music

It’s a bit ironic to know the song that saved Jelly Roll’s music career is called “Save Me.” The ballad seeped in despair is getting a second life as a featured track on Jelly Roll’s new album, “Whitsitt Chapel,” as a duet with Lainey Wilson. 

“Save Me” first appeared in a stark acoustic guitar-and-vocal version on Jelly Roll’s 2020 independently released album “Self Medicated,” and the success the man born as Jason DeFord is enjoying now can be traced back to that song.

“For lack of a better word, ‘Save Me’ went viral,” Jelly Roll said in a mid-July phone interview. “It was undeniable. I had built a pretty good career. Keep in mind I had a billion views on my YouTube show. But I couldn’t get it, I was missing that one song that made people go ‘Oh, OK, this guy can do it all.’ I think ‘Save Me’ was that.”

Soon Jelly Roll was getting meetings with multiple record labels. He said the labels had plenty of ideas for his music, but it wasn’t until he met with Jon Loba, president of BMG Nashville, that he heard what he wanted to hear from a label.

“The cool thing was from go, Loba and everybody in the office sat me down and said the biggest thing we want from you is to do what you’ve been doing. It was awesome. I had complete creative control,” Jelly Roll said.

“Save Me,” however, wasn’t the song that put Jelly Roll on the radar of country and rock audiences. First came “Dead Man Walking,” a robust rocker from his first album on BMG, 2021’s “Ballads of the Broken,” which topped “Billboard” magazine’s Mainstream Rock Airplay chart and pointed to Jelly Roll’s potential to cross genres. Then a rootsy acoustic ballad from that album, “Son of a Sinner,” topped the magazine’s Country Airplay chart and spent a record-setting 28 weeks atop the Emerging Artist chart, which tracks the most popular developing artists across all genres.

Now “Whitsitt Chapel” is out, and he is starting a lengthy, highly anticipated tour headlining outdoor amphitheaters. Jelly Roll is doing his best to make sure his show lives up to the expectations.

“Knowing we have a chance to touch so many people, we’ve spared no expense,” he said of the show, which will feature not only new songs but selections dating back as far as to 2013. “I’m bringing tons of lights, video screens. Our goal is to kind of bring a mixture of a hip-hop show, a rock show, a country show and a little bit of a backroad tent revival.”

It’s quite a turn of fortune for someone who grew up on the streets of the working-class Antioch neighborhood of Nashville, did drugs and spent parts of his teens and 20s in jail for offenses ranging from robbery to drug dealing.

It was during one of those stints behind bars, though, that Jelly Roll, 38, was spurred to break his cycle of dead-end behavior. Informed by a guard that he had just become a father to a newborn daughter, he set his sights on making something of himself. Having begun making mix tapes in his teens, he decided that music was his ticket to a better future.

Around 2009, Jelly Roll began releasing a steady stream of indie albums, mixtapes and singles. His early music was predominantly rap and hip-hop, but as time went on, he began to broaden his sound.

“Ballads of the Broken” offered a preview of where Jelly Roll is now taking his music, as it spanned country, rock, pop and hip-hop. “Whitsitt Chapel” offers a similar cross-genre appeal as it touches on country (“Save Me,” “Nail Me,” and “Church”), muscular rock (“Halfway to Hell” and “The Lost”), hip-hop (“Unlive”) and songs that blend those styles (“Need A Favor,” which is currently a top 5 country single) with raw and emotional lyrics that continue to touch on his past struggles, but hint at the redemption he has started to attain.

It took some time and effort for Jelly Roll to find the direction of the album, as he set aside more than 70 songs after he realized only two of those songs – “Church” and “Hungover in a Church Pew” – were calling to him.

“I said, ‘Man, these two songs kept kind of putting their hands up to me, ‘Church’ and ‘Church Pew,’” he said. “Then I started thinking how God had kind of brought me to these two songs out of 70, the two I kept thinking of. And I was like, ‘That’s it. I’m going to write an album called ‘Going To Church.’”

“And my producer, Zach Crowell, sat me down and said, ‘What was the name of that church you went to?’ (I said) ‘Whitsitt Chapel,’” Jelly Roll said. “He was like, ‘You write songs that nobody else in this town could sing because they’re so personal to you.’ He said ‘Anybody in this town could have an album called ‘Going To Church.’ There’s only one person in this town who could have an album called ‘Whitsitt Chapel.’ That was the birth of the ‘Whitsitt Chapel' album. Me and Zach Crowell scratched everything but those two songs and started from there.”

Jelly Roll will be performing at Darien Lake Performing Arts Center on Thursday.

The Marshall Tucker Band, along with openers Alyssa Trajan and JB Aaron, rocked the Downs this past Friday night.

Photos by Nick Serrata.

At one point during an early May phone interview, Paul Doucette of Matchbox Twenty considered the longevity of his popular band. “It’s hard to stay together for 30 years,” he said. “That’s why a lot of bands don’t do it.”

To be completely accurate, Matchbox Twenty won’t hit their 30th year as a band until 2025, but the guitarist knows a thing or two about how difficult it can be for a band to remain intact for so long.

In Matchbox Twenty’s case, there have been several periods where the band went inactive – usually involving times when singer Rob Thomas was making and then touring behind one of the four solo albums that have made him a major star in his own right.

Those projects had idled Matchbox Twenty in 2005 and 2006, 2009 and 2010, 2015 and 2016 and in 2019. In the early years, things were busy mostly good, as Matchbox Twenty became one of the most popular bands going. The 1996 debut album, “Yourself or Someone Like You,” sold some 12 million copies and yielded four hi singles, including the chart-topping “3AM,” “Push,” “Real World” and “Back To Good.” The 2000 follow-up, “Mad Season,” added four more hits, including the multi-chart-topping “Bent,” and 2002’s “More Than You Think You Are,” included the top 5 hits “Unwell” and “Bright Lights.”

But then Thomas, who has gained individual fame for co-writing and singing on the monster Carlos Santana hit “Smooth,” in 1999, launched his solo career. And since then, Matchbox Twenty has released only three albums – including 2007’s “Exile On Mainstream,” which combined 11 hits with seven new songs. The most recent release was “North” in 2012.

