GCC

Next week, Hollywood comes to Batavia.

GoArt!, in partnership with local author Bill Kauffman -- author of such books as "Dispatches from the Muckdog Gazette" and "Look Homeward America" -- and filmmaker Ronald F. Maxwell -- director of the Civil War epics "Gettysburg" and "Gods and Generals" -- will host a screening of the movie "Copperhead" on Thursday, June 13. 

This will give locals a chance to see the film before its official release in theaters on June 28.

"Copperhead" takes place in Upstate New York during the Civil War. Kauffman wrote the screenplay, based the novel "The Copperhead" by Harold Frederic, and Maxwell directed it.

Both men will be at the screening, and the movie will be followed by a short presentation by Kauffman and a Q&A session with Kauffman and Maxwell.

In anticipation of the screening, they spoke with The Batavian about the project itself, their collaboration over the years, among other things.

(To Ron): I understand you have been a longtime fan of Bill Kauffman. So this is a two-part question:

A. When and how did you first discover his work?
B. When and how did you two come into contact?

Ron: Actually the second thing happened first. We both attended an event in Washington, D.C. --- at which he spoke -- sometime in the mid-1990s. I was impressed with his wit, with his use of language, his sense of humor, and his insight, and that started a long friendship. I subsequently read his writings, and we stayed in touch over the years. 

Bill: “Copperhead” was actually my second screenplay. The first one was a project that Ron and I started developing several years ago. This was also an historical film, and it almost made it into development but didn't. We still hope it will someday. So "Copperhead" was my second screenplay, but it was the first to be produced.

(To both): What drew you to this material?

Bill: I probably first read the book 25 or more years ago. Harold Frederic was one of the great Upstate New York novelists. In fact his most well-known book, "The Damnation of Theron Ware," was hailed by F. Scott Fitzgerald as the best American novel before 1920.

Edmund Wilson, the great literary critic, praised Frederic's "Civil War Stories" for being unlike any other Civil War fiction. There's no Southern "moonlight and magnolias" romanticism, and there's no Northern "Battle Hymn of the Republic" righteousness; these are hard, unsentimental but very poignant stories of life in the North -- specifically Upstate New York -- on the home front during the war...the people left behind.

And this particular story, "The Copperhead," is about a farmer, a respected man, in a little hamlet in Upstate New York -- he's an old-fashioned Democrat who is against the war. And he is standing up, really, against his community on this. The community is torn apart, his family and the family of his chief rival are torn apart. So these people are casualties of the war in a different way.

The film is also, I think, about the resilience and resourcefulness of the people at home during wartime. It's a rich and complex story about our area, for one, and also about a fascinating time in American history.

Ron: As soon as I read it I thought, "Wow, this would be a terrific subject for a film." And I kind of ruminated for a while until about three and a half years ago, when it came up in conversation with Bill over dinner in Connecticut. I think he mentioned it first, but we both knew the novel and admired it. It was very interesting to me to explore the whole issue of the dissenters in society -- especially within the context of the Civil War, because I had already explored the reasons why good men chose to go to war in the other films, whether they wore blue or gray. Here was a film where you could explore why a good, ethical man chose not to go to war. It's the other side of the coin.

(To Bill): How was the screenwriting process different from the process of writing a book?

Bill: It’s a whole different style of writing. Writing a book is very much a solitary endeavor, although there is give-and-take with the editor. Movies are totally collaborative ventures. Even with the screenplay, Ron and I consulted throughout. Ron has a great sense for how to tell a story. So it was a very harmonious collaboration -- he's a great guy, and we work well together.

(To Ron): You wrote the scripts for both "Gettysburg" and "Gods and Generals." Why did you choose to have Bill write this one?

Ron: Well, as I said, it came up over a dinner, and by that time he and I had collaborated on the earlier project that he wrote. So I knew that he could do it. And I think part of the dynamic there is that when you write a screenplay, you need to focus big time and stop doing everything else.  At the time we started to talk about "Copperhead," I was totally immersed in something else, so I could not write the screenplay myself even if I wanted to. But I knew he could. So I worked with him, you know, in the way that a director-filmmaker works with a writer. We closely collaborated on it, but he in fact did the writing. A lot of times in Hollywood there are shared credits when a director works with the writer, but I'm a strong believer that the writer gets the credit. Because the writer is doing the work.

So, just as on the earlier screenplay, we collaborated but Bill adapted the novel. And I knew that his sensibilities would be very responsive to it. It takes place, as you know, in Upstate New York. And Bill was not only aware of this novel, but he had read other works of Harold Frederic.

