an artist I seem to have a really hard time knowing when something sounds different than the last record,” Skillet singer/guitarist John Cooper observed in a recent phone interview. “But my feeling is that this record is, it’s heavier...Some of that might be because of the Churko influence. That’s kind of what they do, isn’t it?”

The Churkos would be Kevin Churko, who produced and contributed to the songwriting on “Dominion,” and his brother, Kane Churko, who was also involved in the songwriting and production of the album.

“There’s something about Kevin’s production that’s just very big on the low end. It’s very, very punchy,” Cooper said of his producer, who has worked with Ozzy Osbourne, Five Finger Death Punch and Disturbed, among others. “He’s just a really, really great producer, and I’m a huge fan. So I was like ‘Kevin, do what you do. We want people to hear this music and feel like they’re coming out of the gate, coming out of the gate from pandemic and depression and sadness and despair, and they are coming out of the gates ready to take the world on. Whatever the world brings, they’re going to crush it. That’s what I want people to feel when they hear this music. And he’s like ‘Yup, I’m on it.’”

Skillet is taking that energy, spirit – and volume -- on the road, playing a variety of festival dates this summer, including Kingdom Bound 2022 at Darien Lake Amphitheatre on July 24.

“We’ll play a couple of new songs, and then, of course, you’ve got to play the songs that you know people are going to be really mad if you don’t play,” Cooper said.

Photo courtesy of Skillet

Peter Noone's Herman's Hermits packed in the crowd for Rockin' the Downs tonight.

Photos courtesy Batavia Downs.

Last year, Thomas Rhett threw a bit of a stylistic curveball to fans with his album “Country Again: Side A,” which moved away from the pop elements and modern production that had been a big part of recent albums like “Center Point Road” (2019) and “Life Changes” (2017), and featured a more organic, more country and more relaxed sound.

But when Rhett tested songs from the album during an early 2021 run of shows at the famous club Billy Bob’s in Fort Worth, he felt the songs didn’t translate to the live stage the way he hoped.

This triggered a reaction as rejiggered his live show and as he and his songwriting collaborators got together to write during the 2021 tour, Rhett found he was in a different headspace than when he made “Country Again: Side A” during the pandemic.

“I think we just wanted to go in there with joy,” he said. “I wanted the recording process this time to not be so weighty and heavy and just have a blast doing it.”

Rhett headlines at Darien Lake Performing Arts Center on Friday.

The album that emerged, the recently released “Where We Started,” retains a few songs in the “Country Again: Side A” vein, but also should appeal to fans who like the poppier side of Rhett’s music.

“I kind of wanted to give the people who fell in love with ‘Life Changes’ and ‘Center Point Road’ a few songs that kind of reminded them of that,” Rhett said. “But I also wanted to give a lot of songs to people who really loved ‘Country Again Side A.’ There’s a little bit deeper of a piece of that on this record. I feel like as a whole, it’s one of the most well-rounded albums that we’ve gotten to make.”

A willingness to test musical boundaries without losing the country thread or accessibility of his music has made Rhett one of country’s top stars and most consistent hitmakers over the past decade, with six albums that have produced 19 No. 1 singles.

“This is for sure the longest show we’ve ever played,” Rhett said. “I think we have a 25-, 26-song set list this year, which I’m really excited about. There’s going to be something for everybody.” 

Photo by John Shearer.

The obstacles faced by a young black musician and untangling the mystery of who stole his priceless violin makes for a compelling story, said Samantha Basile at the reveal of the Richmond Memorial Library's summer reading selection.

"This year, we had a lot of strong contenders, but we kept coming back to one in particular," said Basile, the community and adult services librarian at the Richmond library. "So this year's title selection is a debut novel. It is part mystery part coming-of-age story. It was a Good Morning America GMA book club pick."

The selection is The Violin Conspiracy by Brendan Slocum.

Basile said the selection committee, which has been reading review copies of multiple novels over the past year, was "drawn to the powerfully written passages about music, the element of mystery, and the no holds barred portrayal of the obstacles faced by a young black classical musician and contemporary America."

