Batavia Players

This month's night (or afternoon) of theater at Main St. 56 Theater at Batavia City Centre consists of three one-act plays performed by members of Batavia Players. 

The plays are:

• "The Bear," by Anton Chekov
• "Mr. Icky," by F. Scott Fitzgerald
• "Verbatim," by Albi Gorn

Showtimes are 7:30 p.m. on Friday and Saturday and 2 p.m. on Sunday. Tickets are $16 for adults and $14 for students and seniors.

The Mr. Icky Cast:

• Mr. Icky, Seth Coburn
• Divine, Maia Zerillo
• Peter, Deacon Smith
• Ulsa, Sophie Crandall
• Charles, Lilah Mordell

Other characters played by:

• Joel Coburn
• Leigh LeFevre
• Jeriko Suzette
• Shakeem Walcott
• Jazz Wessell

The cast of The Bear:

• Anthony Haitz as Grigory Stepanovitch Smirnov
• Angelina Celej as Elena Ivanovna Popova
• James Barcomb as Luka

The cast of Verbatim:

• Marlene, Teressa Hirsch
• Reese, Steve Coburn
• Andy, Dorothy Gerhart

A simple plot -- 12 ordinary people deliberating the guilt or innocence of a young man accused of murder -- became a riveting drama on Sept. 20, 1954, when it first aired on CBS's Studio One.

In the 1950s, women couldn't serve on juries, so the title was to the point: 12 Angry Men.

A lot has changed over the past seven decades. Women have been able, for example, to serve on juries for decades, so now the play is called 12 Angry Jurors (12 Angry Men was also an award-winning movie in 1957 starring Henry Fonda). 

And a lot hasn't changed.  Not all is equal just yet. Society is still beset by prejudices, and people still have biases and personal histories that color their views of events.

So juries can still sometimes find it hard to agree on a verdict.

That's why the play originally written by Reginald Rose is still performed all over the country, is taught in schools, and is the subject of scholarship.

"It's still relevant," said Director Kristy Walter. "It's like one of those timeless plays that speaks to justice, it speaks to humanity, it speaks to people's prejudices and biases. And that's, I think, what makes it so compelling because when you watch the play, you see yourself in those characters. So I think that's what makes it worth seeing."

The first Batavia Players performance is at 7:30 p.m. on Friday, followed by 7:30 p.m. on Saturday, and 2:30 p.m. on Sunday.

The play begins with an off-stage charge from a judge in a murder trial: The jury must reach a unanimous verdict.

Once in the jury room, Juror #7 (the jurors are only identified by their numbers until the close of the play), played by Teressa Hirsch, says, “Yeah, lets vote. Who knows, maybe we can all just go home.”

She has someplace else to be, she reveals.

And the vote? It's 11-1. Not unanimous.

The lone holdout, Juror #8, played by Steven Coburn, confesses, “It's not easy for me to raise my hand and send a boy off to die without talking about it first.”

The jury decides it's up to them to convince him why they are right -- that the young man on trial stabbed his abusive father and killed him.  A guilty verdict would send the kid, from an impoverished background, to the electric chair.

The disagreements erupt for the jurors to confront their own morals and values, their own histories and beliefs.

You can probably guess the resolution -- if you've never caught the movie on late-night TV -- or better, no matter how well you know the story, you can join Batavia Players at 56 Main Theater this weekend to see how it plays out. The play holds up over decades of changing cultural norms and multiple viewings.

It’s perhaps an unusual title, emphasizing Broadway favorites with a title of "Do Not Sing List, and the “Not” has a red slash through it. So are these to be sung or not?

Director Sophie Houseman, a seemingly jack-of-all-trades when it comes to theater according to her resume, explains the mystic cabaret title of this weekend’s show.

“The ‘Do Not Sing List’ of musical theater is something that I have heard talked about much too frequently during my college education and my continuing path through community and semi-professional theater,” she said. “It is a list that I have always battled with when auditioning myself. Technically, the list is full of songs that agents, directors and other top decision-makers would advise against auditioning with.”

She listed examples of songs that boast about the performer, include profanity, sexual innuendo, rope in one or more people for a duet or ensemble, songs that are “massively over-performed, under-rated, tied to a certain demographic or songs that have such a strong connection to a particularly famous performance that you are unlikely to measure up.”

Ah, that makes the title make a little more sense. The show goes on at 7:30 p.m. Friday and Saturday at Main St. 56 Theater at Batavia City Centre, Batavia. 

Batavia Players will present the cabaret showcase of the “most memorable melodies from your favorite Broadway shows, new and old, and some fantastic songs you are perhaps yet to hear.” 

Houseman is a versatile participant, with a portfolio listing her as a performer, artistic staff, teacher, actor, dancer, singer, director and musical director, choreographer, music teacher, and vocal coach.

The mezzo-soprano said that, despite all of the pitfalls of the typical audition guidelines for songs, for this weekend’s cabaret, “we are fighting against many of these taboos.”  

“We are tackling the notion that you cannot perform a song if 128 other people are singing it in the same audition room and choosing to express an emotion and tell a story that we think is important, regardless of any connotation attached to it,” she said. “These performers have really taken these songs and used this opportunity to make them different, to stand out from the crowd and really make everyone question why they shouldn’t be performed. They have been dedicated, honest and, frankly, inspirational in their approaches to the material and in their final performances. I thank them deeply for that.”

Furthermore, she said, the troupe of vocalists is taking this two-night opportunity to perform songs  “we think should be banned from the banned list.”

Clever, though, that she didn’t answer the question of what songs would actually be included in the show. To find out, tickets are $18 for adults, $16 for students and seniors, and may be purchased at bataviaplayers.org

Photos by Nick Serrata.

A wandering band of nomadic thespians has finally arrived home.

For the first time since the late 1960s, when the troupe abandoned the dilapidated Playhouse at Horseshoe Lake, the Batavia Players has a theater to call its own.

The Players staged its first show on Friday night at the new Main St. 56 Theater in City Centre.

Norm Argulsky, board secretary, prop manager, and house manager, said the opening of the new theater is a dream fulfilled for the entire group.

"At long last, we are finally in a theater that we really want to be in," Argulsky said as patrons filled the lobby waiting to enter the first performance of Cry Baby, The Musical, performed by members of the Summer Youth Theater. "This is it for pretty good Players. We're going to be here permanently. We have a home. We have a lovely theater. We have a great group of people working for us. They have worked very, very hard, extremely hard in order to have this come to fruition, and it finally did. I mean, we never thought it would happen. And now here we are, opening night. I feel like Broadway."