In a sense, Bill is a regionalist. He's very aware of where he lives -- not just of how it is now, but of its history and literary traditions. So he was already connected to the history of this part of the world, and to Harold Frederic specifically. So of all the writers in the world, he was probably the most perfectly adapted to work out the screenplay.

If you know Bill's other work, one of his preoccupations is small town America. He has made the choice to live in small town America because he thinks that that's where American values are embodied and where the "simpler life" can be lived. That's a theme that runs through all of his nonfiction, and is certainly one of the themes of this particular story. One of the things ("Copperhead") explores is living in a rural community. I'm sure it was much more rural, with a much smaller population, back then than it is now. But again, Bill was predisposed to understanding and exploring the values of these people.

(To Bill): Were you a fan of Ron's films before this?

Oh yeah, absolutely. He's the great cinematic interpreter of the Civil War. This is his third Civil War film, but it's on a different scale. ("Gettysburg" and "Gods and Generals") had scenes with thousands of extras colliding on the great battlefields -- they were Civil War films set behind the lines.

Were you intimidated by the prospect of writing a script for him after seeing the scope of his previous films?

Bill: Well, you know, I might have been, but we had known each other. We're friends, so in that sense it was comfortable. But it was a challenge. I like challenges, and I have over the years read a lot of screenplays in preparation for this film. I'd read a number of screenplays of films that I like very much -- everything from Paul Schrader's script for "Taxi Driver" to Graham Greene's screenplay for "The Third Man." So I had an idea of how to do it, and Ron was an invaluable guide to picking up the form and grammar of a screenplay.

(To Ron): Had you ever in your life heard of Batavia before meeting Bill?

Ron: No, and I wasn't even sure whether to say Bat-ah-via or Bat-ay-via. But I guess it's like that Cole Porter song, "You say tom-ay-to, I say tom-ah-to."

(To Bill): Are there any local connections in "Copperhead"?

Bill: There is one specifically Batavia reference -- it's a little bit of an inside joke -- early in the film. Some folks will pick up on it. But I can't tell you anymore.

Also, my daughter, Gretel, and the daughter of one of the producers have cameos in the film.  It's during the barn dance scene -- look for the "giggling girls."

(To Bill): Did you have chance to visit the location shoots in Canada? If so, what was this like?

Bill: I was there for about four to seven weeks. I went up a couple different times. I got a real kick out of watching these characters that existed on paper become real. And it's funny, because some of the characters ended up looking very different from how I thought they'd look. But I think the actors really brought to life and enriched the story with their own contributions. They did a lot of studying, put a lot of thought into the roles, and I think it shows on the screen.

(On Ron as a director): You hear stories of these tyrannical, dictatorial directors, but Ron is nothing at all like that. He's very much in control, and the production is well run. But he listens to people, everyone gets along, and it's very harmonious. He does a lot of planning (before production), and that shows in that there's a real efficiency about it. It was shot over about seven weeks, and there were no wasted days. They worked from sunup to sundown. It was very impressive.

(To Bill): I understand the actors were instructed to study your Western New York accent.  What was that experience like?

Bill: (Laughs) Yes, they had a dialect coach from Canada who did a great job with them. We don't have any tapes of what people in Upstate New York sounded like in 1862, so one of the things she did -- unbeknownst to me -- was send them videotapes of speeches of mine. So it was kind of fun on the set when actors would come up to me and ask, "How do you say 'apple'? How do you say 'orange'?" Of course, we're not aware of our accents. To us, we speak normally and everyone else has an accent. And when someone asks you to pronounce something, inevitably a little bit of self-consciousness creeps into you, you know? You exaggerate whatever little accent you might have. But yeah, that was a lot of fun. And fortunately, they do not all sound like me (laughs). They develop their own accents and styles of speaking.

(To Ron): Many of the actors in "Copperhead" are a bit less well-known than a lot of movie stars out there. Was this an artistic decision on your part?

Ron: Yes, very much so, insofar as you want (as a filmmaker) to be able to have the creative freedom to cast the way you want. We made a decision early on that we were not going to chase the movie stars. Because then you're always at the mercy of their schedules, their price tags, and competing for their time with the major studios. So suddenly you're not in control of your own movie. And I've played that game, so I know that game. We wanted to be independent and just cast the movie the best way we knew we could, make the movie we wanted to make, hope that it would stand on its own merits, and get it to the public. 