Basile played a short video from Slocum in which he described and discussed his debut novel.

"It's a story about perseverance and hard work and the power of one person believing in you and believing in yourself," Slocum said. "It's a story of Ray, who discovers that his old family fiddle is actually a priceless Stradivarius violin. This discovery catapults him into superstardom in the world of classical music. And right before the Tchaikovsky Competition, which is the Olympics of classical music, his violin is stolen."

And thus the mystery begins, and a determined protagonist works diligently to uncover, from among many suspects, who stole his violin so he can recover it in time for the competition.

"This story came to me in the summer of 2020 When everything was shut down for everyone," Slocum said. "As a professional violinist, I wasn't playing any concerts. I wasn't teaching any lessons. I wasn't practicing for any recitals, or performances or anything. So it really gave me an opportunity to sit down and write."

Members of the Genesee Symphony Orchestra's string section performed during the reveal and Library Visits Coordinator Lucine Kauffman read a passage from the book (see video below).

Slocum will be at Richmond library, 19 Ross St., Batavia, at 7 p.m. Oct. 7  to discuss his book and sign copies.

The Richmond Reads Committee will host additional book discussions and readings during the summer.

Copies of the book are available now to borrow at the library in regular or large print, and on the Libby app as an eBook or audiobook. Copies may be purchased at the front desk for $20, cash or check made out to the Friends of the Richmond Memorial Library.

Photos by Howard Owens

Pat Monahan of Train doesn’t need to write new songs and make new albums. He’s had more than enough hits over a career that now spans nearly 30 years to be able to tour for as long he wants. 

But he’s back with a new Train album, “AM Gold,” back on tour this summer (topping a bill that also includes Jewel and Blues Traveler) and hoping this latest album will give him another hit single – or more. Far from coasting on a catalog that includes more than 20 adult pop hits, Monahan’s still as driven as ever to stay in the current pop music conversation. 

Train takes the stage tonight at Darien Lake Performing Arts Center.

“You know, there was a famous conversation between Billy Joel and Elton John where Elton John was like ‘How come you aren’t making new albums?’ And he (Joel) says ‘How come you haven’t stopped?’” Monahan recalled in a mid-May phone interview. “But Elton has this desire to continue to be relevant. And I have that same desire…I feel more like Elton John than Billy Joel.”

“It’s not about record sales,” he concluded. “It’s simply the desire to stay relevant.”

“AM Gold” finds the latest lineup of Train – Monahan, drummer Matt Musty, keyboardist/guitarist Jerry Becker, guitarist Taylor Locke, bassist Hector Maldonado and backing singers Sakai Smith and Nikita Houston, working more as a band than ever.

On the band’s previous two albums, “Bulletproof Picasso” and “A Girl, a Bottle a Boat,” Monahan had collaborated with outside writers to generate songs he hoped would have commercial potential. But as work on “AM Gold” progressed, Monahan ended up writing primarily with Musty and Becker.

Monahan said he had not settled on how many songs from “AM Gold” to include alongside hits and other back catalog material in Train’s shows this summer. He expected some early fan feedback online would point him toward what new songs to perform. But whatever form the set list takes, fans can expect a lively show with some visual splash.

“Hopefully we’ll have a little pyro for everybody, some real fun explosions, and a great light show,” Monahan said. “But within reason. It won’t be a Kiss show.”

Photo by Brooke Clark.

Travis Denning, known for his song “David Ashley Parker from Powder Springs” which peaked in 2018 at 32 on the Billboard Country Airplay charts, opened the show with his shredding guitar solos and modern country/rock sound.

Jordan Davis, a crowd favorite, followed playing a half-hour set, playing  “Buy Dirt,” “Almost Maybes,” and “Singles You Up.” 

Dierks Bentley was the star of the show, opening with his 2003 number 1 hit off his first album “What was I thinking.”  His performance included “Burning Man” and “I Hold On.”  In Bentley’s 19-year career, he’s released 25 singles, and 22 have reached the top 5, 17 of which climbed to number 1 on the Billboard Hot Country Charts. 