And Board President Pat Burk said the success of the opening night was a pleasant surprise.

"(Opening night) went extremely well," Burk said. "I was very surprised that we had our biggest audience in quite a few years.  We were excited that the audience had such a great reaction to the show."

Batavia Players is transforming (the project is far from complete) more than 14,000 square feet of former medical office space into a lobby, theater, dressing rooms, prop rooms, and office space at a cost of more than $1 million.

The project is made possibly largely through a portion of the Downtown Revitalization Grant awarded to the city by then-Gov. Andrew Cuomo in 2017.

Batavia Players received $701,750 from the pot of $10 million in grant money awarded to various Downtown projects.   In 2020, the group was also awarded $417,000 from the New York Street Anchor Grant Program.

To complete the project, the Players still need to raise $265,000 from private donors. So far they've raised $41,000 (to make a donation, visit bataviaplayers.org).

Argulsky couldn't be more pleased with how things have turned out so far, though he's already running out of prop and costume space, he said.

"I love the theater, the actual theater. The theater is wonderful," Argulsky said. "I'm looking at my costume room, and I'm saying I don't think I have enough room. But the theater is absolutely great. I mean, the sightlines I've sat all over. I've been able to see the different perspectives from the seats, and there's not a bad seat in the house. So I think the audience will like it. I like the fact that there are wider seats, which are not going to be touching the shoulder of somebody else. And the sightlines are great. The sound is great. So I think everybody is going to enjoy being here."

The initial reviews from the first-night patrons standing in the lobby were positive.

Carol and Dave Waples drove from Spencerport for the opening and described themselves as big supporters of Batavia Players.

They love the fact that the new theater is downtown and were impressed with the overall ambience.

"Oh my gosh, unbelievable," Carol said. "I couldn't wait to get in here. We were so so excited about this. Yeah, it's very, very, very nice. Very impressive from what we've seen."

Co-workers Vicky Muckle and Lisa Casey teamed up to attend opening night. Muckle said she was also there to support a friend, Paige Sikorsky, who was appearing in the show.

"It's a definite improvement over the last place they were at, so I'm excited to get inside," Muckle said. 

Casey praised the project for "bringing life back to this area."

They had dinner downtown before the show and said that's the value of building the theater in downtown Batavia.

"You figure the DRI money was awarded in 2017, and now it's 2023, so to see it actually happening is really cool," said Casey, who worked in the City Manager's Office when the DRI award was announced. "I'm super excited. I didn't think I was to be here for the first actual show, so Vicki bought my ticket, and I'm so excited.

Except for that brief period at Horseshoe Lake in the 1960s, Batavia Players has never had a space it could really call its own.  

The Players were founded in 1931 by Ethel McIntosh, a Latin teacher at Batavia High School, and was comprised of 25 members to start. Their first production was "Beggar on Horseback" at Batavia High School (now the Middle School).  Until the 1960s, the Players performed shows at the New Family Theater on Main Street and in school auditoriums.

After abandoning the Playhouse, the Batavia Players almost disappeared until Wanda Frank helped revive the group.  When the school district started raising rental prices, the Treadway Motor Inn offered performance space as part of a dinner theater. In that era, they also performed at the newly constructed Genesee Community College campus.  In the following decades, the Batavia Players staged shows at schools and churches until renting space at the Harvester Center a few years ago.

(History Source: History of the City of Batavia by Ruth M. McEvoy.)

Cast members and leaders of Batavia Players' Summer Youth Theater want you to grab a seat for their production of “Cry Baby, The Musical,” this weekend, and the only question is: just where will that seat be?

Director Patrick Burk has been teasing the community’s curiosity with the debut of this show, via the sign outside of City Centre and an online post about the long-awaited opening of the new Main St. 56 Theater. 

"We have done a great job, thanks to our community, raising needed funds for seating so that we could open the theater for our summer program.  We still have a lot of work to do to complete the overall project.  We are at approximately $41,000 of our $265,000 goal," Burk said Wednesday. "It is our hope that the community will continually support this fundraising effort so that we can complete the project by the New Year."

Even by Burk’s own recounting of the process, it’s been a long, arduous journey of paperwork, grant applications, construction details, COVID delays, increased labor and raw material costs, and, most importantly — fundraising, fundraising, fundraising. 

"Much of the funds we raised paid for rent, interest, insurance and utilities while the project was on hold during Covid.  Now, we have to raise all that funding again to finish the project. We have had a huge outpouring of donated materials and sweat equity from a number of individuals and local companies. More is needed," he said. "It is our hope that the community will look at this beautiful facility and donate to make it happen."

In May, Burk was at best hopeful for a September splash of the new downtown theater at Batavia City Centre. Batavia Players ramped up a “Be My Guest” campaign seeking donations of any amount to help pay for theater amenities, such as that seat you’re going to hunker down in to watch this musical billed as a rebellious teen comedy based on the 1990 film “Cry-Baby.”

"We are very excited to be opening this weekend with the cult classic 'Cry Baby' and present to the community this highly entertaining and fantastic production," Burk said.  "Our cast is amazing."

Based in 1954, when everyone likes Ike, nobody likes communism, and Wade "Cry-Baby" Walker is the coolest boy in Baltimore, this show features a bad boy with a good cause: truth, justice and the pursuit of rock and roll. 

Wade and the square rich girl, Allison, are star-crossed lovers at the center of this world, with plenty of detractors and distractions to get in the way for a fun plot. Or, as the show’s website states: It's Romeo and Juliet meets High School Hellcats.

“Filled with unforgettable songs and a truly unique and fresh story, Cry-Baby is a perfect choice for any theatre looking to add a-rockin' good time to their season,” the site states. “Cry-Baby, Allison and Baltimore's energetic juvenile delinquents will dance their way right into your audience's heart!”

Shows are at 7:30 p.m. Friday and Saturday, and at 2 p.m. Sunday at 56 Main St., Batavia. 

Tickets are $18 for adults, $16 for students and seniors. Go HERE to purchase. 

It won’t matter if your back is turned when a loud, boisterous character bounds onto the scene of Batavia Players’ weekend show “The Drowsy Chaperone.” You’ll know who it is each and every time without looking because Adolpho, aka Qasim Huzair, enjoys the spotlight and wants to make sure his audience equally enjoys his enthusiasm.

“I actually feed off of people that are sitting right in front of me. That boosts me as an actor because I can play off of them more because when I'm this close to an audience, I tend to involve the audience so much more. And it doesn't make me uncomfortable like it would with some other actors. I really like it, actually, being able to look directly at audience members and make them feel uncomfortable,” the 19-year-old actor said just before rehearsal Wednesday evening at Batavia City Centre. “I enjoy having an audience.”