The reason people get the big stars is because those stars will get the movie financed and distributed. It's a simple formula. So if you think you can have alternate ways of getting the movie financed and distributed, then that allows you artistic freedom.

(To both): How did the upcoming screening/fundraiser come about?

Ron: We thought, as part of our marketing and promotion of the movie, that it would behoove us to do a number of screenings across the country to help generate word of mouth and grassroots support of the film. And we thought, "What better way than to ally with charitable organizations?" So we looked for charitable organizations that we could feel comfortable supporting, and we have about 18 or 19 of these all across the country.

Bill: The producers asked me about having one of the screenings in Batavia, and I of course jumped at the chance. And I thought GoArt! would be a great organization (to support), and they were enthusiastic about sponsoring.

(To Ron): What interests you about the Civil War Era as a filmmaker?

RM: Well, you know, I was drawn to it so many years ago now...it took me 15 years from the time I read (Michael Shaara's) "The Killer Angels" (the book on which "Gettysburg" is based) until the time "Gettysburg" was released in the theaters. I didn't know it was going to take 15 years, and I certainly didn't know I would spend another 10 years making "God and Generals," and then another 10 years before I could make "Copperhead." That's a lot of years altogether -- it's a big chunk of anyone's life to spend on one historical period. It's not like I set out to do that, it just kind of happened that way.

But along the way I came to realize that it has been a deep and abiding interest. It's just endlessly fascinating, and these are stories that have been very compelling to me. I have other kinds of projects I've been working on -- I have a Western I've been working on, a project on Joan of Arc, contemporary films...I'm always juggling them and trying to get them financed like other filmmakers. But it's just kind of worked out that "Gettysburg" led to "Gods and Generals," which led to "Copperhead." A lot of that is my own focus and my own energy, but some of it is serendipitous.

(To Bill): What draws you to writing about small town America?

BK: Well, it's where I've spent most of my life -- it's where I am now. To me, Batavia was always a source of fascination. Every story you could tell was on its streets and in its buildings. 

It's not that people in small towns are better than people in big cities. But I think because of the smallness and intimacy of the scale, it's a place where the individual can matter. In the anonymity of the big cities and suburbs, sometimes the individual can get lost in the crowd. To me, life in a small town seems more real, more immediate. I also think that small towns get the short shrift, both culturally and politically. It's unexplored territory.

(To both): Do you have any words of advice or encouragement for readers who might be aspiring toward successful careers in writing or filmmaking?

Bill: Words of advice for aspiring writers? I guess I'd say Read Read Read Read Read. Persevere. And don't get discouraged.

Ron: Well the most important thing is for aspiring filmmakers to develop and protect their own voice -- and not kind of mimic, copy, cater, pander or be what they think someone else wants them to be, what Hollywood wants them to be, or what any third party wants them to be.  Because then they are wasting their own time and everyone else's. If they can hold onto that little voice inside them that is their unique voice, that's the most important thing. That's what we want to hear and watch.

The screening of "Copperhead" will take place at Genesee Community College's Stuart Steiner Theatre, at 1 College Road in Batavia, and start at 7 p.m. Tickets are $20 for GoArt! members and $25 for non-members.

For more information or to purchase tickets, go to www.goart.org/events.php#Copperhead or call 343-9313.

Supplemental: "Copperhead" trailer

Photo of Ronald F. Maxwell directing courtesy of George Nicholis.

Genesee Community College sits high on a hill surrounded by a lot of open space.

Gov. Andrew Cuomo visited GCC today to promote his "New York Tax Free" proposal, which would allow SUNY campuses such as GCC to play host to new businesses or businesses that are creating new jobs.

Up to 200,000 square feet of land around a SUNY campus could also be used for the 100-percent-tax-free zone.

All that open space around GCC, then, might also be described as opportunity.

"That was the vision 10 years ago that we started developing with GCC and Dr. Steiner and now Dr. Sunser," said Steve Hyde, CEO of GCEDC. The agency now has offices across the street from the college campus in what's known as the Upstate Med-Tech Center. "I think we're really well positioned to rock and roll together and really make a difference here."

Cuomo is clearly passionate about his proposal.  Whatever its critics might have to say about it, Cuomo has an answer and at times during his speech and afterward made his points with the fervor of an evangelist for Upstate New York.

Cuomo:

Nobody ever said (speaking of those who have left New York), I didn’t like New York or I didn’t like Upstate New York. Nobody.

