theater

Press Release:

Genesee Community College's (GCC) Stuart Steiner Theatre will stage the chilling thriller Misery, adapted by William Goldman from the iconic Stephen King novel, this November. Performances will take place on November 8 and 9 at 7:30 p.m., with a matinee on November 10 at 2 p.m.

Goldman's gripping adaptation, which first premiered on Broadway in 2015, brings King's horror masterpiece to the stage, telling the story of novelist Paul Sheldon and his unsettling encounter with fan-turned-captor, Annie Wilkes.

As Paul recovers from a car accident at Annie's isolated home, he soon realizes that her obsession with his work goes far beyond admiration. Held captive and forced to write under terrifying conditions, Paul's survival hinges on his ability to appease his captor-creating a tense and suspenseful psychological battle.

Misery has been described as a fast-paced, edge-of-your-seat thriller. "There are no lulls in famed screenwriter William Goldman's 90-minute stage adaptation of the Stephen King story, which Goldman himself translated into the 1990 film," said WNBC NY.

Directed by Maryanne Arena, the production will feature Paul Sheldon played by Tony Haitz, and Maryanne Arena taking on the role of Annie Wilkes. Joshua Lang, a fellow graduate of the GCC Theatre Arts program, will portray Buster. Scenic, lighting and sound design will be overseen by Sandor Nagar.

Content Warning: This production contains graphic violence, explicit language, gunshots, frightening moments, adult themes, strobe lights and the use of fake blood. Viewer discretion is advised.

Ticket Information:

• General Admission: $10
• Non-GCC Students, Seniors (55+), and Children (under 16): $5
• GCC Students, Faculty and Staff (with valid ID): Free admission (available only at the box office)

Tickets are available for purchase online at www.genesee.edu/campus-life/center-for-the-arts, at the campus art gallery during operating hours, or at the box office, which opens one hour before each performance.

For more information or to reserve tickets, contact Maryanne Arena at mcarena@genesee.edu or the box office at boxoffice@genesee.edu.

Click here to purchase tickets.

Show tunes and more show tunes.

If you love Broadway, Batavia Players has just the show for you this weekend.

"Just One More Time & Something New" is a celebration of 100 years of the best musicals to grace the stages of 42nd Street in the heart of Manhattan, better known as Broadway.

The choral review covers the music of Tin Pan Alley to state-of-the-art contemporary Broadway.

You will certainly hear some familiar classics as well as a few tunes that might surprise you.

There are shows at Main Street 56 Theater on Friday and Saturday at 7:30 p.m. and on Sunday at 2 p.m.  Tickets are $24 at the door or $22 for seniors and students.  There is a discount to buy in advance online. 

Photos by Howard Owens.

It's just a typical Prohibition-era night at Ruth's Speakeasy, where you can find the best moonshine and jazz singers in town before one of the patrons is murdered.

To solve this crime, the cast of Batavia Players needs your help.

"Murder at the Speakeasy" is an immersive and interactive murder mystery and scavenger hunt.

Audiences are encouraged to register in teams of up to four people each and dress in period-correct costumes.

Ruth's is a place with simple rules -- no business and no guns.  It is the haunt of gangsters, crooked cops, businessmen, and rising stars. The perfect environment for betrayal, vengeance, greed, and, ultimately, murder.

Who done it: the crooked police chief? The sultry jazz singer? A scorned woman?

You and your companions will have to figure it out.

You will be provided clue questions to ask the possible suspects and a map of all the local places the suspects hang out so you can track them down and find the clues.  

The adventure begins at check-in. Audience members will receive the secret password to gain entry to the Speakeasy.  Upon entry, they will meet the host of characters, and that's when the game begins. Sleuths must keep their eyes and ears open for any hints that might be dropped.  

The scene will unfold, the murder will happen, and then the questioning begins. Then the audience is released to follow the leads and track down the clues scattered throughout Batavia's local business community.  When the audience returns, the members will cast ballots for who they suspect is the likely killer before reentering the Speakeasy to see if they got the details right.

There are prizes supplied by local businesses.