Now don’t get all nervous about him staring you down. He means it in the nicest way. After all, comedy’s his thing, not intimidation. And playing the lovable paradoxical character of a dark-haired Latino who believes he can get any woman yet does “really stupid things” is an amusing part of Adolpho’s charm.

Why not see for yourself at 7:30 p.m. Friday and Saturday or at 2 p.m. Sunday on the Batavia City Centre stage in downtown Batavia?

Ever since his first role as Uncle Fester in “The Addams Family,” Huzair — and his high school play director — knew he was headed for comedic acting. In fact, the director encouraged Huzair, a theater arts major at Genesee Community College, to pursue the funnier side of acting, which he has done ever since.

So with those two attributes going for him — a love of the spotlight and comedy — what else could he be pursuing?

“As far as an end goal, it would be really nice to get into maybe a TV show setting or film. Like as a stable job through a TV show,” he said. “Of course, I would also love to be in professional stage casts, I like all sorts of acting, straight play acting, musical acting, film acting, whatever gets my foot through the door. I’ve just got to stick with it.”

After GCC, he’ll be applying to several four-year colleges for a bachelor’s in fine arts and a minor in music education. The minor is for his Plan B to be a music teacher, though with a strategy to go on multiple auditions in New York City a year from now, it kind of sounds as if Plan B has been stored away for a while.

“Of course, when you first start out, you can't get an agent. But I'm hoping with exposure and going to a four-year college, a lot of four years theater schools offer the opportunity to perform and have a showcase in front of an audience of agents,” he said. “I’m hoping that I can get an agent from one of those opportunities.”

To boost his backup plan, he plays the sax.

A newcomer to Batavia Players, Huzair’s debut was for its last show and his first experience with being up close and very personal on stage with the cast and patrons. While such proximity has certainly unnerved actors a time or two, it fits Adolpho’s style and allows him to slide into the audience rather ceremoniously. He’s not one to tip-toe.

“He is very funny. That’s why I auditioned for him,” Huzair said. “He sings this one song, and it’s hilarious. I love making an audience laugh. When I play off an audience, it gives me more energy.”

Hence, the looking into people’s eyes up on stage thing. He’s unabashedly fearless to make that human connection. So what’s this young actor — who got so carried away as a kid that the director warned him to tone it down because he wasn’t supposed to be drawing all the attention away from the lead  — like off stage?

“When people get to know me, I’m very obnoxious. I’m always practicing my comedy on my family,” he said. “As a person, I’m always trying to make people laugh.”

Adolpho is the stereotypical Latin lover, he said, holding a "rose in his teeth very pompous" type of guy, yet is also very oblivious in that “he doesn’t get basic concepts.” Adolpho is convinced that he could get any woman that he wants, his alter-ego said.

“He's very confident,” Huzair said. “But what's the ironic part about it is his character is very stupid.”

Well-spoken and articulate, Huzair doesn’t exactly mirror that description. He described the show, which neither he nor fellow actor Jeriko Nemeth sitting nearby had ever seen before. 

A comical farce based in a man’s living room, the premise puts the audience in the room with the character aptly titled “man in chair.” He listens to a recording of a fictional 1928 comedy, and the characters begin to appear in his sad, dingy apartment, bringing to life his meager existence into an impressive Broadway performance.

Intriguing set-up, yes? Add to it glitzy costumes, sparkly furniture, painted backdrops, lively personalities — Broadway producer Feldzieg, flapper Kitty, aging hostess Mrs. Tottendale, two gangsters-in-hiding as pastry chefs, and Nemeth’s Amelia Earhart-like pilot character, to name just some of the living room troupe.

Equipment failures starts and stops that freeze the action, a plane trip, wedding plans for four couples, Janet, the alcoholic chaperone who talks of being drowsy (there’s your title), and a line-up of musical numbers that will move this production happily along to “Love is Always Lovely in the End.”

Nemeth, another GCC theater student who is pursuing a creative arts degree, auditioned for Trix the Aviatrix. She was drawn to the characteristics of Trix.

“She is the big black female role,” Nemeth, 18, said. “She always has a smile on her face. It’s definitely an acting job, I can’t relate to, being a pilot ... being in the sky and being in Rio. I’ve never been on a plane before.”

Nemeth has enjoyed being part of the show and a creative environment. Ever since she was a child, painting and drawing were her favorite activities, she said. Then came a fondness for acting, with her first role in “Mama Mia.”

“I ended up having this love for stepping out of my real life and going into something that I can at least forget about everything else for a good couple hours,” she said. “As my character of Trix, since she's a pilot, she has very heavy clothing. I do wear a leather jacket on stage as well as like a heavy cab, and it’s just so sweaty. But that's honestly, my only struggle with the character is just the heat. But you learn to get through it.”

While describing the show, Huzair paused to question why he or many others haven’t seen it before. It’s pretty darned funny.

“This show is short and sweet, not too long. It’s a short little time of fun,” he said. “Chock full of jokes and laughter, acting and singing, all those aspects are put together, it’s a very entertaining show. I don’t know why it’s not more well-known.”

Tickets are $18 for adults and $16 for students and seniors, and may be purchased at showtix4u.com.

Photos by Howard Owens.

Batavia Players premier A Cabaret Showcase: Opposites Attract at 7:30 p.m. Friday at the Main St. 56 Theater in City Centre, Batavia.

The show is a smorgasbord of songs showcasing true opposites -- love and hate, dead and alive, in and out, big and small, and more.  All of the songs come from popular Broadway shows.

The show goes on again at 7:30 p.m. Saturday. 

Tickets are $18 for adults and $16 for seniors and students.

Photos by Howard Owens.

Sometimes fundraisers help to augment a nonprofit’s goals and projects, but that’s not quite the case for Batavia Players, Patrick Burk says.

Main St. 56 Theater, an ambitious downtown symbol of the arts in all their dramatic glory — up on a stage featuring the community’s own — is dependent on the funds raised during a final push for donations.

Titled “Be Our Guest,” the campaign is designed to offer folks an opportunity to give what they can — a little or a lot, Burk said. There was a kick-off at the theater-in-progress in late April, and Broadway actor John Bolton was a featured “Be Our Guest.”

“John is wonderful and so dedicated to keeping and maintaining the Batavia Players and the Main St. 56 Theater as a top notch performance space,” Burk said. “He was very gracious and giving to the actors and volunteers and provided some wonderful insights on the profession.  We thoroughly enjoyed having him here to help shine a light on our needs and the project in total.”