We did this (mess up the state and cause 50 years of decline) to ourselves. We did this to ourselves because this state has every asset imaginable.

I spent eight years in the Clinton Administration. I worked in every state in this nation, literally, dozens and dozens of times. I know everything else that’s out there. I’ve seen the best that every state has. No state has to offer what we have to offer in New York. No state has our combination of talents.

Our geography, our diversity, our history, the most beautiful natural resources, mountain ranges, the greatest cities, beaches, we have it all, all in one state – the best of everything with the distillation of the best of America -- in one state called New York.

So it’s not that that they're beating us. We're beating us. We created these conditions. We can reverse these conditions. Reduce the taxes. Make this state as competitive as any state out there from a tax point of view.

"NY Tax Free" would turn SUNY campuses into zones with no state or local taxes of any kind for businesses based on the campuses (or in the 200K zone), and a company's employees, for up to 10 years.

The businesses would have to match the educational mission of the host campus, working in industries of related fields of study.

Cuomo's dream is clearly to incubate the next Apple or Google.

"If you look at the places that are creating jobs, it's the higher education institutions that are doing research and development. It's the 28-year-old who develops the new chip or the new iPhone of the new application, but the schools are actually creating the jobs."

These sorts of companies are getting founded on NY campuses now, Cuomo said, but 75 percent of them leave New York within the first year, taken either by founders or investors to lower tax states such as Florida or Texas.

Yes, the proposal is big and bold, Cuomo said. No other state in the nation has ever dared to take on such an audacious project, but New York does big and bold well, Cuomo said (while a picture of the Erie Canal was projected on the screen behind him).

Big problems, he said, require big solutions.

"People have been leaving," Cuomo said. "Jobs have been leaving. At the same time, we have more and more government and the costs of governing are going up and up while there are fewer and fewer people to pay for the increasing cost of government, which makes taxes higher, making the tax burden higher, which causes more people to leave. That's the dynamic and the longer the dynamic continues, the worst it gets."

Upstate, especially, needs the help, Cuomo said, and with 55 of the 64 SUNY campuses located in Upstate, and 95 percent of Upstate residents living within 30 miles of a SUNY campus, this proposal makes a lot of sense.

In the past several years, there has been only a 5-percent increase in new jobs in Upstate, while New York City has grown jobs at a clip of 16 percent. The 5-percent growth rate doesn't even keep up with the national average.

The proposal would create 120 million square feet of entrepreneurial space in Upstate, Cuomo said, which is more commercial space than in San Francisco and Philadelphia combined, and more than Buffalo, Rochester and Syracuse combined.

Speaking with reporters after his speech, Cuomo said the major criticism he's heard of the proposal is that taxes should be lowered to zero for everyone.

"It's the right idea to have zero taxes across the board," Cuomo said, "but there's some problems with the details."

If the proposal seems unfair, Cuomo argued that the current tax system is unfair.

"There is not a level playing field in the current tax code," Cuomo said. "The more you make, the more you pay. Some businesses get tax breaks that others don't. We have tax breaks for manufacturing. Why? Because we decided we want manufacturing businesses here. We have tax breaks for the film business ... because we want to produce movies here. It's a falsity that the tax code is equal, but for this. The tax code is anything but equal."

He also argued that residents around SUNY campuses will benefit from the job creation, with employees of these companies buying groceries, cars and houses locally.

"There will be economic activity in your community and that will be a good thing for you," Cuomo said.

He added, "We can't sustain what's going on now in Upstate New York. We cannot sustain the population decline. Nobody moving in. Everybody moving out. Fewer and fewer people paying the cost of a growing government.  We cannot continue the trajectory we've been on."

A proposal to create tax-free zones around SUNY campuses is intriguing to officials at Genesee Community College, according Rick Ensman, director of development and external affairs, even though it's unclear how it will all work.

Gov. Andrew Cuomo announced the proposal a few days ago. The plan would allow any business on a SUNY campus, or in some cases, in a zone around the campus, to operate completely tax free -- including no state income tax for employees -- for 10 years.

The justification, according to Cuomo, is to spur business growth and innovation in New York.

"This is an exciting and innovative proposal," Ensman said. "It has great potential for job creation and new academic-business partnerships. We’re eager to learn about the details, and about how we can participate."

The proposal has not yet been through the legislative process. It seems to have Republican and Democratic support so far, but in the process some details could change or refined.

