music

Mitzie Collins and "Striking Strings", the Hammered Dulcimer Ensemble of the Eastman Community School, will be performing at the Byron Presbyterian Church on Sunday, October 4, at  2:00 PM.  The concert is free to the public, but there will be a free-will offering to support the Ensemble.  Refreshments will be served after the concert. 

Mitzie Collins is a world-renowned recording artist, performer and teacher.  She is currently on the faculty of the Eastman Community Music School in Rochester.  The Hammered Dulcimer Ensemble is composed of Mitzie's students.  Mary Ann Blair, one of the Ensemble members, is a member of the church, and made the arrangements for the concert. 

The church is just west of the intersection of Route 237 and Rt. 262 in the center of Byron.  For more information, please call 548-2800 or visit www.byronfpc.org.

Here is more detailed information about "Striking Strings", from one of their press releases: 

Striking Strings, the Eastman Community Music School Hammered Dulcimer Ensemble, was created in January of 2008 under the direction of Mitzie Collins.  Composed of students from the group classes that Collins has taught through the Eastman Community Music School and professional and amateur players from the community, the ensemble is has quickly won fans through its many performances in the Rochester area.   Hammered dulcimer ensembles, encompassing rhythmic and tuneful combinations not possible on a single instrument, are rare in the United States, but common in other parts of the world.   This group is modeled after hackbrett ensembles in Germany and yangqin ensembles in China.  Under Collins’ direction, the group is exploring a wide repertory that includes traditional dance tunes and classical compositions.  The Ensemble has performed at the Gardenscape at the Dome Arena, the Caledonia Presbyterian Church, Trinity Episcopal Church, Kilbourn Hall at the Eastman School, two private weddings, the Heart of the Alleghenies Festival in Bradford Pennsylvania,  The Harley School, The Genesee Country Village Fiddlers Festival and The Golden LInk Folksinging Society .  The Ensemble plans a number of appearances in the community during the 2009 holiday season. 

The director of the ensemble,  Mitzie Collins,  is widely acknowledged to be a leader in the revival of the hammered dulcimer.  A historian of the instrument, as well as a teacher and performe r,  she has made more than 30 recordings.   Some of her most popular discs are "Sacketts Harbor:  Historical Dance Music of Western New York State",   "St Patrick's Day in the Morning:  Music of Irish Inspiration";  and "Nowell  Music for the Christmas Season".    Collins teaches world music and hammered dulcimer through the Eastman Community Music School.  She received her bachelor of music with a piano performance major and her masters in music education from the Eastman School of Music. 

The group currently has ten members, but it is growing as more players audition to join the infectious enthusiasm of the group.  

 


(Astoria Figs)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. Welcome back from your travels.
JOE: Thanks. We rode a whirlwind through Manchester, Connecticut to New York where we settled for a few days.
CALLIOPE: Tell me the highlights.
JOE: As for simple pleasures, eating fresh figs from Mike and Joe's patio fig tree.
CALLIOPE: Anything more complex.
JOE: We saw Next to Normal, a musical about the effect of mental illness on the family.
CALLIOPE: Sounds strange.
JOE: It sounded that way to me too. But then music, better than writing, portrays emotions and relationships which can sometimes elude words.
CALLIOPE: Tell me more.
JOE: The show showed musically the struggle of a woman with her emotions and the effect of her illness on her daughter and son in very immediate and graphic, or should I say musical, terms.
CALLIOPE: Words sometimes struggle to show raw emotion.
JOE: I agree. Music seems to do a better job.
CALLIOPE: Something to consider for your writing.
JOE: I will remember that. I'm not quite sure of the implicati0ns though. Talk with you tomorrow.

Whoever coordinated the music to the fireworks, last night, did a fantastic job. 

The fireworks are always fun and the music selection was perfect for the evening.

thanks.

Also, sat with a couple, from California.  They couldn't say enough about Batavia and thoroughly enjoyed the entire experience at the game.  One comment made me laugh, though.  She asked about winters and if we got any snow.  When we admitted that we do get snow, she asked, "How do you go out in it?" 

 


(Spring Flowering)

JOE: Good afternoon Calliope.
CALLIOPE: Good afternoon Joe. Where have you been?
JOE: Carol has a vacation this week. I guess the mood is contagious.
CALLIOPE: I guess so. We were in mid discussion about Grass Roots and you promised to elaborate.
JOE: I did. I was telling you about hearing their song Where Were You When I Needed You on Wednesday night.
CALLIOPE: And?
JOE: They came out with it in 1966, during my first year out of the monastery. It reminded me of feeling like an alien on earth in a culture which had emerged while I was away.
CALLIOPE: Did it bring back memories and feelings about those days?
JOE: In a way, but it didn't through me into chaos as Michael McDonald did.
CALLIOPE: How did you react?
JOE: I quickly moved on to thoughts about all the friends I have developed since then and how much I have learned and grown.
CALLIOPE: So it was a good reaction?
JOE: It was.
CALLIOPE: What's next on your horizon?
JOE: The books I am working on as well as a new awareness of my place in the cosmos and my feeling of responsibility to make the most of it. I'll tell you more next week.