Doucette admitted Matchbox Twenty’s sporadic schedule had created points where the group could have split up. Guitarist Kyle Cook, in fact, left the band briefly in 2016 before rejoining in time for a tour the following year that seemed to put the band back on solid footing.

And Doucette reached a point where he had concluded Matchbox Twenty were done making albums. He, Thomas, Cook and bassist Brian Yale would tour from time to time, but that would be the extent of the band’s activity. It was not a notion he welcomed.

“When I sort of got to the point where I was like ‘Yeah, I think that we’re done making records,’ I legitimately grieved that process. Like that was a loss to me,” Doucette said. “But once I went through that process, I could look at it differently. I could look at it and be like ‘You know what, we can go out and we can play. We’re ridiculously fortunate to be able to do that and people will still come.’ And I have all these other things that I can do and I can concentrate on doing this (scoring). And maybe that’s not so bad.”

So Matchbox Twenty remained together, and after Thomas finished his solo tour in 2019, plans were formed for the band to return to touring. But of course, the pandemic hit and tours for 2021 and 2022 were pushed back once more to this summer.

But there was a major silver lining to the second delay. With the schedule cleared for 2022, Matchbox Twenty made a new album, “Where the Light Goes,” which arrived on May 26.

For “Where the Light Goes,” the four musicians reinvented their process for writing music. Where on past albums, the band members tended to send each other acoustic solo versions of songs and build out the arrangements together, Doucette, Thomas, Cook and Yale worked separately on the songs for the new album – a process necessitated by the pandemic and the fact the four band members live in different cities. 

Doucette said the band found that by working separately and e-mailing in-progress tracks back and forth to each other (as well as to producer Gregg Wattenberg, who was heavily involved in helping the band members to complete the songs) they were able to explore song ideas more thoroughly and in some cases, fully realize songs that might have been abandoned in the past if the song hadn’t come together quickly either in the writing/demo stage or when the four musicians gathered to flesh out the acoustic demos of songs.

The new approach to songwriting, though, didn’t alter the core pop-rock sound of Matchbox Twenty, and “Where The Light Goes” features a fairly even mix of concise and catchy uptempo tunes (“Friends,” “Don’t Get Me Wrong” and the title track), and richly melodic ballads (“Hang On Every Word,” “Warm Blood,” “One Hit Love”).

This summer’s twice-delayed tour will feature some songs from “Where The Light Goes,” Doucette said, but he noted that some fans held onto tickets purchased in 2021 and 2022 expecting a greatest hits show, and the band will play a good mix of new and older material.

“It’s a longer set than we’ve done on the past couple of tours,” he said “That gives us the advantage of being able to play a solid two hours a night. So we have more time, which is great. And we think we’ve got a good balance of it.” 

Matchbox Twenty will be performing at Darien Lake Performing Arts Center on Tuesday.

BB Dang kicked off the 2023 live music lineup of the Genesee County Fair on Saturday with a set heavy on hits and tight musicianship in front of a packed entertainment tent.

BB Dang is:

• Isabella Barbagallo, vocals
• Reid Burton, vocals and guitar
• Alex Sherwood, guitar
• Mike Valle, drums
• Abby Johnson, keyboards and vocals

Cameron Carlson, a Byron-Bergen graduate, performed his last show with the band before heading off to college.

The rest of the week's lineup:

• Sunday at 7 p.m., Knight Patrol
• Thursday at 7 p.m., the Eaglez Tribute Band
• Friday at 7:30 p.m., Audibull
• Saturday at 7 p.m., BarnStorm

See previously: The Eaglez highlights GC Fair's five nights of live music that spans genres and eras

Photos by Howard Owens

It was a full house in Jackson Square for the Business Improvement District's weekly Friday night concert, this time featuring The Bluesway Band.

For one song, Guitarist Steve Kruppner played a Harley Benton BigTone White Trem that is a featured prize in a drawing contest at the Genesee County Fair this week sponsored by The Batavian (see video above).

The Bluesway Band is:

• Chas DelPlato, keyboards, vocal 
• Anthony DelPlato, guitar/vocals 
• Brad Kujawski, bass/vocals 
• Pete Metzler, drums/vocals 
• Steve Kruppner, guitar/vocals
• Special guest for Friday night: Frank Minuto, Congas/percussion

Photos by Howard Owens.

It was as if we arranged the tribute band The Eaglez to perform at Genesee County Fair during The Batavian’s debut, along with WBTA, for the first-time official Media Center at the Fair this coming week.

Along with the Media Center’s booth, The Batavian is sponsoring an eagle drawing contest, with the first prize being Harley Benton BigTone Trem guitar for some lucky artist aged 17 or under. The guitar for the winning eagle drawing (randomly selected from among staff favorites) will be presented during The Eaglez concert on Thursday (July 27) night!

This will now be the third such guitar giveaway sponsored by The  Batavian, and it might seem like a completely incongruous thing for an online media company to do, right? A news site giving away a musical instrument? Shouldn't we give away a typewriter or a camera?

Well, first, let’s explain the eagle-drawing contest.

An eagle is the primary essence of The Batavian’s logo, borrowed from the Upton Monument, which sits at the intersection of routes 5 and 63 in downtown Batavia. Publisher Howard Owens wanted to capture that symbol along with the name of this city he now holds dear after setting down roots more than 15 years ago.

“The Upton Monument is our community's most important and significant landmark, and the eagle that sits atop of it represents independence and courage, two characteristics of good news organizations,” Owens said.  "When planning our new logo, the eagle seems a natural way to represent our commitment to the community and to fearless and honest journalism."

The guitar contests are something Owens said he wanted to do to give back to the community to promote an appreciation for the magic and beauty of music among its youth.

Owens has been a music fan from his most formative years growing up in California, listening to The Beatles, the Beach Boys, and Elvis. He had musical ambitions early on, but his parents couldn't afford the investment in music lessons and instruments, and by the time he did get a cheap, almost unplayable guitar, there was nobody in his family or neighborhood to help him develop his skills.  