"As I understand the proposal, businesses would be eligible for the tax-free zone if their products or operations are related to programs of study on the campus," Ensman said. "So it’s possible that businesses related to any of our programs (e.g. technology, health care, office tech, etc.) could locate in the area."

Issues such as where businesses would be located and how they would fit into the campus, or just off campus, won't be explored until and if the proposal becomes law.

"We’re anxious to learn more about the program," Ensman said.

Press release:

Genesee Community College has received a highly competitive $238,719 State University of New York "high need" grant to help the College establish its proposed new Food Processing Technology program, President James M. Sunser reported to the Board of Trustees at its May 13 meeting.

The program is expected to begin in Fall 2014. It will prepare students to work in the rapidly growing food processing businesses located throughout the Genesee-Livingston-Orleans-Wyoming region. The program will be the only one of its kind offered at any of SUNY's 30 community colleges.

The grant, which will be paid over three years, will provide seed money for the program, said Rafael Alicea-Maldonado, Ph.D., dean of Math, Science and Career Education. In addition to helping the College fund a new faculty position, the grant will enable the College to upgrade a microbiology lab to meet the needs of the new food processing technology program.

Food technology jobs in the GLOW region and across Upstate New York are being created every year, Dean Alicea-Maldonado said. They include jobs such as storage specialists, regulatory experts, safety experts, logistics and transport specialists, packaging specialists, plant operations managers, quality control technicians, account representatives, production supervisors, and many others.

Genesee's new Food Processing Technology program will offer an Associate in Applied Science (A.A.S.) degree. The 63-credit program consists of courses in food processing technology, sanitation, hazard analysis, operations management and food labeling. It also consists of business courses, biology, chemistry, physics and statistics, microeconomic theory, as well as English and liberal arts courses. All students in the program will complete a supervised internship in a real-life work setting.

There were 998 students in today's graduating class at Genesee Community College. Pending completion of course work, that could be the largest graduating class in the history of GCC.

Sen. Catherine Young, whose district includes Livingtson County, was the commencement speaker (pictured above). Young spoke about growing up on a farm, facing challenges and she encouraged the students to remember that they can always overcome setbacks.

County legislators got their first look today at the proposed 2013-2014 for Genesee Community College, which asks the county for another $100,000 in local share and includes a $75-per-semester fee increase for full-time students.

While other community colleges in the region are suffering declining enrollment rates of 5 to 8 percent, those trends aren't hitting GCC quite as hard, College President Jim Sunser said.

Next year, the college could even see a slight bump in enrollment, thanks to more programs and students looking for mid-career training.

"Some of that (anticipated increase) has to do with our effort to reach out to the non-traditional population," Sunser said. "We can help them retool their skills. I thnk that's an area where we can look at providing new services and move enrollment."

Examples include a supply chain management and food processing -- programs that were created in response to construction of two big yogurt plants at the Genesee Valley Agri-Business Park.

The college's veterinarian tech program has also proven to be popular, Sunser said.

GCC is not exempt from the decline of enrollments of high school graduates. Throughout the state, Sunser said, population declines mean fewer high school students, but GCC has done better at attracting those students, Sunser said, because GCC has a solid reputation for preparing students for four-year programs.

The total budget is $38 million, a 2.7-percent increase over this year's budget.

The county share is proposed to jump over $2 million for the first time, with an increase of $100,000, but the share remains at 5.3 percent of the school's total budget.

There was no push back from legislators during today's Ways and Means Committee meeting, where Sunser presented the budget.

Sunser said the college expects to neither lay off employees nor create new positions.

The committee set a public hearing on the budget proposal for 7 p.m., June 12.

One day during the winter I was at Genesee Community College walking down this walkway and thought, "um, wonder what this looks like in spring when the trees are in bloom." Last evening, I went back to take a look.

Press release:

A collaborative effort between Genesee Community College and the Genesee County Park and Forest is giving photography students a first of its kind opportunity. Their work will be displayed in an exhibit at the Park’s Interpretive Center, marking the first time a student exhibit has been shown in the newly expanded exhibit space.

An opening reception is set for Friday, May 10, from 5 to 8 p.m. at the Genesee County Park and Forest Interpretive Center, 11095 Bethany Center Road, East Bethany. The public is invited. Refreshments will be provided.

For their final project, GCC Photography instructor Joe Ziolkowski had his COM 103 (Introduction to Black and White Photography) students explore the landscape of Genesee County and surrounding areas in Western New York. The black and white photographic prints the students created offer their interpretation of how we are preserving and how we are hurting the landscape that surrounds us.

