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For a time tonight, Kibbe Park was the site of a medieval battle on Wednesday evening.

Members of a Combat Historia, a group of medieval reenactors who stage non-historical battles, met for the first time in Batavia.

The four men came from Batavia, Rochester, and Buffalo.

Eddie Grosskopf got both groups going after moving to Batavia from Florida. 

"I started doing this back when I was 13, Grosskopf said. "Originally, I came out to a park and saw a bunch of kids hitting each other with foam weapons. I was gonna make fun of them at first, and then they offered for me to come out, and I've been doing it since then. When I moved up here, I was like, 'Wow, there's not a lot of this up here. I'm gonna sucker these people into doing this.' 

Joining him at Kibbe Park on Wednesday evening were Darnell Johnson, from Rochester, Brandon Winchell, from Buffalo, and Andrew Stangl, from Wales.

The Rochester group currently has 12 members, and with some recruiting, Johnson expects it soon to have 20 members. The Buffalo group is about a month old and has 15 members.

While only four members turned out for the first Kibbe Park meeting, Grosskopf said the goal is to use the park as a place for members of both the Buffalo and Rochester groups to meet each Wednesday, and he expects participation to grow.

The focus of the two groups is on the medieval Mongol Empire -- the time of Genghis Khan, the conquest of China, the conquest of the Middle East, and Eastern Europe.

Stangl said Grosskopf kept after him to join after he came across the group at a ComicCon, and since he's been practicing martial arts since he was six, it seemed like a good fit for his interests.

Johnson said it's about more than just reenacting battles. There is a historical aspect, too, that is fascinating. 

"You see the clothing that we wear," Johnson said. "It is representative of Mongol clothing. This is typical Asiatic steps armor. So I had to go through the process of learning what type of armor they use, the different lanyard patterns and how to actually make it and then source the material and then build this whole thing myself."

Grosskopf said Combat Historia offers a fun activity, a chance to learn and a community. Since the local groups are affiliated with the national non-profit Combat Historia, the group also does charitable community work. 

To join, he can be reached at 585-664-4461, or the group can be found on Facebook.

Photos by Howard Owens.

The lineup for this year's Batavia Ramble and Art Fest has been released, with 28 acts set to perform on two stages in Downtown Batavia.

The music starts on Saturday, July 1, at 11 a.m., with each band playing a 30-minute set and 10 minutes between acts.

The annual memorial will be held at 5 p.m. in Jackson Square.

The final two bands of the Ramble, The Royal Halls and The Bluesway Band, play at 8:10 p.m. and 8:50 p.m. in Jackson Square.

Jackson Street will again be filled with vendors and booths for local artists.

Jackson Street Stage

• Dave Knaudt
• Sky Hinrich
• Steven Sprauge
• Steve Kruppner
• Don Thomas
• David Holnbeck
• Kissin' Whisky
• Tom Ryan & Friends
• Perception
• Zackstreet Boys
• Indigo Flow
• The Cowboy Vampires

Jackson Square Stage

• Ghost Riders
• The Rock-A-Bully's
• Gumshoe
• DriVen
• Bad Sign
• The Bluesway Band
• Shotgun Pauly
• Old Hippies
• Remedy Three
• Beethovens Dream
• Sierra
• High Pines
• Sons Of Luther
• Noah's Reign
• The Royal Halls
• The Bluesway Band

Valerian Ruminski’s talent has been appreciated for decades, and even as a young boy at St. Andrews in Buffalo, if there was any time left toward the end of the day, his biggest fans would make a request.

“The nuns would say, ‘Marty, sing us something.’ Marty was my real name, Valerian was my father’s name so I took that as my stage name, so they’d say, 'Marty, oh, sing us something,' I was always singing at the drop of a hat when I was a kid. I never thought that it was gonna be a career,” the veteran singing basso contante said during an interview with The Batavian. “But as I got a little older, I went to Canisius High School and was in the choir, and then when I was a senior, my teacher took me aside and said, you know, he says, out of the hundreds of students that I have, every couple of years one comes along that I have to tell them that they should pursue a career in music. And you're the one … he was strongly advising me that I had, you know, ample talents in that area.”