"The world of music is so different today than when I was young -- there are guitars available that play and sound great, stay in tune, and are well made that are affordable," Owens said. "The online resources for players of all skill levels, from the first-day beginner to the advanced player, just didn't exist for most of my life. I get excited when I think about the musical opportunities available to kids today, and I want to help point them in the right direction."

No, not everyone is going to be a rock star, Owens admits, but he is aware of how many local musicians there are who have humbly started out on a family keyboard, a hand-me-down guitar or a used set of drums, who continue to gig today, or have found other avenues for careers and secondary incomes in music, or just continue to play for their own enjoyment.

“Batavia, Genesee County, the GLOW region is bursting with musical talent," Owens said. "I'm inspired by so many people, from Bill McDonald and Justin Williams to Tom Ryan, Daniel King, Ray Williams, Steve Kruppner, Dylan DeSmit, Michael Murray, Alex Feig, and the whole Del Plato family, among so many others, that I want to see that local musical tradition continue. Paul Draper shared with The Batavian recently how his musical career began with an inexpensive keyboard, and he's become one of the region's top gigging performers. It's great to see so much talent in our community, and I think we, as a community, can develop more young talent."

For the first two contests, The Batavian set up a booth for a one-day event and gave away an acoustic guitar and a knockoff of a Fender Telecaster.  Since the fair is a bigger, multiday event, Owens said he wanted to find a guitar that would really grab people's attention and get kids excited about the possibility of winning a quality musical instrument.  He figured an archtop guitar would fit the bill, and was excited when he found the Harley Benton BigTone Trem in white.

The guitar, he explained, is patterned after a Gretsch White Falcon, which among guitar enthusiasts is an iconic instrument. A new White Falcon costs thousands of dollars.  The Harley Benton guitar is a fraction of the cost, and Harley Benton is considered one of the world's best budget-line guitar companies.

Steve Kruppner, an accomplished solo performer and guitarist for The Bluesway Band, played it on Wednesday and said he's impressed by it (see video above).

"This is extremely well built," Kruppner said during his test drive of the guitar. "Like I said, I learned guitar on what was probably an Italian-made copy of a Fender Strat. It was just a complete piece of junk. It was unplayable.  The strings were this far off the neck and they wouldn't tune. But this guitar is really sweet. I wouldn't mind having one myself just to have at home right now."

Kruppner admired the tuners, neck, solid build of the guitar, its Bigsby-style tremolo, white finish, gold trim and clean sound of the pickups.  The guitar is both a great lead instrument and a great strummer, like an acoustic guitar, he said.

"I tell you what, if I was 13, 14, 15, 16, 17 years old and I got this guitar, I'd be thrilled," Kruppner said. "This is a far better guitar than what I learned on, I can tell you."

To enter the contest, visit the Genesee County Fair, go to the Exhibit Hall, find the Official Genesee County Fair Media Center, where both The Batavian and WBTA will be set up with booths, and ask for an entry form.  While at the booth, draw your best version of an eagle (entries must be drawn at the booth or nearby). The Batavian staff will select their favorite drawings to be entered into a random drawing.  To enter, you must agree to return to the fair on Thursday night for the Eaglez concert (a free pass will be provided to the winner's family) where you will receive the guitar on stage during the concert.

For adults, there is also an eagle drawing contest, and the prize is a $100 gift certificate from the original Red Osier Landmark Restaurant. The winner will be asked to return to the fair at an agreed-upon appointment time for a promotional photo and to receive the gift certificate.

The People's Choice award is a harmonica.  The Batavian staff will pick its 20 favorite drawings from all the entries, and visitors to the Media Center on Thursday and Friday will vote for their favorite of the 20 selected. The winner will be asked to return to the fair on Saturday for a photo-op and to receive the harmonica.

Steve Kruppner and The Bluesways Band perform at 7 p.m. on Friday in Jackson Square as part of the Business Improvement District's weekly concert series.

Le Roy resident Justin Williams performs his solo acoustic set at Batavia's Original Pizza on Wednesday evening.

Batavia's Original hosts live music on its patio every Wednesday from 7 to 9 p.m. during the summer.

Photos by Howard Owens.

After a couple of years' absence, the result of COVID-19 disruptions, the Batavia Concert Band's Cadets Band returned to a concert band's Centennial Park performance on Wednesday.

The cadets are elementary and middle school music students from Genesee and Orleans counties, directed by Lindsey Fix, a music teacher in Albion.

The cadets performed two numbers before intermission and then joined the concert band for a number later in the show.

"They're part of the concert band," said Jason Smith. "They rehearse. They practiced last night. They're a junior concert band, so to speak."

The cadets will join the Batavia Concert Band for a concert in the park again later this summer.

Through the summer months, the Batavia Concert Band performs each Wednesday evening, starting at 7 p.m. in Centennial Park.

Photos by Howard Owens.

Musicians in a tribute band take on a special challenge. Fans are going to want to hear the hit songs just like they've heard them on the record, and they've listened to their favorite songs enough to know every nuance.

You can't flub your lines or miss a chord change, and you better get the harmonies right.

"That is the curse of the tribute band -- everybody knows those songs, and if you're not doing them right, they know it," said Bob Brummitt, leader and bass player with The Eaglez, an Eagles tribute band. "In a bar band, you can get away with it. You're a cover band, and everybody knows it and accepts it, but being in a tribute band forces us to be at the top of our game."

The Eaglez will perform at the Genesee County Fair on Thursday, July 27. Show time is 7 p.m.

The Eagles are a tough act to mimic, Brummitt acknowledged.  Many of the songs are deceptively simple, suitable for a campfire sing-along, but the arrangements can be more complex, especially with studio overdubs, something players can't easily recreate live.

"To tell the truth, we play these songs all the time and have been listening to them our whole lives, but sometimes we'll be like, 'what is that chord change?' even though we've heard it a million times, and so we're like, 'now we know why it sounds the way it does.'"

For more on the 2023 fair, see also: Genesee County Fair keeps growing, expands to eight days July 22-29

The Eaglez formed about 2 1/2 years ago, a child of the COVID-19 pandemic.