 


(Wagon Wheels)

JOE: Good afternoon Calliope.
CALLIOPE: Good afternoon, Joe. I missed you this morning.
JOE: I was off to a busy start.
CALLIOPE: Doing what?
JOE: Going for a massage, shopping, and manual labor edging the lawn.
CALLIOPE: Are your musical adventures over?
JOE: Hardly.
CALLIOPE: Tell me.
JOE: Last night several of us drove to Finger Lakes Race Track for a concert by the Sky Coasters and then Grass Roots.
CALLIOPE: Go on.
JOE: I have seen Sky Coasters quite a few times, a band from Rochester which plays quite a variety of songs and I always enjoy them.
CALLIOPE: And Grass Roots?
JOE: Another story. I must admit I didn't remember them from the old days, at least until they sang, "Where Were You When I Needed You?"
CALLIOPE: Did that song have some special significance for you?
JOE: It was their first big hit in 1966 the year after I left the monastery and was just getting back into the real world. It brought back memories of those days. I'll tell you more tomorrow.

 


(Coconut Palm)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. How are you today?
JOE: Doing well. I got some exercise yesterday morning and went to say goodbye to my brother Bob and his girlfriend Carol who are returning to Hawaii this morning.
CALLIOPE: Any further musical adventures?
JOE: As a matter of fact yes.
CALLIOPE: Tell me.
JOE: Carol takes lessons and is in a traditional Hawaiian Hula group. She performed a couple dances for us last night.
CALLIOPE: Sounds interesting.
JOE: I thought so. It went beyond the typical Luau dancing. She also took time to introduce and later explain the movements of each dance.
CALLIOPE: A treat.
JOE: Indeed. It reminded me of the unbounded creativity across the world.
CALLIOPE: Any personal message for you?
JOE: It encouraged me to continue exploring my own creative side and express whatever you and the other muses might bring me as gifts.
CALLIOPE: Glad you appreciate them.
JOE: I do. Talk with you tomorrow.

(Portuguese Street Tile)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. What news today?
JOE: I continued my creative restoration program yesterday.
CALLIOPE: How?
JOE: Carol and I spent the afternoon at her cousin's cottage on Canisus Lake, one of the New York State Finger Lakes.
CALLIOPE: And you relaxed all day?
JOE: For the most part. However the afternoon was punctuated by a musical surprise.
CALLIOPE: Tell me.
JOE: Zack, a thirteen year old grandson of one of Carol's cousin's friends, began talking about his interest in opera. It turned out to be more than an interest.
CALLIOPE: How so.
JOE: He had amassed quite a bit of knowledge about opera, favored Mozart, particularly La Nozza de Figaro and Die Zauberflaut. In mid discussion he broke into song favoring us with several arias from each of his favorite operas.
JOE: How a mature baritone voice could emanate from a thirteen year old boy astounded me.
CALLIOPE: I wish I had been there.
JOE: Some of your more musically inclined sister muses would have been impressed.
CALLIOPE: Perhaps one of them had a hand in drawing him to opera.
JOE: Perhaps. In any case it was a pleasant surprise, bordering on a peak experience.

 

(Path in the Woods)

JOE: Good Morning Calliope.
CALLIOPE: Good morning Joe. Where where you yesterday?
JOE: Now, now.
CALLIOPE: Well?
JOE: If you must know, I was involved in corporal works of mercy.
CALLIOPE: Such as?
JOE: Taking my son to the hospital for cataract surgery.
CALLIOPE: I guess that explains it. Did everything go okay?
JOE: It seemed to. Only time will tell, but the doctor was satisfied with how it went.
CALLIOPE: Good. My regards to your son. Did you get to do anything else yesterday?
JOE: I had planned to work on my writing but got caught up in Michael Jackson's memorial service.
CALLIOPE: I didn't know you were interested in him.
JOE: Frankly I had trouble getting past his weird lifestyle and self mutilation.
CALLIOPE: And did you finally?
JOE: I did and discovered that I like his music once I can put aside my judgment of his way of life. Talk with you tomorrow.

(Troubled Times)

JOE: Good morning Calliope.
CALLIOPE: Good morning Joe. Are you feeling better than you did yesterday and did you resolve your musical dilemma?
JOE: Yes on both accounts. Resolving my dilemma improved my mood.
CALLIOPE: Tell me about it.
JOE: I told you I woke up yesterday with my reaction to Michael McDonald still on my mind.
CALLIOPE: You did.
JOE: I started to consider my emotions. I realized I felt sad, on the verge of tears, angry and resentful.
CALLIOPE: Do you hold Michael responsible for all that?
JOE: Of course not. I remained puzzled until on the way to the gym I recalled something I told Carol the night of the concert.
CALLIOPE: Which was?
JOE: That his type of music constantly grated on my nerves at a practice where I worked in the early 1990's. I found the type of music annoying then but did not associate Michael McDonald with it.
CALLIOPE: Just annoying?
JOE: No. The owner of the practice insisted on playing music which I considered bland and insipid at best. When one of us worker bees changed the station to jazz or classical music, he would change it back which I saw as a symbol of his control.
CALLIOPE: And that's the connection?
JOE: Not entirely. That was a very difficult time for me professionally, financially and in my marriage of the time. Altogether bad memories. That's the connection. I'm glad I discovered it and now will work to put it to rest. Talk with you on Monday.