And, although Ruminski didn’t exactly follow the path to classical fame he’s now known for decades later (he was waylaid by an Alaskan fishing boat adventure), he has several accolades under his belt, including performances at Carnegie Hall, Orlando Opera, Danish National Opera, Geneva Light Opera, New York Symphonic Ensemble, Lincoln Center, Calgary Opera, Pacific Opera Victoria and Pasadena Opera, to name a few.

Soon the artistic director and founder of Nickel City Opera can add one more venue to his repertoire. He will be bringing — and playing the lead — in “The Barber of Seville” at 7 p.m. Monday at Stuart Steiner Theatre, 1 College Road, Batavia.

When the truck rolls up to deliver, this show promises a 21-piece orchestra, veteran actors, polished sets — doors, walls, props, costumes, makeup, wigs — and a completely professional set-up for the most famous comic opera in the world in the last 200 years, Ruminski said.

Before jumping straight into the show, The Batavian asked Ruminski about his detour to Alaska when he was supposed to be attending college back in the day.

“Yeah, I lived on a boat. I worked at a fishing cannery for about a year when I was 19 - 20 years old. I wanted to get away from it all, I wanted to have a band. You know, I had a techno band, like Depeche Mode. And I wanted to buy equipment for that, and my friend said we could work on a fishing boat, and we could make a lot of money in that summer,” he said. “So we didn't make lots of money. We made some money. And I bought a 63 VW microbus, and I drove down to Los Angeles, and I lived on the beach. And sort of had a wandering night and 20-year-old-adventure, and then eventually came back to Buffalo, because my teacher from high school said you should come back to Buffalo and get a free education at Buffalo Opera Chorus… and you can start singing, so that's what did it, so I came back.”

He took voice at the University at Buffalo and was put into Buffalo Opera Chorus, taught by the director of the company, and then was accepted into Philadelphia’s Academy of Vocal Arts, where “you’re like one of the few hundred people that gets chosen every year to go there,” he said.

“And I made my Met debut the year after I graduated from the academy,” he said.

At 29, he was an apprentice for the Santa Fe Opera and was hired to do a show in New York City. While there, a woman from the Met was there with a man scoping out Placido Domingo. They were later asked what they thought of Domingo’s performance. They liked him, Ruminski said, but wanted to know, “who’s the Russian bass?”

“They like that,” Ruminski said with a smile in his voice. “And I've constantly gotten jobs singing in Russian because my name is Valerian Ruminski. And they think that I'm Polish or Russian, but I'm as American as can be. But they hire me for these jobs because the marquee looks good … they put me on the top of the marquee, and they said they didn't want a guy named Johnny Smith on the top of the marquee because all the other singers were from Russia.”

He doesn’t argue that misperception, as it “gets me jobs,” he said. Of course, if the name was an empty vessel, there wouldn’t be the resume that exists for Ruminski. His performances have met with many favorable reviews, including from critic Oliver Munar:

"As Prince Germin in the final act, bass Valerian Ruminski turns in a standout performance. Ruminski’s vibrant voice filled the auditorium with a warmth and sensitivity that underscored his character’s love for Tatyana. On this night, Ruminski offered a truly endearing portrayal that elicited one of the warmest responses for the performance."                                                                                         

And from Kenneth Delong:

"In vocal terms, an excellent moment came in Valerian Ruminski’s great final act bass aria, which was delivered to excellent effect and with a commanding voice. It was an outstanding moment in the production."

For “The Barber of Seville,” Ruminski is to play Bartolo, whose house is set in a public square surrounded by a band of musicians and a poor student named Lindoro, serenading through the window of Rosina to no avail. Lindoro is really the young Count Almaviva in disguise, hoping to make the beautiful Rosina love him for himself and not his money. Rosina is the young ward of the grumpy, elderly Bartolo, and she is allowed very little freedom because Bartolo plans to marry her once she is of age and thus appropriate her considerable dowry. 

Described as a plot of bribery, deception and disguise in which Figaro needs all of his wiles to help the Count outwit Bartolo and ensure true love wins the day, this opera is “a feast of frivolous fun.”

A portion of it was even featured in a Bugs Bunny cartoon because of its popularity and being a cultural classic, Ruminski said. Oh, and it’s a hoot as well.     