"We're all veteran players," Brummitt said. "We've all been doing the bar scene for about 40 years. We decided that for some of us, before fading off into the sunset, this is always something we wanted to do but none of us had the time.  COVID did us a huge favor. During the lockdown, nobody was booking any bands, so all we could do was go to the practice facility and grind it out. Then when things opened up, we were ready to fly." (No pun intended)

The current lineup is:

• Randy Barnard, Lead Guitar/Keyboard
• Dennis Makowski,  Guitar/Vocals
• Bob Brummitt, Bass Guitar/Vocals
• John White, Rhythm Guitar/Vocals
• Mike Nierenberg,  Vocals/Percussion
• Micky Judware / Rich Keigley, Drums
• Paul Vanacore, Sax/Keyboard

"Most of us were straight ahead barroom rockers," Brummitt said. "There's where the business has been the past few years. We played Bad Company, the Rolling Stones, ZZ Top, Skynyrd -- you name it, we've done it. We've just about played it all."

Not every musician Brummitt approached about joining an Eagles tribute band wanted to take on the challenge. He heard things like, "I can't take the time to learn it," "It takes too much commitment," and "It's too tough for me."

The players who did take on the challenge are attracted to the Eagles, Brummitt said, because "it's America's music."  

"Everybody loves the Eagles," Brummitt said. "Even bar bands play one or two Eagles songs."

Drawing on influences such as the Beach Boys (those high harmonies), Buffalo Springfield, Crosby, Stills, Nash, and Young, the Byrds, and Graham Parsons, the Eagles took that nascent country rock sound of California and infused it with hooks and themes listeners could grasp.

"We all grew up with it, but even at our shows, there are people in their late 20s, early 30s, who weren't even born yet (when the Eagles topped the charts), and we're surprised," Brummitt said. "But they say, 'That's what my parents played when I was a child.' It's almost timeless."

The Eaglez have caught on in WNY -- band members live throughout the region -- and they play 20 to 25 shows each summer, mostly in outdoor venues, which they prefer.  In winter, they mostly avoid bars, except as a favor to outdoor venue owners who also have an indoor venue, and to stay in practice.

The Eaglez is the only full-time Eagles tribute band in WNY, as far as Brummitt knows, which has helped fuel their popularity.

"(Tribute bands) seems to be where the market is," Brummitt said. "It's a narrower market. It's an upscale market. And you don't have to bring a crowd. When you try to book into a bar (as a cover band), bar owners want to know how many people can you bring? That's not the case with a tribute band." 

A typical set from the Eaglez is 25 songs, and they pretty much play all the fan favorites.

The Eagles Greatest Hits (1971–1975) is certified platinum 38 times. It is the biggest-selling album of all time.

"We kind of pride ourselves on playing every single song on that album," Brummitt said.

The set usually includes a couple of songs from the solo careers of Eagles members Don Henley, Joe Walsh and the late Glenn Frey.  Some of those songs sound so much like the Eagles, he said, that some fans don't even know they're not Eagles songs.

This will be the first appearance for The Eaglez in Genesee County, and Brummitt said he's hoping they're a smash so they get invited back.  The band is looking to get more exposure in rural Western New York because the Eagles music, country rock, seems a natural fit. 

"It's an inviting venue because we're all really familiar with county fairs," Brummitt said. "It's a real festival environment, there's usually some liquid refreshment flowing, and it's our kind of crowd."  

The Eaglez concert will include The Batavian announcing the winner of its guitar-giveaway contest.

There is a total of five nights of live music at the Genesee County Fair.  Here is the rest of the 2023 lineup:

Saturday, July 22
BB Dang, 7 to 10 p.m.
 

You could say BB Dang is a group of graduates from ROC Star Academy in Rochester, where band members all first started playing together. They've successfully transitioned from a class project to a gigging band. Manager Tony Barbagallo described the band's sound as high-energy rock, including current hits and classic rock with a bit of country thrown into the mix. "I think that's been part of their success," Barbagallo said. "They span current pop music, current pop artists, all the way back to classic rock and classic country." The band members are Isabella Barbagallo, vocals, Reid Burton, vocals and guitar, Matt Edwards, bass, Alex Sherwood, guitar, Mike Valle, drums, and Abby Johnson, keyboards and vocals. For the fair, original member Cameron Carlson will be on bass in one of his last gigs with the band before starting college. Carlson is from Bergen.

Sunday, July 23
Knight Patrol, 7 to 10 p.m.

Knight Patrol plays 80s monster rock hits, said manager Angelo Affronti.  The band includes his son A.J. on lead guitar, lead singer Tim Burnett, Eddie Krysinski on keyboards, Zach Biern on bass and the drummer is Jon Bishop (with a sub on the GC Fair show).  "We play all of the biggest hits of the 80s -- Bon Jovi, Journey, Motley Crue, Electric Light Orchestra, Bryan Adams -- all the greatest hits.  All stuff that people know."  A.J. Affronti said the band loves 80s music because they can relate to it better than today's music. "I think it's a bit of a different character, and it's more into how we feel. When you hear an 80s song, you know it's an 80s song. It just has an energy to it."  He said his favorite guitarists include Glenn Tipton and Richie Faulkner of Judas Priest, along with Neal Schon of Journey.

Friday, July 28
Audibull, 7:30 to 11 p.m.

Audibull is a Genesee County band through-and-through, based in Pavilion, playing local gigs for a dozen years, and rooted in the local music scene. Members are Tim Pitcher on guitar, Bill Christiano on bass, Chris Iannone on drums, and Todd Tracy on lead vocals.  It's a solid four-piece playing modern hard rock -- System of a Down, Korn, Drowning Pool, Disturbed, and Godsmack, for example. "We like the energy of the crowd," Tracy said. "I've always lived with the idea that there's a new crop of 21-year-olds every year who want to hear what they grew up with, but the older we get, the crowd gets younger."

Saturday, July 29
BarnStorm, 7 to 11 p.m.