Batavia Players encourage audience members to take pictures and post to social media but they ask, "please, however, at no time share the solution so the other groups can have the pleasure of solving the crime on their own."

The show is Saturday at 11 a.m. and 5 p.m. at Main St. 56 Theater in Downtown Batavia.

Tickets are $30 per person or $100 for a team of four people. For tickets, click here.

Photos by Howard Owens.

A young rock star -- shades of Elvis Presley -- is about to enter the Army after being drafted, and his manager needs to cash in on him one more time so he can get out of debt, return to college to become an English teacher and marry his sweetheart.

That story, set to song, is the plot of the classic musical Bye Bye Birdie, which the cast of Batavia Players will present this weekend at 56 Main Street Theater in Downtown Batavia.

It's the story of Albert Peterson, a mild-mannered young man with a talent for writing hit songs but none of the guile of Tom Parker, who has helped Conrad Birdie achieve stardom.  His girlfriend, Rose Alvarez, wants Albert to exit the music business and return to his initial passion, writing, and become the English teacher and all the stability that represents, as he originally planned. 

Albert is distressed when Birdie is drafted, but Rose sees this turn of events as a golden opportunity. She encourages Albert to write a hit song, "The Last Kiss," and get Birdie on national TV kissing one of his fan club members goodbye.

Hilarity and entertainment ensue.

The musical is set in the early 1960s, with Batavia Players' sets and costumes being period-perfect.

Showtimes are Friday and Saturday at 7:30 p.m. and Sunday at 1 p.m. For more information and tickets, visit bataviaplayers.org.

Click here for more information or to purchase tickets!

Audiences will have an opportunity to watch a French connection this weekend.

Not the one with big city narcotics detectives investigating a heroin smuggling ring, but rather, the royal Shakespearean drama of “King John,” about the difficulties of who the lead character was and that he usurped the throne, Director E. Jane Burk says.

“One of the other characters that is in this play, his name is Arthur, he is John's nephew, he was the son of John's older brother, Jeffrey, who died. John took the throne before Arthur could ascend to it; he actually usurped the throne from his nephew Arthur. So much of the play revolves around a French connection. That's why we have (on the banners at the back of the stage) English lions on one side, and we have French fleur-de-lis on the other side,” Burk said during rehearsal Tuesday. “There is a significant threat of war because the French segment, the French king, King Philip, wants to put John's nephew Arthur on the English throne. So it all revolves around the situation that it was very militaristic. You could almost say contemporary in terms of the different factions that were trying to come to power.”

Batavia Players will present Shakespeare in Springtime’s “King John” at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday at Main St. 56 Theater in Batavia City Centre.

Playwright William Shakespeare penned a significant number of plays that were histories about notables such as Richard the Third and Henry the Eighth, and this lesser known figure, King John, Burk said. 

“It is not frequently performed anywhere,” she said. “And it’s interesting because, actually, this particular play is all in verse. It’s all poetry; it’s not prose, it’s not normal, conversation-type stuff.”

A passage from King John’s character states:  

O cousin, thou art come to set mine eye.

The tackle of my heart is cracked and burnt,

And all the shrouds wherewith my life should sail

Are turnèd to one thread, one little hair.

My heart hath one poor string to stay it by,

Which holds but till thy news be utterèd,

And then all this thou seest is but a clod

And module of confounded royalty.

The time period is 1216, and the play is paying homage to the Magna Carta, which King John signed in 1215, a year before his death at 49, Burk said. The cast quickly became familiar with the setting, the lines and the demands of such a production, and has fulfilled its responsibilities with aplomb, she said.

Auditions were in mid-January, everyone received their scripts and immediately began to learn their lines after being cast for roles, and, because another show was happening during a portion of February, rehearsals didn’t even begin until later in the month.  

“And this is only March 19. And kudos to the cast. I give them so much credit. They have done an extraordinary job of creating this place that is not Western New York. That is not Batavia. That does not sound anything like the way we speak. I have French people that are speaking with French accents,” she said. “We have worked hard on this. They have learned their lines, their scripts, word for word. If you were to sit right now — I'm not exaggerating — if you were to sit and actually listen to what they are saying, watching but listening, and reading the script as you're going along, you will see that it’s word for word. It is extraordinary. That's exceptionally difficult. You cannot take away from the fact that they have given heart and soul to making this happen.”