“They were made in the late 50s, early 60s. And that's back when there was actually culture in people's lives, and people knew what the Barber of Seville was and that it was a common thing. Even children knew what the Barber of Seville was about, and that disappeared. It doesn't exist anymore. But back then, you know, they even made cartoons with Bugs Bunny and Elmer, but with the music from Bach,” he said. “I mean, they made a couple of those opera cartoons, and people remember them. They became very famous because they're so smart and funny, and striking. And artistically, you know, the animation was fantastic. So that's why I mean, it made a lasting impression. I think the last generation, you know, they remember those things."                        

“That’s why there’s a bunny on the poster so that people know it’s a comedy,” he said. “When they hear opera, they think someone is going to die.”

What percentage of your roles would you prefer to do something more comedic than serious?
“It's really a difficult question because it's fun to do. Obviously, the comedic role, it's harder to do, the comedy is always harder, and you have to plan comedy. You have to have everything as precise, as precision is involved, and there's repetition and all that was much harder to do most of the comic roles than it is to do a serious role where you just run in and stand there and sing something. And there's just a dramatic moment, and you don't have to worry about doing the job or getting the bit across. I prefer to sing. I am a basso contante. That's my voice category, I'm not a goofball,” he said. There are some basses who only sing comedy because their voices are not pretty … I do have a pretty voice. And I can sing, I can sing things very beautiful. So I liked singing these more dramatic roles, where it calls for beautiful lines like a lot of the French repertoire calls for beautiful singing. So the problem is that it's harder to find a comic bass, there's not so many of them around. But I do have a flair for the comic, and I enjoyed doing the comic, I'm giving you a very nuanced answer I know. But yes, I enjoy singing the comic roles. When I get them, of course, I attack them, just with the same amount of intensity as I would any other role. And I do my job. And the Barber of Seville is a very difficult role with one of the primary buffo comic bass roles.

“This started the French Revolution, it stuck a pin in the aristocracy,” Ruminski said. “There’s a chain of silly situations, multi-layers of not just comedy, but a work of art.”

Performers are flying in from Guadalajara, Mexico, San Diego, and New York City, directors from New Jersey and one from Bulgaria. Musicians are being culled from Buffalo Philharmonic Orchestra. And 300 lucky patrons will have the opportunity to see this special production unfold for two hours on a Monday evening.

Of all the audiences Ruminski had performed before, he had a particularly special one more recently after he met his biological mother for the first time. It was at Our Lady of Victory Basilica Church in Buffalo with a crowd of some 1,400 people. It was “bittersweet,” he said because he wished she could have seen him at the top of his career at Carnegie Hall, Lincoln Center, and the like.

He has also reconnected with his biological father, and both connections have given him a whole new family when he was otherwise left with no one in the Buffalo area.

He originally planned to leave Erie County and live more permanently in Palm Springs, Calif., where he now stays part-time during the year.

“So now, for the past three years, I've been getting to know my parents. They're both in Buffalo,” he said. “And so my plan to abandon Buffalo was abandoned. I abandoned my abandonment plan.”

And as far as opera is concerned, he has made singing debuts all over the world for 25 years and has gotten into producing more lately, including more contemporary works such as operas based on Stephen King, It’s a Wonderful Life, Sunset Boulevard, Casa Blanca, something “contemporary and relevant to our modern sensibilities,” he said.

He has been recording pop CDs under the label Impresario to feed that other part of his soul hungry for the Depeche Mode era. The pandemic allowed for more time to work on that project, which evolved from writing his own compositions, playing on piano and later singing with a virtual drummer.

For his birthday recently, his wish was to record in a studio.

“Because I want to lay down vocals, and I’m working on one of my songs. That’s my treat,” he said. “That’s my secret passion, that I enjoy doing it and making songs, and I put them on YouTube and all that.”

Press release:

The Batavia Police Department is seeking public assistance in locating a 16-year-old girl. 

Erica Gibbs was last seen on June 15 in Batavia. 

She was last seen wearing a black sweatpants and a hoodie. Erica is about 5'03" and 120 pounds, with brown hair and brown eyes. 

Anyone with information on her whereabouts is asked to call the Batavia Police Department at 585-345-6350 or the NYS Missing Persons Clearinghouse at 1-800-346-3543. 