The project has received grant funding, however, due to COVID — yes everyone is tired of hearing about it, but the lasting effects are nonetheless real — prices of everything have gone up, Burk said. Delays, increased labor and raw material costs, have added to the total expense.

This fundraiser is for the purchase of new seating, and lighting and sound upgrades to provide a state-of-the-art facility “that is comfortable and inviting for our audiences,” the campaign material states.

“We need to raise these funds in order to complete the theater,” he said. “It’s that simple."

When might we expect to see a show at there? 

That depends on who you talk to, he said. The theater is about 80 percent complete.

“Our ability to move forward is directly attached to the 'Be Our Guest' campaign. I have no idea. I have been telling myself that it will be sometime after Sept. 1 of this year.  Maybe the Christmas show in December,” Burk said. “Again, all of this depends on when we can raise the funds as well as get the work done. We are looking for volunteers for a multi-day work session that will be announced soon.”

During a recent interview with Bolton, he spoke fondly of community theater and how it belongs in every city, including Batavia. 

What’s a community without live theater?

“A community without theater (or any of the arts for that matter) loses so much.  The arts of a community are a distinct part of that community.  It would be like losing your favorite or most known landmark.  Community theaters are an outlet for those that want to perform and do not have the resources or the ability to go far from home to achieve that,” Burk said.  “They are spaces that help talent develop and as we have seen from the past, we do develop great talent here that goes on to bigger and better things. We have past participants of the Batavia Players performing on Broadway, being on national tours and starring on the stage and screen. John Bolton is a great example of those that got exposed to the profession locally and then went on to perform professionally all over the United States. 

“The Batavia Players have been in existence for close to 93 years. When you look back at all that they have accomplished and all the people that we have touched and worked with it is amazing,” Burk said. “I feel that we are a great reflection of our community and the area in general and that we provide an excellence in the performing arts area with talented veterans and new people on a regular basis.”

Donations of certain levels will be placed on an engraved plaque in the theater lobby area. The goal is to raise $150,000. Make checks payable to Batavia Players Inc., P.O. Box 256, Batavia, NY, 14021-0256. For more information, email burk.patrick1956@gmail.com.

Photo of Main St. 56 Theater by Howard Owens.

For someone who has starred in several TV shows and on Broadway in classics, including “Damn Yankees” and his most recent tour with “Wicked,” it wouldn’t seem at all surprising that actor John Bolton would be a name-dropper.

Yet, the names were all so locally familiar: Ben Mancuso, Don Iwanicki, Wanda Frank, Linda Blanchet. 

Bolton, who first dipped his toe in the theater waters by moving sets in a Batavia Rotary show, just kept walking in -- from ankle to calf to knee, as he put it -- until he’s been fully immersed — and successfully so — making a living as an affable and prolific actor while enjoying his life in midtown Manhattan.

His first 10 years growing up were in Rochester, followed by living in Le Roy.

"Because my dad's job was out here and was here until sophomore year of college. I went to GCC for first-year college, graduated from Le Roy High School and then went to St. John Fisher, which is now St. John Fisher University for Journalism,” Bolton said during an interview with The Batavian on the new stage-in-progress at Theater 56. 

“And once a year, my dad's company would have a thing in New York, and we would see a Broadway show, he would get to bring my mom and me. And occasionally, I could drag a lot of friends, and we would see a Broadway show as part of the trip to New York. And it was my introduction to it, and there was no other theater in Le Roy … but eight miles down the road, there was Batavia Players doing two shows a year and Batavia Rotary doing a big Broadway scale musical with a full orchestra and big sets and costumes and great, amazing, talented performers. And so I sort of dove into that.”

And dove he did. Bolton saved the playbills, memorized the names, and, as a senior in high school, learned how connections can get you places. In his case, his dad knew a Rotary director and mentioned that John “would love to become a part of the show.” So, Ben Mancuso, well known for his boisterous lead in “Fiddler on the Roof” and many other Rotary performances, asked if the young Bolton would want to move sets.

“So I moved sets for Batavia Players’ production of ‘Bells are Ringing,’ and I thought I'd hit the big time. I would kneel offstage and just watch shows. So, because I was a senior in high school, I turned 17, my senior year, and kneeling in the wings, waiting for my cue to come out and move this massive set. And I would just get so lost in these amazing local performers, who to me were just stars … they did full-scale Golden Age musicals, ‘Fiddler on the Roof,’ ‘King and I,’ and I knew Ben Mancuso.

"So that was like knowing a star because he was Tevye. And I remember being at the mall here and saying to my mom, ‘Look, it's the king. And it was Don Iwanicki who played the king in The  King and I, and these were stars to me," Boltons said. "And then all of a sudden, I'm working with them, and not calling them Mr. Mancuso or Mr. Iwanicki, I’m beginning to call them Don and Ben. It was just such a great, great crew of talented welcoming adults.”

Fast forward a bit from this awestruck teenager to a star on Broadway and TV in his own right, having played Horace Vandergelder in “Hello, Dolly!” in 17 cities across the country; completing a two-year run as Vlad in Broadway’s “Anastasia” and in the original cast of the three Tony Award-winning Best Musicals: “Monty Python’s Spamalot,” “Contact,” and “Titanic.”

He played alongside Jerry Lewis in “Damn Yankees” and received impressive nominations for his acting and dancing talents, capturing three Outstanding Featured Actor in a Musical awards for his roles in “Anastasia,” and “A Christmas Story.” As for his television credits, Bolton has been on “Madam Secretary,” “Blue Bloods,” “Law and Order: Criminal Intent,” “The Good Wife,” “Gossip Girl” and others, plus he headlined for the NY Pops and NY Philharmonic.

So it’s safe to say that he can do more than move sets. He made great friends and mentors of sorts during those virgin theater years, and was proud to be part of a show, he said.

“And I went from moving the set, I did props for a show. And then I was in one, and then I was in the one the next summer, and in between, I'm in the Rotary shows, and I just felt like I'd hit the big time. I'd never considered it as a career. It was just like something I love to do. And once I was at Fisher, I really dove into Rochester community theater, Pittsford musicals, Brighton Theatre Guild, Webster Theatre Guild, Geva Theater would hire me for small roles, and I got my equity card there a few years later, and then it became an option of well, maybe I move to New York and or at least visit New York and audition and see how it goes,” he said. “And I booked a summer gig, a summer theatre gig in the Atlantic near Atlantic City. And that led to working with a director that led to working with who recommended me for another show who read, then someone in that show recommended me for this show where an agent saw me, so one thing just sort of led to another in a freakishly lucky, wonderful serendipitous way, and now it's 40 years later.”