The Genesee County Fair will close out its live music showcase with a night of current and classic country from BarnStorm. Their set highlights such acts as Reba McIntire, Maren Morris, LeAnn Rimes, Tanya Tucker, Randy Travis, Phil Vassar and Kenny Chesney.  The lineup is Rick Polinsky on keyboards, Rich Ulinski on lead vocals, Leslie Trippi, lead vocals, Dave Dunkowski, bass, and Pete Militello, drums. The band has been together about 15 years and the current lineup are all dyed-in-the-wool country fans. "We're all veteran musicians," Polinsky said. "We all like country. That's the toughest thing, trying to get five people on the same page as far as the kind of music you're doing.  We had people who did rock and roll and had no clue about country music these guys have been playing it for years and know it like the back of their hands."

By Alan Sculley

Martin Cash of We The Kingdom admits it might seem odd that the Christian group chose to make their second album a self-titled effort. That’s usually a title bands reserve for their debut albums.

“I think it’s ironic that it ended up being self-titled because to be honest, in the beginning that option was thrown out because we couldn’t agree on any other name. Someone at some point was like ‘Hey, why don’t we just call it ‘We The Kingdom’ and call it like a day,”

Cash said during a recent phone interview. “At first we were like ‘Ah that feels like a cop out. That feels like throwing in the towel.’ But the irony is that I really think this album highlights the individual members of We The Kingdom because throughout the album there were particular people that started certain songs and we all kind of jumped in to finish them.”

“(It says) Hey, we are a team. We are all in this together,” he said. “As you look down the list, it’s almost like Ah, I remember, that’s kind of Franni’s song that she started and we came around and finished it. That was a really cool and different, unique thing that happened with the album, where it was still collaborative, but there were just individuals who started songs and brought them to the rest of the band that we then all finished.”

It makes sense that the five members of We The Kingdom would grow more collaborative. After all, this is essentially a family band that’s very accustomed to being around each other. The band includes Ed Cash, his brother, Scott Cash, Ed’s son and daughter, Martin Cash and Franni Rae Cash-Cain, and long-time friend Andrew Bergthold, We The Kingdom became a group after writing several songs while the five musicians were serving as worship leaders during a stint at a Young Life camp in 2008.

The band got signed by Capitol Records’ Christian Music Group, and debuted in 2019 with a six-song concert EP, “Live at the Wheelhouse.” That release contained a version of the song “Holy Water,” which topped the Christian Airplay singles chart. The studio version of that song became the title track for the “Holy Water” studio album, and in April 2020 the song landed atop three different Christian music charts. Two more top-5 singles, “God So Loved” and “Child of Love,” followed, as We The Kingdom became one of the fastest-rising acts in Christian music.

So far, the self-titled album has generated a top 15 single in “Miracle Power,” a top 30 single in “Jesus Does” and more singles could still be released. In making the “We The Kingdom” album, the five band members grew more collaborative as songwriters, drew on some different influences (Martin mentioned Fleetwood Mac, the Eagles and the Smash Mouth hit “All Star” as prime examples) and experimented with new tones and sonics. In the end, the band emerged with an album full of strong songs that are a bit more energetic overall than the “Holy Water” album.

Cash said doing a second album presented We The Kingdom with plenty of questions about the next musical step the band should make. “With our first album, you’re starting from zero. You have no reference for what people like from you, the sound,” he explained. 

“If say, they gravitate toward ‘Holy Water,’ you struggle with should we write more records like ‘Holy Water,’ that same sound? But then the creative in you is going ‘No, we’ve already done that. How do we continue reinventing ourselves and pushing the envelope, but still offering the same sound people fell in love with?’ So that was a struggle with the self-titled album. I’m personally super pleased with how it turned out.”

We The Kingdom is back out playing headlining shows after starting the year co-headlining the multi-band Winter Jam, one of the year’s biggest Christian music tours. That outing initially caused the band some concerns, because when We The Kingdom took the stage, it was later in the evening and they were seeing a significant number of people who were either leaving during their set or before We The Kingdom took the stage. 

After a number of discussions, Cash said, they came to feel people were leaving for logistical reasons – such as needing to get home to meet up with babysitters or the younger fans had curfews. Cash feels that experience will only help the band, even with headlining shows.

“There was talk of like are we playing the right songs? Should we play more songs that are hooky, kind of cheap tricks you can get into to get people to stay?” Cash revealed. “But at the end of the day, the point is not to force them to stay. It’s to play to the ones that are there. It’s a lesson, but it’s a good one.”

We the Kingdom will be playing at Darien Lake Performing Arts Center on Tuesday.

By Dave Gil de Rubio

If synthesizers are the engine for Howard Jones’ creative drive, then positivity is the fuel. It’s been that way since Jones broke onto the international music scene with his 1983 hit single “New Song” and has continued to be the case with the current four-album concept that started with 2015’s “Engage,” followed in 2019 by “Transform” and last year by “Dialogue.” The fourth album, “Global Citizen,” is set to wrap up this overarching concept album project, and could arrive as soon as this year.

The English musician described the story arc that has been his focus for the past seven years. “‘Engage’ was about not just being a bystander—be involved in what’s going on around you and don’t think that you don’t have any effect on the world and your environment because you do,” Jones explained in a recent phone interview. “‘Transform’” was about if we want to change the world and change things for the better, we have to start with ourselves. We have to work on ourselves and our behavior towards other people and ourselves as well. And ‘Dialogue’ is what I just described—the importance of communicating towards each other. The next one...is ‘Global Citizen,’ and that’s putting all those three concepts into action and believing that you can have an effect on the world as a global citizen.”

Like the rest of the world, Jones found himself isolated by the pandemic lockdown as he embarked on recording “Dialogue.” The dark mood of uncertainty that came with this global situation meant lyrics came later, but in the end, Jones was able to surmount the challenges presented with being a one-man band, particularly after contracting a post-vaccination case of COVID-19.