And who are “they?” By all other accounts, they are ordinary people, volunteers in the world of community theater with a passion for the arts, people who have jobs, work for a living, tend to families, she said, and dedicate many hours to memorizing their lines and create the character they will eventually bring to life up on stage. 

The premise of “King John” is that he goes to war against the French after claiming that his nephew should be king instead. John has conflict with the church, orders his nephew's death, and turns the nobles against himself. In the end, John dies after a monk poisons him, the French retreat and his own son becomes king.

Burk isn’t necessarily looking to convert the masses onto Shakespeare; however, she’s hoping that folks are willing to give it a try.

“My idea is that, on some level, most of the people that will come to see the show probably have not had any sort of prior experience with Shakespeare,” she said. “But what we hope is that if we can make a difference in the life of one person if we can make the lightbulbs click on for one person, and they understand and discover what Shakespeare is all about, then we’ve succeeded. That’s what it’s all about.”

Tickets are $22 adults, $20 students and seniors online and $24 adults, $22 students and seniors for cash at the door.

Click here to purchase your tickets today!

A simple plot -- 12 ordinary people deliberating the guilt or innocence of a young man accused of murder -- became a riveting drama on Sept. 20, 1954, when it first aired on CBS's Studio One.

In the 1950s, women couldn't serve on juries, so the title was to the point: 12 Angry Men.

A lot has changed over the past seven decades. Women have been able, for example, to serve on juries for decades, so now the play is called 12 Angry Jurors (12 Angry Men was also an award-winning movie in 1957 starring Henry Fonda). 

And a lot hasn't changed.  Not all is equal just yet. Society is still beset by prejudices, and people still have biases and personal histories that color their views of events.

So juries can still sometimes find it hard to agree on a verdict.

That's why the play originally written by Reginald Rose is still performed all over the country, is taught in schools, and is the subject of scholarship.

"It's still relevant," said Director Kristy Walter. "It's like one of those timeless plays that speaks to justice, it speaks to humanity, it speaks to people's prejudices and biases. And that's, I think, what makes it so compelling because when you watch the play, you see yourself in those characters. So I think that's what makes it worth seeing."

The first Batavia Players performance is at 7:30 p.m. on Friday, followed by 7:30 p.m. on Saturday, and 2:30 p.m. on Sunday.

The play begins with an off-stage charge from a judge in a murder trial: The jury must reach a unanimous verdict.

Once in the jury room, Juror #7 (the jurors are only identified by their numbers until the close of the play), played by Teressa Hirsch, says, “Yeah, lets vote. Who knows, maybe we can all just go home.”

She has someplace else to be, she reveals.

And the vote? It's 11-1. Not unanimous.

The lone holdout, Juror #8, played by Steven Coburn, confesses, “It's not easy for me to raise my hand and send a boy off to die without talking about it first.”

The jury decides it's up to them to convince him why they are right -- that the young man on trial stabbed his abusive father and killed him.  A guilty verdict would send the kid, from an impoverished background, to the electric chair.

The disagreements erupt for the jurors to confront their own morals and values, their own histories and beliefs.

You can probably guess the resolution -- if you've never caught the movie on late-night TV -- or better, no matter how well you know the story, you can join Batavia Players at 56 Main Theater this weekend to see how it plays out. The play holds up over decades of changing cultural norms and multiple viewings.

A wandering band of nomadic thespians has finally arrived home.

For the first time since the late 1960s, when the troupe abandoned the dilapidated Playhouse at Horseshoe Lake, the Batavia Players has a theater to call its own.

The Players staged its first show on Friday night at the new Main St. 56 Theater in City Centre.

Norm Argulsky, board secretary, prop manager, and house manager, said the opening of the new theater is a dream fulfilled for the entire group.