What brought him to Batavia?
Bolton was invited to stop into a fundraising event for Batavia Players if he happened to be in the area. He knows a lot of people and stayed with some friends in Stafford for a few days and then went to Rochester to visit with his brother. In between, he made a stop for the fundraiser event, and returned to teach a master actors class and for an interview with The Batavian.

So what does he teach actors that are just dipping their toes in the water?
"I would tell them to follow your heart. As long as it's something you love, it has become much more of a viable career. There are many, many good universities that offer degrees. And if you don't wind up on stage, there are so many positions to be in, from producing, to designing, to musicians, to publicity to agents to managers, that it's a huge industry, and it is based right here in New York State,” he said.

If he hasn’t made it clear enough yet, Bolton has a warm feeling about community theater, from how it draws in folks you may not otherwise connect to the stage — “Look, the history teacher can sing, the dentist can design sets, look, your babysitter is an amazing dancer,” he said as examples.

“It’s just that’s what community theater is. And you’re all working for one thing, and you usually put on a very good show,” he said. “And the behind-the-scenes is just as important. And they're having a blast, and we'd all go on about that. We'd go out for drinks at Sunny's afterward, and it was all just family and no judgments. And everyone's welcome. And I was just this kid being welcomed, and just discovering a new family and a new thing I love to do

"It's the best team sport. I grew up around team sports, and I was like, Oh no, this is a team sport. It takes athleticism and cooperation and plans and, you know, respect for each other and camaraderie,” he said.

What has been his favorite role so far?  
“I always say my favorite role is the next one. What has surprised me the most is, and then I'm so proud of myself as longevity that I'm still here and that they're still calling me to do this. And I'm like, okay, and TV's calling me more and more. That's something I never thought I'd do," he said. "The residuals that resulted from that really got us through a lot of COVID, you know, because people were locked in their homes, and all of a sudden they're streaming my seven episodes of this show or that six episodes of that show, and all of a sudden the checks are coming in. It's like, thank you, people. Thank you, TV."

And what does it take to get those recurring calls for roles?
When he performed in "Damn Yankees," he worked with "great stars Victor Garber, Bebe Neuwirth and Jerry Lewis," who knew everyone's names the first day of rehearsal. That was like "Wow," he said. 

"I'm part of this, I get to be one of the guys up here. And I think that was a moment where I was like, I'm in a Broadway show. I'm so lucky right now. And I teach my students this: being talented and lucky, extremely lucky, will get you hired. Being talented and nice to work with will keep you hired. Because work begets work. If you are good to work with, they'll remember you, and they'll call you in for this."

He seems comfortably settled into Manhattan, living with partner Sean McKnight, tending to a garden and enjoying his dogs during those precious free moments in between gigs. Bolton just shot a TV show that, by contract, he could not disclose, he said. Boo. It would be fun to see him after he graced Batavia with a visit, so keep your eyes open. 

He remembers his early years fondly.

“And with such affection, that I came here to do this, and because I'm such a believer in community theater. We're not all going to go into this industry, but it's a great outlet,” he said. “And look at the best of the greatest cities in the world: New York, Chicago, Paris, London, they're loaded with the arts. The arts are a key part to the success of any city, and even the city the size of Batavia, and let's bring it back."

Broadway and TV actor John Bolton talks about his career, growing up in Genesee County from age 10 until he went to college, his memories of Batavia Players and Rotary shows, and what he shares with novice actors looking for success in the industry during an exclusive interview with The Batavian. Photos by Howard Owens. 

How do you get through a play with nearly 4,000 lines of script and requires just under double the amount of actors that you have?

“It’s a long play. We did a play review, we went line by line and chose what lines to keep and what we could cut,” Director Jane Burk said of the Shakespeare in Springtime debut production. “We cut a lot. One act has 13 scenes, act four has 15 or 16 scenes. We had to pick and choose what scenes to cut or combine.”

Not the glamorous side of theater, perhaps, but important all the same. Reviewing words to be spoken — William Shakespeare’s words, no less — is nothing to dismiss as an idle task. Burk has been trading off the director’s role for the Batavia Players Shakespeare in Springtime series every other year, and this time it's her turn.

The play is “Antony and Cleopatra,” the second longest of Shakespeare’s works, and set in late B.C. Considered part comedy, romance, and tragedy, it hits the stage at 7:30 p.m. Friday at Batavia City Centre’s concourse.

Major characters are, of course, Mark Antony, a Roman general and one of the three joint leaders known as triumvirs who rule the Roman Republic after the assassination of Julius Caesar; Octavius Caesar, adopted son of Julius; Lepidus; Cleopatra, queen of Egypt who follows six Cleopatras before her; and Sextus Pompey, a rebel against the triumvirate and son of the late Pompey.

Mark Antony—one of the triumvirs of the Roman Republic, along with Octavius and Lepidus—has neglected his soldierly duties after being beguiled by Egypt's Queen, Cleopatra. He ignores Rome's domestic problems, including the fact that his third wife, Fulvia, rebelled against Octavius and then died.

Octavius calls Antony back to Rome from Alexandria to help him fight against Sextus Pompey, Menecrates, and Menas, three notorious pirates of the Mediterranean. At Alexandria, Cleopatra begs Antony not to go, and though he repeatedly affirms his deep passionate love for her, he eventually leaves.

The triumvirs meet in Rome, where Antony and Octavius put to rest, for now, their disagreements. Octavius' general, Agrippa, suggests that Antony should marry Octavius's sister, Octavia, in order to cement the friendly bond between the two men. Antony accepts. Antony's lieutenant Enobarbus, though, knows that Octavia can never satisfy him after Cleopatra. In a famous passage, he describes Cleopatra's charms: "Age cannot wither her, nor custom stale / Her infinite variety: other women cloy / The appetites they feed, but she makes hungry / Where most she satisfies."

Burk saw a stage production a “very, very, very long time ago,” she said and has gotten up to speed on the show and how she has wanted to put her own twist on it.