“I couldn’t really work with other people on this, so it was me, my growing synthesizer collection, software and studio,” he recalled. “In a way that makes it quite focused, I think. I had plenty of time to experiment, try some new things and get some really great sounds together. I got to spend days on just one sound to make it really special. And having that amount of time was a blessing to really experiment. I suddenly remembered that I used to do a lot of harmony vocals—layered vocals and big multi-harmonized vocals and I got back into that idea. And I wanted my voice to sound different every time I used one of those harmonized vocals and I was experimenting. 

“There was one point that I got COVID-19—I was completely vaccinated and everything but when I got it, I sort of lost my full voice,” Jones said. “I thought I was going to have to try and do something different, so I sang in a different way more quietly. I got a really different sound and I was really quite excited about that. If you’re doing all your own backing vocals yourself, you need to make yourself sound different to differentiate between the lead and backing vocal. It worked for me.” 

And while Jones did all the creative-lifting, he got a compositional assist from BT (aka Brian Transeau), the American musician/DJ/electronic music pioneer who became a close friend of Jones after the latter came out to see him head up an ambitious orchestral project in Miami in 2015. It’s a connection Jones has come to treasure.

“On the new album, we did two or three tracks and BT was great,” Jones said. “For those two tracks—‘Celebrated Together’ and ‘Be the Hero’—he’d sent me some seed ideas for tracks quite a long time ago. I used a bit of that in the writing of them and I’m really hoping that we may get a remix from him based on one of those songs. I know he was particularly excited about ‘Be the Hero.’ We probably will continue to work together maybe throughout the rest of my career because we get on very well. For him, it’s about trying to find time because he’s the busiest man in the universe.”

While this string of albums is heavily electronically driven, Jones will mix things up during his live shows as he opens this summer for Culture Club. 

“It’s an electronic show and we’re going to be debuting a few tracks from the ‘Dialogue’ album along with a couple of tracks from ‘Transform’ and one from ‘Engage’ as well,” he said. “The fans really follow everything I do and I really must look after that as well as playing the hits.”

Looking ahead, Jones and his fan base have plenty of projects to anticipate between “Global Citizen” completing his four-album musical concept, a concert album (“Live at Union Chapel”) and a collection of non-synthesizer-based material Jones has been working on for a number of years (“Piano Composed”). And while he’s understandably excited about this burst of creativity that’s going to take him into the next year, Jones has always clung to the philosophy of gratitude driving him forward while refusing to get caught up in the highs and lows of the music industry and life in general.

“I think it’s very important to be happy with your work and one of the best ways to be happy is to really appreciate the situation you find yourself in, even if it’s difficult or you’re having problems or whether you’re soaring because it’s going well,” Jones said. “Just really appreciate things because if it’s not going well, then you can learn a ton of stuff from that to make it better. If things are going really well, don’t get carried away, because that may stop you from doing great work in the future.”

Howard Jones will be playing at Darien Lake Performing Arts Center on Saturday.

Foreigner has announced that the band is now embarking on its  final tour -- an outing that could extend well into 2024 when the buses and semi-trucks will get parked and the band members will move on to new chapters in their lives. 

This development doesn’t come as much of a surprise. It’s been widely reported that health issues have prevented guitarist and founding member Mick Jones from playing multiple shows and sometimes only performing a few songs with the rest of the band when he has been able to participate in recent tours.

But what also becomes clear in interviewing singer Kelly Hansen is that he had a good deal to do with deciding it is time for Foreigner to step away from being a touring band. The fact is, Hansen said in a recent phone interview, he recognizes that as a high tenor vocalist, the day is coming when he won’t be able to deliver Foreigner’s songs the way he wants. Certain songs have notes that already are difficult for him to hit and he wants the band to call it a day with touring while they can still play and perform at their current high level.

“It gets harder and harder every year to perform this catalog in the way that it deserves, not only for the songs, but for the fans,” Hansen said. “I want to have us go out strong and have the live presence be remembered as still super strong and energetic,” he added. “That’s how I want the legacy of this band to be remembered.” 

As for Jones, he’ll be along for the final tour as often as possible. “He wants to be out. He’s scheduled to be with us. It all depends on what is allowable for him health-wise,” Hansen said. “I think the show itself is better with him there, but I think the show is really, really good even when he’s not there because it’s really about the songs. It’s about this catalog. It’s about the legacy of what this band has put out over these past 45 years.”

That 45-year history has seen Foreigner become firmly established as one of rock’s most enduring and successful bands, overcoming ups and downs and a major departure along the way. Jones, who previously had been in the band Spooky Tooth, formed Foreigner in 1976. 

Over the course of six albums, from the 1977 self-titled album through 1987’s “Inside Information,” Foreigner notched 15 top 20 singles, the high point coming with the multi-chart-topping epic ballad, “I Want To Know What Love Is” in 1984. Earlier rocking hits like “Feels Like The First Time,” “Hot Blooded,” “Double Vision” and “Urgent” established Foreigner’s credentials as a band with talent for writing catchy mainstream rock.

But then Jones and singer Lou Gramm had a falling out and Gramm left the band in 1990. And while Gramm rejoined Foreigner for the 1994 album, “Mr. Moonlight,” any return to former glories was sidetracked when Gramm needed surgery to remove a brain tumor in 1997.

He was able to resume touring in 1998, but tensions gradually returned and the Jones/Gramm partnership ended in 2003. After a couple of years, Jones decided to bring back Foreigner. Hansen, who had fronted the band Hurricane from the mid-1980s into the early 1990s, got wind in 2004 that Jones might be forming a new edition of Foreigner and pursued the singer’s slot. He got an audition, which he obviously passed.

But Foreigner was not going to return at anywhere near the same level of popularity the band had achieved in the 1980s, and Hansen said the band had to get an entire organization, from management on down, in place, and more to the point, rebuild relationships, not only with fans, but with promoters, booking agents and other industry professionals.

“Of course, the band had the catalog and a great history, but there had been some damage done over the previous years,” Hansen said. “So it took time for us to develop trust with people. But as soon as we started doing shows, I think people recognized that this was something again formidable and were willing to take a chance on us again and do that and gave the band that new breath of life.”