"At long last, we are finally in a theater that we really want to be in," Argulsky said as patrons filled the lobby waiting to enter the first performance of Cry Baby, The Musical, performed by members of the Summer Youth Theater. "This is it for pretty good Players. We're going to be here permanently. We have a home. We have a lovely theater. We have a great group of people working for us. They have worked very, very hard, extremely hard in order to have this come to fruition, and it finally did. I mean, we never thought it would happen. And now here we are, opening night. I feel like Broadway."

And Board President Pat Burk said the success of the opening night was a pleasant surprise.

"(Opening night) went extremely well," Burk said. "I was very surprised that we had our biggest audience in quite a few years.  We were excited that the audience had such a great reaction to the show."

Batavia Players is transforming (the project is far from complete) more than 14,000 square feet of former medical office space into a lobby, theater, dressing rooms, prop rooms, and office space at a cost of more than $1 million.

The project is made possibly largely through a portion of the Downtown Revitalization Grant awarded to the city by then-Gov. Andrew Cuomo in 2017.

Batavia Players received $701,750 from the pot of $10 million in grant money awarded to various Downtown projects.   In 2020, the group was also awarded $417,000 from the New York Street Anchor Grant Program.

To complete the project, the Players still need to raise $265,000 from private donors. So far they've raised $41,000 (to make a donation, visit bataviaplayers.org).

Argulsky couldn't be more pleased with how things have turned out so far, though he's already running out of prop and costume space, he said.

"I love the theater, the actual theater. The theater is wonderful," Argulsky said. "I'm looking at my costume room, and I'm saying I don't think I have enough room. But the theater is absolutely great. I mean, the sightlines I've sat all over. I've been able to see the different perspectives from the seats, and there's not a bad seat in the house. So I think the audience will like it. I like the fact that there are wider seats, which are not going to be touching the shoulder of somebody else. And the sightlines are great. The sound is great. So I think everybody is going to enjoy being here."

The initial reviews from the first-night patrons standing in the lobby were positive.

Carol and Dave Waples drove from Spencerport for the opening and described themselves as big supporters of Batavia Players.

They love the fact that the new theater is downtown and were impressed with the overall ambience.

"Oh my gosh, unbelievable," Carol said. "I couldn't wait to get in here. We were so so excited about this. Yeah, it's very, very, very nice. Very impressive from what we've seen."

Co-workers Vicky Muckle and Lisa Casey teamed up to attend opening night. Muckle said she was also there to support a friend, Paige Sikorsky, who was appearing in the show.

"It's a definite improvement over the last place they were at, so I'm excited to get inside," Muckle said. 

Casey praised the project for "bringing life back to this area."

They had dinner downtown before the show and said that's the value of building the theater in downtown Batavia.

"You figure the DRI money was awarded in 2017, and now it's 2023, so to see it actually happening is really cool," said Casey, who worked in the City Manager's Office when the DRI award was announced. "I'm super excited. I didn't think I was to be here for the first actual show, so Vicki bought my ticket, and I'm so excited.

Except for that brief period at Horseshoe Lake in the 1960s, Batavia Players has never had a space it could really call its own.  

The Players were founded in 1931 by Ethel McIntosh, a Latin teacher at Batavia High School, and was comprised of 25 members to start. Their first production was "Beggar on Horseback" at Batavia High School (now the Middle School).  Until the 1960s, the Players performed shows at the New Family Theater on Main Street and in school auditoriums.

After abandoning the Playhouse, the Batavia Players almost disappeared until Wanda Frank helped revive the group.  When the school district started raising rental prices, the Treadway Motor Inn offered performance space as part of a dinner theater. In that era, they also performed at the newly constructed Genesee Community College campus.  In the following decades, the Batavia Players staged shows at schools and churches until renting space at the Harvester Center a few years ago.

(History Source: History of the City of Batavia by Ruth M. McEvoy.)

Cast members and leaders of Batavia Players' Summer Youth Theater want you to grab a seat for their production of “Cry Baby, The Musical,” this weekend, and the only question is: just where will that seat be?

Director Patrick Burk has been teasing the community’s curiosity with the debut of this show, via the sign outside of City Centre and an online post about the long-awaited opening of the new Main St. 56 Theater. 