“So many things happened, basically, all within a relatively short time, that brought about the downfall of all of these people. And it was a tragedy, with the one exception of Octavius Caesar, who survived. There were military battles, there were sea battles that occurred in northern Egypt, in the Roman area of Italy, and throughout the area of the Eastern Mediterranean. I mean, historically, this was a very volatile period of time. Shakespeare was writing a play, so he made mention of many of these different activities that were happening and how they were reflected in the time period. But his main focus, because he was a playwright, was the actual personal relationship between Mark Antony and the other two members of the triumvirate,” Burk said. “And then, on the other hand, between Mark Antony and Cleopatra, who was a ruler and a queen in her own right. She lived from approximately 51 BC until she died by suicide in 30 BC. Mark Antony, he was a little bit older than her, his birth date was somewhere around the mid-80s, 82 or 83 BC. But his death was also by suicide in 30 BC, which was technically the end of the issue of the Roman dynasty, and of the Egyptian dynasty and how they related to each other, militarily and politically.

“Realistically, you could almost point the finger at what happened between Mark Antony and Cleopatra and their downfall. And what happened to the countries where they lived in that time period,” she said. “And the military issues that arose. That all played into that, that final thing of being left with one specific Emperor, who was Augustus Caesar, and the head of the Roman Empire.”

One-half of the City Centre stage will be dressed in traditional B.C. scenery and costuming and dialogue, while the other half will sport a contemporary look, she said. While the historic views may not seem relevant today, might they be?

“And so there's a juxtaposition between how the two who are contemporary and are so not contemporary, are they contemporary? Are things that happened in the long ago time of Egypt, are they still relevant today? And those that have some impact on what is happening in the Roman place, and vice versa?” she said.

All of the action is on stage, and that means all of the action — actors and audience. There is seating for 60. Placing spectators around the stage at ground level with a split stage of time periods just would not have worked, Burk said.

And “lighting is very important.”

“It’s going up on one side while going down on the other,” she said. “It’s a truly amazing cast, I could not be more proud of them. I was so relieved to have them try out. We have an extraordinarily talented cast.”

The show is 2 1/2 hours, plus intermission, and debuts at 7:30 p.m. Friday and continues at 7:30 p.m. Saturday and 2 p.m. Sunday at Main St. 56 Theater, Batavia City Centre. Enter through the purple door next to Batavia Family Dental.

Tickets are $16 for adults and $14 for students and seniors. To purchase tickets, go HERE. 

Top Photo, left to right, Cynthia Nelson as Caesar, Shaun Coburn as Dollabella, James Barcomb as Lepidus and Jacqueline Morrison as Pompey; Erin Stamp as Menas and Elijah Van Epps as Enobarbus; Erin Stamp as Menas, Jacqueline Morrison as Pompey, Steve Coburn as Marc Antony, Shaun Coburn as Dollabella, Cynthia Nelson as Caesar, James Barcomb as Lepidus and Elijah Van Epps as Enobarbus; Steve Coburn as Marc Antony and Jaqueline Morrison as Pompey; and Kendra Morrison as Alexis, Emily Crawford as Cleopatra, Shellene Bailey as Charmian and Patrick Burk as Mardian. Photos by Howard Owens.

Think of a tiny hamlet up north, not quite reaching Canada, filled with regular town folk but with no governing rules because nobody ever got around to officially organizing. It’s filled with geese, and moose, snow-sprinkled deer, and scenery so photogenic you’d swear it’s Maine.

But as you will soon learn, it’s Almost, Maine, Batavia Players’ next show to debut this weekend.

“The whole premise of the show is that it takes place over 10 minutes. And the place that's called Almost Maine is based on an actual place. So it's nine different vignettes that take place in the same town with nine different couples. It's kind of a cool premise, like a snapshot in a small town, to me is kind of like a cool premise,” Director Patrick Burk said. “So it goes from everything from the ridiculous to the sublime. There's extremely funny parts, there’s extremely dramatic parts, there's challenging parts, there's social redemption parts. It's really a great, great play.”

The show runs at 7:30 p.m. Friday and Saturday and at 2 p.m. Sunday on the concourse stage inside Batavia City Centre.

What better way to spend a cold winter night than to learn about the intermingling of those nine couples, introduced to the audience through each separate scene? Though the entire production is 90 minutes, each scene reenacts the same 10-minute point in time from varying perspectives, which fascinated Burk when he first encountered the show.

It makes a spectator wonder, ‘why didn’t he know that so-and-so did that?’ a question that is answered when one realizes that the scene is happening at the same exact time as every other scene, Burk said.

“There's connections between the scenes because, obviously, like in any tiny town, everybody knows everybody else. So there's references to the other scenes. And there's a lot of names that switch back and forth with the scenes, with the couples talking about different issues. It's a beautiful, beautiful play, it really is. But it's kind of a strange way to be looking at things because you're trying to figure out, well, why didn't she know that?” he said. “And it's because it happens at the same time, so she wouldn't know. It's not like one scene follows another scene. It all happens at the same time. So it's a very strange premise, but it's beautifully done. And I think the cast does a phenomenal job of that.”

Part of the beauty is that people fall in — and out of — love, hearts get broken, love happens in the strangest of ways, and residents of Almost, Maine -- cue the dramatic music -- “will never be the same,” according to the show’s description.

The set is rather basic since it is based outdoors, with a bench, chairs and a table, and costumes of winter apparel. There are 19 characters and 16 actors — some have two characters each — and Burk has been impressed with how actors embraced their roles so fully to unfold completely within each 10-minute segment.

“It is very, very popular in high schools. I think the characters are amazing,” he said. “I kind of looked at it as a fairy tale. Could this be true?”

He was equally impressed with how well actors collaborated with one another, given they were from several counties, including Genesee, Orleans, Wyoming, and Niagara.

That, coupled with the ability to perfect the role and be familiar with those of others in case of illness and absenteeism, has worked out well, he said.

“We just came off of our Christmas show, with a cast of 40 people, we were really pushing the envelope, and then coming back with this — and we’ve only been rehearsing for three and a half to four weeks,” he said. “I really do hope people come and see it. It's a tremendous show. And it's absolutely beautiful. I know, I say that frequently when we do things, but it really is a beautiful show. It really has a huge appeal, I think to a wide array of people. And I think people will see things, and the characters, of family and friends and themselves, and people that they know.

"And I just think it's extremely well written, and our actors in this particular show, the 16 of them are absolutely amazing. I can't say enough about it,” he said.

Almost, Maine was developed at the Cape Cod Theater Project in 2002 and received its world premiere at Portland Stage Company, where it broke box office records and garnered critical acclaim. It opened Off Broadway in the winter of 2005/2006 at the Daryl Roth Theatre and was subsequently published by Dramatists Play Service. Almost, Maine has been produced by more than 5,000 theater companies in the United States, making it one of the most frequently produced plays of the past decade.