UPDATE: Erica Gibbs has been located and is safe.

A two-year-old child was uninjured after apparently crawling through a second-floor window onto a first-floor roof and then falling to the ground at 104 Jackson St., Batavia.

According to a witness, the child stood up quickly after the fall and started walking.

The window and roof section were on the north side of the dwelling.

Batavia PD, City Fire, and Mercy EMS all responded to the call at around 12:30 p.m. on Wednesday.

Sgt. Dan Coffey, Batavia PD, said officers are still investigating the incident and didn't have further information available.  If warranted, there will be a press release later about the incident.

UPDATE 2:05 p.m.: The investigation reveals the incident is an "unfortunate accident," Coffey said.

Press Release:

Today, June 21, the City of Batavia Water Department will be shutting down the water main on Center Street for water main repairs. The shutoff will be approximately from East Main Street (Route 5) to School Street.

The length of time the water will be off is unknown.

As always, when the water is restored it may be discolored. Please refrain from doing any laundry until the water runs clear. We apologize for any inconvenience and the public’s patience is greatly appreciated.

Press Release:

Join Wilmot Cancer Institute at our Survivors Night to celebrate cancer survivorship on Saturday, June 24, at 6:35 p.m. (game time) at Dwyer Stadium, 299 Bank St., Batavia.

The event will feature the Batavia Muckdogs playing against Elmira Pioneers, fireworks and a ceremony honoring cancer survivors.

Survivors receive 1 free game ticket (each additional ticket $10).

Call the Muckdogs Box Office to purchase at 585-524-2260. Must be purchased prior to game day.

*Cancer survivors are invited to arrive by 6 p.m. to join in the on-field celebration.

A pedestrian has reportedly been struck by a vehicle at Jackson and Ellicott in Batavia.

Unknown injuries.

City Fire and Mercy EMS responding.

UPDATE 5:50 p.m.: A bicyclist ran into a car. No injuries. The scene is clear.

Health issues and a desire to see his son play more baseball in his final season with the Batavia Blue Devils have led Jim Fazio to step down as head coach of the Batavia High School softball team.

He leaves after achieving an important personal goal: Helping the girl's team win a sectional title.

"The team means the world to me," Fazio told The Batavian at Dwyer Stadium during the Batavia Muckdogs game on Monday evening. "Ever since I started coaching, it was a dream to win a sectional title. To finally get it this year, it's just something that, you know, you just dream about."

Fazio has been coaching since 2000 and became varsity softball coach in 2018.

Under the circumstances, coaching in 2024 isn't possible, he said. He's been diagnosed with polycystic kidney disease and is on two waiting lists for a kidney transplant.

"That's the main reason why I'm stepping down," Fazio said. "I think I should be able to coach tennis, but things right now are up in the air."

His son is also entering his senior year, and in the spring, Fazio wants to take the time to see more of his son's baseball games.

"I miss a lot of his games because their schedule almost mimics ours," Fazio said.

During Monday's baseball game at Dwyer Stadium, two fans had wallets stolen from their cars after the windows of the cars were smashed open.

Credit cards from the stolen wallets were later used at local businesses. This has led Batavia police investigators to identify a person of interest in the case.

The public is being asked to help identify the person.

The crime may be linked to similar thefts under investigation by the Sheriff's Office. 

To assist in identifying the subject in the photos, contact Officer Austin Davis at 585-345-6350, the Batavia Police Department's confidential tip line at (585)345-6370.

The Batavia Muckdogs battled back on Monday from a three-run first-inning deficit to beat Newark at Dwyer Stadium 6-5 behind the 3-3, four RBI performance of catcher Adam Agresti.

Garrett Beaver worked a scoreless eight to pick up the win, and Trey Bacon retired all three batters he faced in the ninth, fanning Pilots to pick up his fifth save.

Starter Tyler Henshaw surrendered four runs over three innings, giving up six hits and two walks. He struck out three.

Ryan Kinney pitched four innings, walked one and collected seven strikeouts.

At 8-5, the Muckdogs are in third place in the Perfect Game Collegiate Baseball League's Western Division, a half-game behind Niagara and Elmira.

Reported attendance: 1,432

The next home game is June 22 against Jamestown. 