"We have done a great job, thanks to our community, raising needed funds for seating so that we could open the theater for our summer program.  We still have a lot of work to do to complete the overall project.  We are at approximately $41,000 of our $265,000 goal," Burk said Wednesday. "It is our hope that the community will continually support this fundraising effort so that we can complete the project by the New Year."

Even by Burk’s own recounting of the process, it’s been a long, arduous journey of paperwork, grant applications, construction details, COVID delays, increased labor and raw material costs, and, most importantly — fundraising, fundraising, fundraising. 

"Much of the funds we raised paid for rent, interest, insurance and utilities while the project was on hold during Covid.  Now, we have to raise all that funding again to finish the project. We have had a huge outpouring of donated materials and sweat equity from a number of individuals and local companies. More is needed," he said. "It is our hope that the community will look at this beautiful facility and donate to make it happen."

In May, Burk was at best hopeful for a September splash of the new downtown theater at Batavia City Centre. Batavia Players ramped up a “Be My Guest” campaign seeking donations of any amount to help pay for theater amenities, such as that seat you’re going to hunker down in to watch this musical billed as a rebellious teen comedy based on the 1990 film “Cry-Baby.”

"We are very excited to be opening this weekend with the cult classic 'Cry Baby' and present to the community this highly entertaining and fantastic production," Burk said.  "Our cast is amazing."

Based in 1954, when everyone likes Ike, nobody likes communism, and Wade "Cry-Baby" Walker is the coolest boy in Baltimore, this show features a bad boy with a good cause: truth, justice and the pursuit of rock and roll. 

Wade and the square rich girl, Allison, are star-crossed lovers at the center of this world, with plenty of detractors and distractions to get in the way for a fun plot. Or, as the show’s website states: It's Romeo and Juliet meets High School Hellcats.

“Filled with unforgettable songs and a truly unique and fresh story, Cry-Baby is a perfect choice for any theatre looking to add a-rockin' good time to their season,” the site states. “Cry-Baby, Allison and Baltimore's energetic juvenile delinquents will dance their way right into your audience's heart!”

Shows are at 7:30 p.m. Friday and Saturday, and at 2 p.m. Sunday at 56 Main St., Batavia. 

Tickets are $18 for adults, $16 for students and seniors. Go HERE to purchase. 

Sometimes fundraisers help to augment a nonprofit’s goals and projects, but that’s not quite the case for Batavia Players, Patrick Burk says.

Main St. 56 Theater, an ambitious downtown symbol of the arts in all their dramatic glory — up on a stage featuring the community’s own — is dependent on the funds raised during a final push for donations.

Titled “Be Our Guest,” the campaign is designed to offer folks an opportunity to give what they can — a little or a lot, Burk said. There was a kick-off at the theater-in-progress in late April, and Broadway actor John Bolton was a featured “Be Our Guest.”

“John is wonderful and so dedicated to keeping and maintaining the Batavia Players and the Main St. 56 Theater as a top notch performance space,” Burk said. “He was very gracious and giving to the actors and volunteers and provided some wonderful insights on the profession.  We thoroughly enjoyed having him here to help shine a light on our needs and the project in total.”

The project has received grant funding, however, due to COVID — yes everyone is tired of hearing about it, but the lasting effects are nonetheless real — prices of everything have gone up, Burk said. Delays, increased labor and raw material costs, have added to the total expense.

This fundraiser is for the purchase of new seating, and lighting and sound upgrades to provide a state-of-the-art facility “that is comfortable and inviting for our audiences,” the campaign material states.

“We need to raise these funds in order to complete the theater,” he said. “It’s that simple."

When might we expect to see a show at there? 

That depends on who you talk to, he said. The theater is about 80 percent complete.

“Our ability to move forward is directly attached to the 'Be Our Guest' campaign. I have no idea. I have been telling myself that it will be sometime after Sept. 1 of this year.  Maybe the Christmas show in December,” Burk said. “Again, all of this depends on when we can raise the funds as well as get the work done. We are looking for volunteers for a multi-day work session that will be announced soon.”

During a recent interview with Bolton, he spoke fondly of community theater and how it belongs in every city, including Batavia. 

What’s a community without live theater?