Tickets are $16 for adults and $14 for students and seniors. To purchase, go to showtix4u.com.

Photos during rehearsal include actors Shaun Coburn, Jacquie Morrison, Justin Chortie, Brianna Jones, Maia Zerillo, Seth Coburn, Richard Ferris, Sophie Houseman, Stephen VanValkenburg, and Kristen Gelia. Photos by Howard Owens.

After performing twice before in the same Batavia Players show, Heather Ferris is now taking the baton, so to speak, as director of what’s become a holiday favorite for the group each December.

This year’s “A Christmas Carole” has not only made Ferris attentive to the script, but also to every other aspect of production — from auditions early on to the finishing touches of dress rehearsal.

“I definitely enjoy the directing versus being on stage. I’m a little shy. Sometimes getting on stage for me is, it can be a little overwhelming. It can be a little scary. But being able to direct, I feel like I can let my creativity come to life through the actors that are on the stage. So it's more of a creative outlet for me than actually being on stage,” she said prior to rehearsal Tuesday. “I just start thinking about how far we’ve come. My youngest cast member is 3 years old, and then I've got cast members all the way up into their 70s. And just to see them kind of blossom, and just really bring characters to life, for me, it’s just so fun to watch that. And so I get really excited for them when they're bringing it all together.”

Scrooge and his ghosts debut at 7:30 p.m. Thursday, followed by shows at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday at the makeshift theater at Batavia City Centre.

This isn’t a first-time directing for Ferris, who is co-directing this one with her husband Richard; however, it is her first experience off-stage guiding the action for the beloved Christmas classic.

“It’s a fun show, it’s very family-friendly,” she said. “You expect the change that Scrooge comes through, and see the spirit of Christmas come alive through him. To see how the story that was written almost 200 years ago can be so much like what we deal with today … money doesn’t always make you happy. It’s a feel-good story, and you go from bah-humbug to a time where people are happy; it makes you feel good at the end.”

Written by Charles Dickens and published in 1843, the story features Ebenezer Scrooge, an elderly, penny-pinching curmudgeon whose ultimate life lessons come to him through ghosts of Jacob Marley and of Christmas past, present, and future. After learning about each phase and its impact on people and the community, Ebenezer’s moral compass and hardened heart are transformed.

Of course, before that idyllic ending takes place — just as with the storyline itself — there are the typical challenges with such shows, especially with a cast of 32 and half of which are youngsters, she said. School activities, sports practices and work schedules all must be juggled amidst a rehearsal timeline that began in October.

And even though the pandemic has rested in most everyone’s rearview mirror, there has been illness to deal with amongst the troupe, she said. But now, with a full dress rehearsal upon them for Wednesday night, it is, as they say, show time. And Batavia Players is ready to entertain, said Ferris, a retirement plan consultant.

“Tomorrow is really just making sure that our lighting is good, our sounds are good, that we have all the costuming in place and things like that,” she said. “So it's literally just the finishing touches, the little things that make the production a whole production.”

Although by day she crunches numbers and deals with accounting for clients, Ferris, a resident of Medina, can let her innovational nature flow in the after-hours of theater.

“It really allows me to have that creative outlet,” she said. “It’s a way to get away from my everyday challenges, and let that stress melt away.”

Filled with familiar music and traditional Christmas carols, the show is also augmented with pianist Kathy White and Kristin Gelia on violin.

Tickets are going fast, and folks are encouraged to get them sooner than later, said Patrick Burk, aka Ghost of Christmas Future. Tickets are $16 for adults, $14 for students and seniors, and may be purchased at showtix4u.com or possibly at the door for some dates, Burk said.

Photos of rehearsal Monday for "A Christmas Carole" by Batavia Players at Batavia City Centre. Photos by Howard Owens.

Halloween is quickly approaching, then it’s Thanksgiving, and before you know it, the annual Christmas in the City takes hold the first weekend in December.

As members of Batavia Business Improvement District and Batavia Players — led by Co-Chairpersons Pat Burk and Shannon Maute — strive to get things in place for the event, there are plenty of opportunities for others to participate, they say.

Christmas in the City
The main event runs from 1 to 6 p.m. on Dec. 3 Downtown, with a visit from Santa Claus from 1 to 5 p.m. inside the mall and a finale parade at 6 p.m. throughout downtown. Local groups, businesses, emergency services departments, kids, adults, and most anything in between are welcome to join the fun.

Maute has put out the call for not only organizations but also for departments with fire trucks, to sign up.

“You can walk, ride or enter a float,” a BID flyer states.

Mall events will run from 1 to 5 p.m. and include Santa’s Village, pictures with Santa, hot cocoa and cookies, crafts, cookie decorating, a kids’ zone, Santa’s workshop, shopping specials, Dickens Carolers, Scrooge, adult tastings and more, organizers said.

Our Hometown Christmas
Even earlier that day will be a craft and vendor fair that begins at 10 a.m. and runs to 8 p.m., Burk said.

“We already have 22 tables,” he said. “And there will be entertainment; our dance academy is performing, the small brass group from BHS signed up, and there’s Santa’s Village. We’re trying to get people in what used to be the mall, and our Christmas show will be happening Dec. 1, 2, 3 and 4.”

Burk, long-time executive director of Batavia Players, is learning how to juggle theater responsibilities with Board of Elections tasks and being president of the Genesee Valley School Boards Association, he said.

The theater in Batavia City Centre has been one of many projects delayed by the pandemic’s onslaught of labor, supply chain and social distancing issues.

With fingers crossed, Burk is hoping for a completed theater to open in May or June of 2023. There are grants involved, and though the Players are a pre-qualified status through Grants Gateway, there is more footwork to be done, and it is all falling at the same time as taxes being due Nov. 15, he said.

Despite the “bad timing,” he and group staff and members look forward to that day when a performance happens in the fully renovated theater.

“We had some pretty hefty demolition left to do with plumbing, electrical, all those old air conditioning units that were there for the X-ray machines and stuff. Yeah, huge. They're all gone. I mean, we're moving daily. And we're working hard,” he said. “So I don't know what time we're going to be completed. And a lot of it's depending on availability of our stuff, and when we get our reimbursements from the state.”

Grant funding is crucial, due to how — sounds like a broken record by now, he said — COVID affected pricing for everything.

“Our supplies went up by over $260,000. We’re in for $1.2 million already and have raised money. And all that money doesn't mean anything, because we have to come up with more money for it, just to complete everything," he said. "On top of that, we really want to do a good job of accessibility and maximizing use and having good lights and sound and all that other stuff. And all that stuff went up in money … it all went through the ceiling."