Photos by Howard Owens. For more and to purchase prints, click here.

Press Release:

Genesee county health has scheduled its anti-rabies clinics. 

There is no charge for the vaccine, but voluntary donations are accepted. Animals must be at least 3 months old. Each animal must be leashed or crated and accompanied by an adult who can control the animal at all times. Limit 4 pets per car. Anti-rabies immunization clinics are as follows:

Genesee County Clinics at the Genesee County Fairgrounds (5056 East Main Street, Batavia):

• Thursday, August 10th, from 4 p.m. to 6:30 p.m.
• Thursday, October 12th, from 4 p.m. to 6 p.m.

For more information on GO Health’s programs and services, visit GOHealthNY.org. You can also contact the health department at 585-344-2580 x5555 or Health@co.genesee.ny.us

Press release:

The Batavia Concert Band will be returning for its 99th season of public concerts in Batavia’s Centennial Park (the rain venue is the Stuart Steiner Theatre at Genesee Community College).

Concerts will be held on Wednesdays at 7 p.m. on June 28, July 5, July 12, July 19, July 26, Aug. 2, and Aug. 9. Light refreshments will be available for purchase, including freshly popped popcorn–an audience favorite!

The Batavia Concert Band’s repertoire has something for everyone: marches, Big Band and swing numbers, popular songs from musicals and movies, rock favorites, classical adaptations, and everything in between.

The Band consists of 45-55 brass, woodwind, and percussion players ranging from talented high school students to 60-year veterans. Many have professional experience, and others are advanced amateur musicians, but one thing is for sure -- all love to play!

Returning for his tenth season as conductor is John Bailey, Instrumental Music teacher at Pembroke Central School District and the organization is under the leadership of General Manager Jason Smith, along with a talented group of officers and a dedicated Board, led by Board President Dan Fischer The July 12 concert will be conducted by Batavia native and resident Joshua Pacino, current band director at Batavia’s Notre Dame High School. The Albion High School band director, Mike Thaine, will conduct the July 26th concert.

Founded in the early 1920s, the Batavia Concert Band has brought musical pleasure to the region every year except during World War II and in 2020 during COVID.

This project is made possible with funds from the Statewide Community Regrant Program, a regrant program of the New York State Council on the Arts with the support of the office of the Governor and the New York State Legislature and administered by GO ART!

Concerts are also currently supported and funded in part by Platinum Sponsors Genesee Community College, Brighton Securities, Farm Credit East, and WBTA, as well as local businesses, program advertisers, service organizations, and individual patrons. Individuals or businesses interested in supporting the Band should contact a band member at any concert.

The Batavia Concert Band is also excited to announce the return of radio station WBTA (AM 1490 / FM 100.1) as the Official Media Sponsor for our 2023 summer concert series! Be on the lookout for appearances by band members on WBTA’s “Main & Center” program, where we will go into some depth about the band’s makeup and its history. Also, be listening for weekly radio ads promoting the musical selections for the upcoming concerts and announcing our weekly sponsors.

For information, please visit our Facebook page and www.bataviaconcertband.net to learn more about the Band and our sponsors, and “we will see you in the park!”

Performing artist Annette Daniels Taylor had planned to review the life that Adeline “Addy” Barbara most likely endured for her 46 years in captivity as a slave in Batavia, but that wasn’t the focus of Monday morning's Juneteenth memorial service, so she turned to a poem titled “Dreaming.”

The piece journeyed back into memories of tall trees, running barefoot, glistening cocoa-brown skin under the hot sun, smiling teeth, beautiful souls, and dancing with one another.

“We danced to drums of waterfalls, drums of hoofbeats, drums of heartbeats, drums of rain storms, drums of drought, drums of baby's breath, drums of aching souls, drums of flying feet, drums of running legs,” Taylor said at the Historic Batavia Cemetery. “Drums without shame, drums without whips, drums without cuffs, drums without ropes, drums without branding irons, I still hear them beating, but only in my dreams, dreams of freedom.”

Addy’s last name was Barbara, though she belonged to the Rev. Lucius Smith, an Episcopal priest who owned her as a member of his family. She was a slave from the tender age of four until she died in 1857 at age 50. The memorial service was to honor and dignify her life for those 46 years in between.