“A community without theater (or any of the arts for that matter) loses so much.  The arts of a community are a distinct part of that community.  It would be like losing your favorite or most known landmark.  Community theaters are an outlet for those that want to perform and do not have the resources or the ability to go far from home to achieve that,” Burk said.  “They are spaces that help talent develop and as we have seen from the past, we do develop great talent here that goes on to bigger and better things. We have past participants of the Batavia Players performing on Broadway, being on national tours and starring on the stage and screen. John Bolton is a great example of those that got exposed to the profession locally and then went on to perform professionally all over the United States. 

“The Batavia Players have been in existence for close to 93 years. When you look back at all that they have accomplished and all the people that we have touched and worked with it is amazing,” Burk said. “I feel that we are a great reflection of our community and the area in general and that we provide an excellence in the performing arts area with talented veterans and new people on a regular basis.”

Donations of certain levels will be placed on an engraved plaque in the theater lobby area. The goal is to raise $150,000. Make checks payable to Batavia Players Inc., P.O. Box 256, Batavia, NY, 14021-0256. For more information, email burk.patrick1956@gmail.com.

Photo of Main St. 56 Theater by Howard Owens.

After performing twice before in the same Batavia Players show, Heather Ferris is now taking the baton, so to speak, as director of what’s become a holiday favorite for the group each December.

This year’s “A Christmas Carole” has not only made Ferris attentive to the script, but also to every other aspect of production — from auditions early on to the finishing touches of dress rehearsal.

“I definitely enjoy the directing versus being on stage. I’m a little shy. Sometimes getting on stage for me is, it can be a little overwhelming. It can be a little scary. But being able to direct, I feel like I can let my creativity come to life through the actors that are on the stage. So it's more of a creative outlet for me than actually being on stage,” she said prior to rehearsal Tuesday. “I just start thinking about how far we’ve come. My youngest cast member is 3 years old, and then I've got cast members all the way up into their 70s. And just to see them kind of blossom, and just really bring characters to life, for me, it’s just so fun to watch that. And so I get really excited for them when they're bringing it all together.”

Scrooge and his ghosts debut at 7:30 p.m. Thursday, followed by shows at 7:30 p.m. Friday and Saturday and 2 p.m. Sunday at the makeshift theater at Batavia City Centre.

This isn’t a first-time directing for Ferris, who is co-directing this one with her husband Richard; however, it is her first experience off-stage guiding the action for the beloved Christmas classic.

“It’s a fun show, it’s very family-friendly,” she said. “You expect the change that Scrooge comes through, and see the spirit of Christmas come alive through him. To see how the story that was written almost 200 years ago can be so much like what we deal with today … money doesn’t always make you happy. It’s a feel-good story, and you go from bah-humbug to a time where people are happy; it makes you feel good at the end.”

Written by Charles Dickens and published in 1843, the story features Ebenezer Scrooge, an elderly, penny-pinching curmudgeon whose ultimate life lessons come to him through ghosts of Jacob Marley and of Christmas past, present, and future. After learning about each phase and its impact on people and the community, Ebenezer’s moral compass and hardened heart are transformed.

Of course, before that idyllic ending takes place — just as with the storyline itself — there are the typical challenges with such shows, especially with a cast of 32 and half of which are youngsters, she said. School activities, sports practices and work schedules all must be juggled amidst a rehearsal timeline that began in October.

And even though the pandemic has rested in most everyone’s rearview mirror, there has been illness to deal with amongst the troupe, she said. But now, with a full dress rehearsal upon them for Wednesday night, it is, as they say, show time. And Batavia Players is ready to entertain, said Ferris, a retirement plan consultant.

“Tomorrow is really just making sure that our lighting is good, our sounds are good, that we have all the costuming in place and things like that,” she said. “So it's literally just the finishing touches, the little things that make the production a whole production.”

Although by day she crunches numbers and deals with accounting for clients, Ferris, a resident of Medina, can let her innovational nature flow in the after-hours of theater.

“It really allows me to have that creative outlet,” she said. “It’s a way to get away from my everyday challenges, and let that stress melt away.”