As the years ensued, Foreigner played bigger and bigger venues while earning respect for the way the band delivered the song catalog. Another key step in solidifying the credibility of the “new” Foreigner, Hansen said, was making an album of new songs, “Can’t Slow Down,” which was released in 2009.

The lineup that made “Can’t Slow Down” is largely intact today, with guitarist Bruce Watson, drummer Chris Frazier (who joined in 2011 and 2012 respectively), and guitarist/bassist Luis Maldonado (a 2021 recruit), stepping in alongside Jones, Hansen, bassist/keyboardist Jeff Pilson and keyboardist Michael Bluestein. This stability has helped the band’s credibility as well, and Hansen is proud of what his edition of Foreigner has accomplished.

“I think over the course of these 20 years, what we’ve done, my goal has been to maintain the legacy of this band and the integrity of the catalog and give it the sincerity and the dignity that it deserves,” Hansen said. “I think that we have done that.”

Foreigner will be playing at Darien Lake Performing Arts Center on Friday

By Aaron Irons

Gov’t Mule’s latest album “Peace… Like A River” shreds laurels and hews fresh sounds from a batch of deeply personal and dynamic songs that deliver fuel for new and longtime admirers alike without giving into convention or complacency. A dozen studio albums in, the gang that originally hammered out its vanguard album at the Allman Brothers' old house in Macon, Georgia three decades ago is possibly even more compelling today than it was then.

Recorded in the same stretch of quarantined sessions that also begat the Mule’s 2021 juke- fest, “Heavy Load Blues,” “Peace… Like A River” is the story told clear-eyed in the sunshine, wary of encroaching shadows, and informed by lead guitarist/songwriter/frontman Warren Hayne’s pandemic experience.

“We decided to go with the blues record first because we'd been talking about doing a blues record for a long time and we thought, ‘Well if there was ever a time when everybody's got the blues, this is it!’” laughed Haynes, the Asheville, North Carolina native who started Gov’t Mule with drummer Matt Abts, and the late bassist Allen Woody in 1994. “‘Peace... Like A River,’ in some ways, deals with coming out of COVID and the whole lockdown, which we're all thankful to be out of -- assuming we are -- but it deals with it in more of a celebratory ‘other side of hell’ way.”

Recording the album’s more introspective material during daylight hours in the main room at the Power Station studio in Waterford, Connecticut, today’s lineup of Gov’t Mule, Haynes, Abts, bassist Jorgen Carlsson and keyboardist/guitarist Danny Louis would end the evening in one of the studio’s adjacent spaces, cranking out oily, fire-belching blues.

“We would switch our brains off, take a dinner break, and after dinner, hole up in the little small room next door and play blues the rest of the night! It was kind of a way of cleansing our brains and it turned out to be the right recipe,” said Haynes, who called in for this interview in late April.

Songs like “Made My Peace” offer up epic swells of stadium rock and psychedelia while plumbing emotions of loss and resignation, spiritually evoking the prodigal and notions of forgiveness. “It's also a metaphor for just coming back,” Haynes said. “It's written through the eyes of the prodigal son, which I don't think of myself that way, but metaphorically speaking, there's a lot of references to being gone for a long time and finding your way back. I also lost my dad during this process, which was really tough for me. And still is.”

On “Gone Too Long,” Haynes pays tribute to a fallen hero. “‘Gone Too Long’ is more of a one-on-one relationship with your soulmate, but the same thing of acknowledging how much of your life you've spent being away and what damage it did, and what major losses were suffered along the way,” Haynes revealed. “[It's] is a song that I wound up dedicating to David Crosby, who I only knew slightly. We played together once, but he was definitely an influence. I felt like that song had some of his influence from the very beginning, and then when he passed, it just made perfect sense for me.”

A wealth of special guests are seasoned throughout “Peace… Like A River,” including stellar shots from Ivan Neville and Ruthie Foster on the buoyant but lamenting “Dreaming Out Loud,” soul/blues belter Celisse Henderson, who appears on the hope-and-keys-laden “Just Across The River,” and icon Billy F. Gibbons of ZZ Top, who drops in on the “Heavy Load Blues”-ish “Shake Our Way Out”.

“That song, when we started working it up in the studio, it took on a ZZ-influenced vibe from the beginning and that's what urged me to call Billy and ask him if he would get involved,” said Haynes. “It was great. You know, he had played on a song called "Broke Down On The Brazos" that we did on (the 2009 album) “By A Thread” but he didn't sing. And on this one, he just sang and didn't play, so next time I guess we gotta get him to do both!”

With the revelation that he’s writing new material, Haynes is careful not to commit to the next chapter while Gov’t Mule prepares to embark on a tour that will crisscross North America through year’s end. “You know, I’ve been writing a lot of stuff that is more similar to “Man In Motion,” Haynes said, referencing his 2011 solo effort. 

“It’s somewhere between [that] and “Ashes & Dust,” and I wonder if maybe the next thing I do might wind up being a solo record. I’m sure after two records and two back-to-back tours, Gov’t Mule might want a break. I’m not there yet, but I have started to write a lot. “I’m looking forward to getting back in the studio, but for now, we’ve got a lot of stage playing to do,” he said.

Great White, stepping in for Skid Row after that band canceled, headlined another rockin' night at Batavia Downs on Friday.

Photos by Nick Serrata.

By L. Kent Wolgamott

The Marshall Tucker Band had its hits in the ‘70s. But when singer Doug Gray looks out at the audiences at the band’s shows, he doesn’t see a room full of those who grew up on the songs. 

He sees a lot of people who weren’t born when “Can’t You See,” “Fire on the Mountain,” and “Heard It in a Love Song.” were all over the radio.

“We didn’t start out knowing these songs would be a hit, that these songs would be played 8 million times on the radio or somewhere,” Gray said in a phone interview from his Carolina home. “‘Heard It in a Love Song’ is catching up to ‘Can’t You See,’ and ‘Fire on the Mountain’ is in there, and they keep going up.

“It’s because of the young people and all the stuff that’s out there, in movies, on Netflix,” he said. “They hear a song, look up Marshall Tucker Band, they hit click, and they download that song. It’s made life simple for them, and it’s not hurting our pocketbook at all.”