“I think visitors will be as impressed as I am with the work these students created,” said Joe Z. “Sometimes we don’t realize how the things we do every day impact the landscape. We hope these photos give visitors a lot to think and talk about.”

The exhibit, entitled “Around the Bend: The Shared Landscape,” will be on view through Saturday, Aug. 31.

Photo: By Robert Garland, "Trestle, Avon, NY."

Press release:

The Wellness Center at Genesee Community College is pleased to partner with the Mental Health Association in Genesee County for a presentation by David Kaczynski, brother of Ted Kaczynski, the man known as the Unabomber. David Kaczynski, 63, will share the story, both fascinating and heartwarming, of the impact his older brother’s mental illness had on their family. His presentation is set for 7 p.m. on Tuesday, May 7 in the Stuart Steiner Theatre on GCC’s Batavia campus.

David Kaczynski’s talk at GCC is being held in conjunction with an exhibit in the lobby of the College’s Genesee Center for the Arts. “Nothing to Hide: Mental Illness in the Family” is a museum-quality photo-text traveling exhibit featuring photographs and interviews with families whose lives are affected by mental illness, such as schizophrenia or bipolar disorder.

The community is invited to view the exhibit at a pre-talk reception at 6 p.m. Space is limited. Pre-registration is requested by calling the Mental Health Association at (585) 344-2611. A suggested donation of $10 is appreciated.

The Kaczynskis grew up in Chicago. Ted, who turns 71 on May 22, was a mathematics prodigy who entered Harvard on a scholarship at age 16. He went on to earn a doctoral degree from the University of Michigan in 1967 and then moved west to teach at the University of California Berkeley.

He resigned just two years later, and moved to Montana where he took up a survivalist life in isolation, developing anti-government and anti-technology philosophies. He made his first bomb in 1978, sending it to a professor at Northwestern University. He then sent two bombs to the president of American Airlines. The FBI dubbed the case UNABOM, for University and Airline Bombing, and the suspect was termed the Unabomber. Over a 17-year period, Kaczynski’s explosive packages killed three people and injured 22 others.

David Kaczynski, who lives in Woodstock, helped authorities capture his brother in 1996 after reading the so-called Unabomber Manifesto, a 35,000-word essay Ted wrote about the problems of modern society. Though he was estranged from Ted, David and his wife, Linda, recognized the writing style and some of the ideas expressed as Ted’s.

Ted Kaczynski eventually pleaded guilty and has been serving four life sentences for the bombings at a Federal Correctional Facility in Colorado. David has said he writes to him without response.

David became an advocate for violence prevention and spent a dozen years as executive director of New Yorkers for Alternatives to the Death Penalty. He recently became director of a Tibetan Buddhist monastery and retreat center in Woodstock.

The “Nothing to Hide” exhibit will remain on display throughout the month of May, which is Mental Health Month. It’s made possible with funds from the Genesee-Orleans Regional Arts Council.

The exhibit's compelling accounts demonstrate strength, courage, integrity, and accomplishment in the face of the adversity and stigma of mental illness. By bringing visibility to these individuals and families, “Nothing to Hide” dispels harmful stereotypes, myths, and misconceptions about mental illness.

For more information, contact GCC Wellness Director Roberta Noto at (585) 343-0055, ext. 6293, or by e-mail RMNoto@genesee.edu. or Sue Gagne, assistant executive director of the Mental Health Association in Genesee County at (585) 344-2611.

Walkers finished Genesee Community College's six-hour "mini Relay for Life" last night with a dusk "Luminaria Ceremony" honoring the memory of cancer victims and people lives have been touched by cancer. The bags lining their path contained lit candles and each one was dedicated to a particular individual.

Suzanne Smith, of Batavia, "Luminaria Ceremony" coordinator and cancer survivor, is pictured here with her sons, Richie and Mikey.

This is the college's second annual "mini Relay for Life," which is a partnership between GCC's Wellness Center and the American Cancer Society.  It is also a sort of prelude to the annual "Relay for Life" at Van Detta Stadium, which will be held on Aug. 24.

More pictures:

Kristina Groff, American Cancer Society staff partner, and Michelle Williams, the event chair.

Master of Ceremonies John Kochmanski, who is with the college's radio station.

Jace Little, fundraising specialist and safety officer at College Village, and Tiffany Ralston, who was on the event's public relations committee and serves as a "Living Learning" advisor at College Village.

For more information on "Relay for Life," visit relayforlife.org/bataviany