Photos by Philip Casper

Press release:

The Batavia Society of Artists is hosting artist Kevin Feary in a Plein Art Painting (painting outdoors) demonstration on Tuesday, July 12 from 6 to 8 p.m. 

The demonstration will be held at Karen's Yarn, Paper and Scissors, in the back yard, at 550 E. Main St., Batavia. Bring a lawn chair. 

Non-members are welcome for a $5 fee.

Kevin will base a quick demo on how to capture light effects through observing how the light hits a bush or potted plant or some other simple object. There will be something in Karen's backyard we can use to get sunlight where he can demonstrate how the light hits an object and how we can create an impression of that on our canvas.  He will also try to demonstrate how to paint scrub and weeds to add interest. People can bring their paint gear and give it a try, kind of like a short class, hands-on thing.

Kevin will do his best to keep it quick so people can try it if they want.

More sites from Saturday's Ramble Music & Arts Festival in Downtown Batavia.

See also:

• Ramble mixes art, dance, music, food and people for winning recipe Saturday
• Time for some music, pedestrian-friendly fare and a visit during Batavia Ramble

Top photo: Bill Macdonald playing with Beethoven's Dream Group

Photos by Howard Owens.

Kay Macdonald with Beethoven's Dream Group

Crimson Crossroads

Crimson Crossroads

High Pines

High Pines

The Remediators

The Mighty Zep -- in the form of tribute band Get the Led Out -- landed hard and loud -- just the way Jimmy Page, Robert Plant, John Paul Jones, and John Bonham should be represented -- at Batavia Downs on Friday.

A capacity crowd rocked right along with a full set of Led Zeppelin classics. 

Get the Led Out -- a six-piece group -- provides faithful renditions of Zeppelin studio-recorded hits as fans have known them through the eras of vinyl LPs, 8-track and cassette tapes, CDs, and streaming.  GTLO is Paul Sinclair, Paul Hammond, Tommy Zamp, Phil D'Agostino, Adam Ferraioli, and Eddie Kurek.

Photos by Howard Owens.

After an eight-year break, the boy band Big Time Rush is back with all four original members  -- Kendall Schmidt, James Maslow, Logan Henderson and Carlos PenaVega -- on board, with three new singles added to their three-album catalog and a major tour underway.

In returning to the music scene, Henderson, Maslow, PenaVega and Schmidt plan to be more involved in all aspects of Big Time Rush’s career. Where Nickelodeon (which ran four seasons of the group’s television series, “Big Time Rush”) and Columbia Records gave the group plenty of resources for promotion first time around, Big Time Rush is now an independent operation. Nevertheless, Schmidt reported that ticket sales for the Forever tour have been strong.

“I think we’re one of the few independent artists who’s able to do a nationwide tour that’s doing as well, and we might be one of the only ones,” Schmidt said during a Zoom interview with all four band members. “We’re doing our music independently, we’re doing this tour independently…It’s really exciting because we were always into this vision of wanting to be the creative force behind (the group), but now we actually get the chance to do that. What you’re seeing is 100 percent (us).”

Big Time Rush Forever Tour is set for 8 p.m. July 3 at Darien Lake Amphitheater at Six Flags Darien Lake Theme Park. 

If things go as planned, fans will be seeing and hearing Big Time Rush for years to come.

“This is a reunion tour, but it certainly isn’t just one reunion tour,” Maslow said. “We plan on continuing to do our music and continuing to tour and continuing to grow. The sky’s the limit.”

As for the live show, it will be bigger and better than anything the four singers have done before, featuring a more elaborate stage set with five levels and a more cohesive presentation.

“I feel like this go-around we have the most put-together show we’ve ever had,” PenaVega said. “Things flow better, there’s not a lot of breaks in between songs. There are like a lot of transition pieces, and it really feels like one big solid show. Before they were great shows, but it was a little more free form. I think this is more polished.”

Photo: Submitted photo.

Alan Scully is a freelance music feature writer.