They should get word on the grant application in March or April next year, he said, and he has learned how meticulous all of that paperwork needs to be, especially given at least three grant-related changes taking place this year. If one number is off, it gets sent back, and then they wait another month or more for approval of a resubmission of the corrected material.

“You have to have people look over this stuff, over and over and over,” he said.

A Christmas Carole
Nonetheless, the show, as they say, must go on, and the Players will be presenting the seasonal Dickens’ favorite “A Christmas Carole” the weekend of Christmas in the City.  It is set for 7:30 p.m. Dec. 1, 2, 3 and 2 p.m. Dec. 4 at Main St. 56 Theater in Batavia City Centre. Tickets are $16 for adults and $14 students and seniors, and available at showtix4u.com.

The Players will also be sponsoring Our Hometown Christmas all day on Dec. 3 with an array of gift options at craft and vendor tables. There is still space available, and any interested crafts dealers, food trucks, vendors or antique dealers may want to grab a table NOW. 

Santa’s Village will be part of a festive display, and local schools are to be participating, Burk said. There are so many activities jam-packed into the schedule, that Burk would like to see a future two-day event, he said.

The Hometown event is a fundraiser for the Players, and will provide entertainment and fun for visitors, he said.

“We’re trying to keep the theater going with no theater and with no money,” Burk said. “We are literally scraping together money to pay to keep the lights on.”

Wreath Contest
The BID is also hosting its annual Wreath Contest for downtown Batavia “as a creative way to add some holiday spirit to downtown.” The contest is open to any business, group, organization, or family. For $20, each participant is provided with a 16-inch plain wreath to decorate. Participants may pick up their wreaths on Nov. 19 and have a week to decorate before dropping them back off to the BID for committee volunteers to place throughout downtown, Maute said in a recent press release.

Voting for the most creative will take place from Dec. 3 through 24. The first-place winner is to receive a $100 cash prize, second place $75 and third place $50.

To participate in the wreath contest or parade, contact Maute 

File photos of Christmas in the City 2021 by Howard Owens

In its 25th year, Batavia Players’ Summer Youth Theater program returns from a pandemic year off with something spectacular to behold, Director Pat Burk says.

He chose the musical “Godspell” to give prominent and ample opportunity for the 15 youth actors to fully embrace their characters and bring the Gospel of Matthew to life in an atypically festive and colorful atmosphere.

“It’s about parables and things, and also excerpts from the Gospel according to Matthew. But you know, the whole premise of the show is just a very beautiful premise, and the show itself is physically gorgeous. I think people will be surprised at our setting this year … during Mardi Gras in New Orleans,” Burk said during an interview with The Batavian. “And that's another nice thing about the show, you can kind of put it into the setting you want it to be in. Originally it was in a junkyard in New York City. It was a bunch of homeless, kind of hippie vagrants, in the junkyard in New York City. We've changed that, and ours is very New Orleans, Mardi Gras-themed. and it is a very beautiful show. So I think people will enjoy it.”

The musical is a retelling of the Gospel of Matthew set in New Orleans during Mardi Gras. The disciples of Jesus spread his message of love and tolerance through the city streets as the time gets closer to Jesus's betrayal at the hands of Judas and his eventual crucifixion. Parables are interspersed with music set primarily to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end of the show.

With its debut on Thursday, Summer Youth Theater’s production continues at 7:30 p.m. Friday and Saturday, and at 2 p.m. Sunday at Batavia First Presbyterian Church, 300 East Main St., Batavia.

"Godspell" began as a project by drama students at Carnegie Mellon University and evolved from off-off-Broadway to being rescored for an off-Broadway production, which became a long-running success.

Don’t let the actors’ ages, from 12 to 21, fool you; most are fairly well versed in theater and in working with Batavia Players, Burk said. There have been challenges, though, with the venue — First Presbyterian Church in Batavia. The widespread choreography and sets were too much for the Players’ makeshift stage while the new one is under construction, he said.

The troupe was invited to perform at the East Main Street church and accepted, meaning a complete transplanting of sets, the light and sound boards, costumes, props and stage setup, he said. They had to rent sound equipment, move and reset lights, and faced more challenges with designing a set for this particular show, he said, “which we want to really highlight the design and the costumes and the coloring, the colors involved in the show and how we're setting the show.”

“We had to bring in a bunch of really expert people to make that happen,” Burk said. “And I think people will be amazed. It's pretty expansive, and it's pretty impressive, actually.”

There also wasn’t room for the pit band that accompanies vocalists, he said. Their current, temporary digs consist of a small stage area inside Batavia City Centre until the theater construction is finished.

“Because the only shows that we do in there … we can have drums and guitars and bass and two pianos, and there's no room for that in our temporary space,” he said. “So the shows that we've done in there, if there is music, have either band recorded music that you purchase, and/or an individual piano. So, this show really requires a fuller pit, plus the choreography and dance numbers are, in our version, are fairly extensive, and they would not have worked in that space.”

That being said, the church performance space has worked out nicely for a breathtaking production that, contrary to what some people may think of biblical prose, is anything but boring, he said.

“It's absolutely gorgeous. And the music is amazing. Absolutely amazing, and it allows a lot of individual moments to shine within the show,” he said. “It's kind of an ensemble cast, which, there's obviously, one big important role. And then there's a bunch of ensemble roles, but they all have lines, they all have solos, they all have songs. It's also a good one to highlight the kids that are in it.”

"Godspell" takes Burk back — nearly 50 years — to when he was first cast in it at 16. He found it then — as he still does today — to be a “beautiful, beguiling, and bold” over-the-top celebration that was an immediate success amidst a swirl of controversy, he said.

“It certainly was not a traditional telling of biblical parables. What many did not realize at the time was that this musical was not about the life and times of Jesus, it was about how Jesus created this loving and caring

community from a wide array of people,” he said. “Instead of being the universal story of the life of Jesus, it used Jesus as a vessel for the story of how a community is created and how it can include all.”

Ticket information is available at showtix4u.com

Batavia Players' Summer Youth Theater cast readies for a debut of "Godspell" Thursday evening; Elise Baumer, Crystalina Baumer, Melania DeSa e Frias, Maia Zerillo and Jocelyn Coburn; front row featured actors Deacon Smith, Kai Hoag and Gabriel Burk Flanagan; Matthew Stevens as the lead of Jesus, with Samantha Jane Balbi, who is also the show choreographer; Matthew Stevens and Dorothy Sue Flanagan, the youngest member of the cast. Photos by Howard Owens.