The Rev. Shiela Campbell McCullough performed a memorial service and dramatic reading, proclaiming Addy “free at last.” Way down yonder, in the graveyard walk, I’m gonna meet with my God, and we’re gonna have a talk, she said. “I’m free at last, I’m free at last.”

“Thank God almighty, I’m free at last. And in the words of Harriet Tubman, I’d rather be dead and in the grave than be a slave,” McCullough boldly said in Addy’s spirit. “I’m free at last.”

“Her marker reads Addy for 46 years, the faithful colored servant of the Reverend Lucius Smith and family, died Jan. 28, 1857 … This means that Addy began her burden for the Smith family at the age of four; this is Lucius Smith's marker, very symbolic, as you can see, even in death — even in death — her slave master overlooks her,” McCullough said. “The word servant and this X on her marker, connotes the idea that Addy had a choice. The word servant is an exchange of a kind or pleasant word that is being substituted for an explicit or offensive word. In this context, the use of the word servant camouflages the truth that Addy was indeed a slave. She was the slave of the Episcopal priest, Reverend Lucius Smith. And she was burdened with the lifelong responsibility of sacrificing her own humanity for the benefit of another person.

“The word servant downplays the psychological burden of surrendering one's humanity. So today, as a community, we gather, acknowledging the truth of Addy’s condition. Addy was not a servant, she was a slave,” McCullough said. “We join hands and hearts today to remove the veneer and allow the truth to take its rightful place. Addy was a slave.”

Batavia’s St. James Episcopal and First Presbyterian churches had established plots in the cemetery since 1823, which is why Lucius Smith and his family were buried there. The Rev. Deacon Diana Leiker spoke on behalf of St. James to assure folks that the Episcopal Church is righting those wrongs of the past.

“The church as a whole is working very, very hard with our black brothers and sisters to learn more, to be open to what we did, to help people to heal. We are recognizing all of the despicable, tragic things that were done on behalf of the church or with the church being complicit in letting things happen,” Leiker said. “So we just want you to know that this is wonderful. We had no idea that Lucius Smith owned someone. So we're really thankful that this was being brought to light. And we just want you to know we are doing a lot of hard work nationally.”

Rev. Roula Alkhouri, of Batavia First Presbyterian Church, was one of the organizers of the special Juneteenth event. It came about from McCullough’s pain that bubbled up after learning about Addy. It raised questions of how to move on yet not ignore an important piece of the past.

“What do we do with this pain? What do we do with this history? And so we've been talking and praying and thinking, and so that's kind of like, okay, Juneteenth is coming up, can we celebrate her humanity? Can we look at the story and reclaim it in a different way? And so that's what brought it together for us,” Alkhouri said. “And then we talked, we connected with (Batavia Cemetery Association President) Sharon Burkel, and said, Can we do this? And she said, Absolutely.

“I feel like always, whenever we bring up the hard parts of our lives or our history, it brings healing. You know, it's like, people don't want to talk about the painful stuff. But if you don't, you'd never heal," Alkhouri said. "And if you don't honor the lives of people who suffered, then it gets repeated in different forms. But it does, always, I mean, you see it in families the same way, not just the nation. So we're hoping to be part of that healing for the nation.”

A monetary gift will be used to add another inscription on Addy’s headstone. This will help to tell “a different side of the story and reclaim her humanity and her being created in the image of God,” Alkhouri said.

After sweeping the Auburn Doubledays in a double header at home on Friday, the Batavia Muckdogs split a twin bill at Falcon Field in Auburn on Saturday.

The Muckdogs took the first game 3-1, and lost the second game 3-0.

Batavia is now 7-4 on the season.

Jack Keeler went six innings giving up on earned run to pick up the win, his first W of the season.

Trey Bacon pitched a scoreless seventh for his fourth save.

Anthony Calabro hit a triple, his one hit of the game, scored a run and picked up an RBI.

In the second game, Preston Prince, from Hilton, lasted four innings, giving up three runs, two earned, and only two hits, but yielded four walks. He struck out three. He was tagged with his first loss in three appearances.

The Muckdogs are back home on Monday to play Newark.  Game time is 6:35 p.m.