It’s also because the MTB classics have become staples on the TV singing contest shows.

“I’m guilty of watching ‘The Voice.’ I’m guilty of watching ‘American Idol’,” Gray said. “I’m 75, but my girlfriend is 20 years younger. She’ll see me after watching and say, ‘You’ve got tears coming out of your eyes.’ It’s because I just heard about a 16-year-old girl who’s going to be a star. I can feel it right now, just like Elvis did. And she did one of our songs.

“When they do ‘Can’t You See’ in front of 8, 9 million people, I always reach out to them. I wish them good luck and all of that,” he said. “Not all of them win.”

Gray was one of six young guys who got together in Spartanburg, S.C., in 1972 and borrowed the name of a blind piano tuner for a band moniker.

Unintentionally, the band came up with a distinctive brand of music that got played on rock and progressive country stations.

“We did it without knowing there was any difference between country, rock ‘n’ roll, rhythm and blues or jazz,” said Gray. “We put all of those together without knowing what the heck we were doing. We even got invited to jazz festivals. 

“Toy and Tommy (Caldwell) were the country influences in the group, Doug, that would be myself, and George (McCorkle) were the R&B players,” Gray said. “Jerry (Eubanks) was the flautist. He played sax in the high school band, too. You bring all that together, and it’s like the soup your mama made on Sundays when she cleaned out the refrigerator. You drop everything into the pot, and out comes the Marshall Tucker Band.”

Toy Caldwell was the band’s primary songwriter and lead guitarist. His brother played bass, McCorkle played rhythm guitar, Paul Riddle was the drummer, and Eubanks played everything else -- keyboards, saxophone and flute.

Signed to Capricorn Records in 1973, the band released its self-titled debut album, toured with labelmates The Allman Brothers Band, and put out the first of their three signature songs, “Can’t You See.” Two years later came “Fire on the Mountain,” and in 1977, “Heard It in a Love Song.”

The Marshall Tucker Band has, for four decades, continued to tour, with the new audience helping to keep them on the road for about 100 nights in a normal year. And the group isn’t too far off of reaching that level of activity this year, the 50th anniversary of the band’s debut album. Gray is happy to have shows to play.

“Here’s a band that hasn’t really done anything but play,” Gray said. “That’s what the Marshall Tucker Band is about. If you want to know what the band’s about in actuality, that’s it. Even from the beginning, we just wanted to go out and play. First, to buy beer, to be honest.”

Gray is the only remaining original member of The Marshall Tucker Band. Tommy Caldwell died in an auto accident in 1980. Four years later, Toy Caldwell, McCorkle and Riddle retired, leaving Eubanks and Gray running the band. Eubanks retired in 1996

“Tommy died in 1980 in a car wreck, but before that, in 1971, we had an attorney draw up an agreement; we all had first right of refusal about everything with the band. Everything was split equally by six,” Gray said. “Two or three shares I bought up when guys got tired of it and wanted to get off the road. That’s how I ended up with The Marshall Tucker Band.

“Luckily, I can still sing, and I have some other great players in the band. People will ask me how the new band is working out. They’ve been in the band for 25 years. The same band has been together for 25 years. The old band was together for eight years.”

The Marshall Tucker Band, of late, has regularly played the Grand Ole Opry, CMA Fan Fest and the Stagecoach Festival, the country version of the Coachella festival -- it only took 40 years for the country music industry to figure out that the band had country songs, all the way back to the first album.

The group these days typically plays clubs, theaters, and casinos -- venues that Gray said are perfect for his band, small enough that he’ll know just what the MTB is in for before he walks in the door.

“When the bus pulls up, I see how many pickups are in the parking lot. That way, I know we’re going to have a good time,” Gray said. “I don’t want to see too many vans. Those are the moms bringing the kids to see us for the first time. Our biggest, largest drawing audience is 18-37 now. We love playing for them. There’s nothing better for me than putting that microphone out in the audience and having them sing “Can’t You See” and “Fire on the Mountain’ or some of the more obscure songs.”

The Marshall Tucker Band plays at Batavia Downs on Friday.

Vette opened the Thursday Night concert series in Jackson Square yesterday.

The band consists of Kole Moore, lead vocals and rhythm guitar, Alex Fitzak, lead guitar, and on Thursday, the substitute rhythm section was Mike "Thunder" Warren on bass and Alex DeSmit on drums.

The next show is the band Free Beer on Thursday, followed by Qwister on Aug. 10 and Radio Relapse on Aug. 17.

The concerts are hosted by the Business Improvement District.

St. Ann's Community at the Greens in Le Roy hosted a free outdoor concert on Thursday.

A stage was set up in on the back lawn of The Greens and Inside Out, playing mostly a set of The Beatles, performed for 90 minutes. 

Food trucks were available for food and beverages.

Photos by Howard Owens.

Press Release:

Batavia Downs Gaming & Hotel announced today that due to circumstances beyond their control, the concert on July 14 will no longer feature Skid Row. Great White will perform at Pepsi’s Rockin’ The Downs Summer Concert Series.

Great White has an arsenal of songs that include the Grammy nominated Best Hard Rock Performance hit, “Once Bitten, Twice Shy,” Great White has sold over 10 million albums worldwide, has six Top 100 Billboard hits, nine Top 200 Billboard albums, two platinum albums, and clocked the top of MTV four times.

Please note that tickets purchased for the Skid Row concert will still be honored on that date.  Those wishing for a refund may do so through their point of purchase.  Info can be found inside of your ticket confirmation email.  Tickets purchased at the Lucky Treasures gift shop may be refunded during normal gift shop hours.

Tickets are available for Great White right now on BataviaConcerts.com

Singer Melzie Case, accompanying herself on piano, and drummer Bob Chaplin, performed a free concert at Richmond Memorial Library on Tuesday.

Photos by Howard Owens.

A drum and bugle corp exhibition at Van Detta Stadium on Saturday night provided enthusiasts for the genre to see a variety of ensembles to perform, said Shannon Mellander, a music teacher and one of the organizers.