Filled with familiar music and traditional Christmas carols, the show is also augmented with pianist Kathy White and Kristin Gelia on violin.

Tickets are going fast, and folks are encouraged to get them sooner than later, said Patrick Burk, aka Ghost of Christmas Future. Tickets are $16 for adults, $14 for students and seniors, and may be purchased at showtix4u.com or possibly at the door for some dates, Burk said.

Photos of rehearsal Monday for "A Christmas Carole" by Batavia Players at Batavia City Centre. Photos by Howard Owens.

Press release:

The Forum Players will be presenting Alice In Wonderland by Brainerd Duffield, an adaption of the classic tale written by Lewis Carroll. Performances will be held on April 21, 22 and 23 at 7:30 p.m. in the Stuart Steiner Theatre at Genesee Community College.

After a chance meeting with the White Rabbit, Alice finds herself tumbling down a seemingly endless rabbit hole. Once she reaches the bottom, she finds her world has been turned upside-down. She meets the tempestuous Queen of Hearts who invites her to play a game of croquet. Things only get more peculiar from there. From dangerous encounters with vengeful queens, to new companions who may not have Alice's best interests in mind, Wonderland soon loses its luster. If Alice has any hope of getting home to her cat Dinah, she must traverse through Wonderland to the border of Looking-Glass Land. From there she'll have to travel square by square on a giant chessboard. Only once she reaches the eighth row and becomes a Queen herself can she be free to go home.

Brainerd Duffield's adaption of Lewis Carroll's classic tale takes on a much darker tone. Alice and her adventures through Wonderland become an allegory for a child facing the nightmare of growing up. It's a coming of age story where the dream becomes a nightmare. Take an expedition into Wonderland and see a fresh look at the horror of the journey to adulthood.

This show features themes of abuse, bullying, drug addiction, alcoholism, narcissism, peer pressure and selfishness. It is not suitable for young children. There are some scenes that may be too intense for children under 16. This is not a children's theatre production. No child will be permitted without an adult.

Alice in Wonderland by Brainerd Duffield features an international cast of GCC students. Audiences will enjoy the many talents of the following Forum Players:

• Jillian Curtis, LeRoy NY as Alice
• Gyandro Marselia, Willemstad, Curacao as The White Rabbit
• Mya Thomas, Akron NY as the Queen of Hearts
• Rob Reiss, Elba NY as the Mad Hatter, The Executioner
• Haylea-Ann Self, Brocton NY as the Caterpillar, The March Hare
• James Barcomb, Batavia, NY as the Duchess, Cheshire Cat, Gryphon
• Francesca Pieter, Willemstad, Antilles, Netherlands as the Red/White Queens
• Reina Fujikawa, Sakaide, Kagawa as the Mouse, Dormouse
• Jessie Pierce, Batavia, NY as the Mock Turtle
• Raylynn Ryan, Fillmore NY as Tweedledee, Knave of Hearts
• Celeste T. Dzielski, Rochester NY as Tweedledum, Humpty Dumpty, King of Hearts
• Crimson Allis, Gasport, NY as the Fish Footman
• Cheri Pekurny, Binghamton NY as the Frog Footman
• Cheri Pekurny, Crimson Allis, Belancia Joseph (Jamaica, NY) as the Cards
• Ayaka Nakamura (Osaka, Japan), Tiffanie Drum, Tiffany Smith (Arkport NY) as the Flowers
• Ayaka Nakamura, Tiffanie Drum (Cohocton, NY), Tiffany Smith, Cheri Pekurny, Crimson Allis as the Dance Ensemble
• Rob Reiss Special Sequences

Director Maryanne Arena shares, "This beloved tale is what nightmares are made of, and being a teenager is a nightmare! We are not telling this tale to play to children, using fun, one dimensional characters. Rather, we are exploring the expectations and circumstances or growing up in a world where you feel you don't belong. A world of monsters, bullies, and questions with no answers. Alice In Wonderland by Brainerd Duffield can be told with a variety of themes in mind. We wanted to explore the pains of middle years of growth and not knowing where one belongs. Not a child, yet, not an adult; Alice fights for survival and the strength to overcome the many nightmares of youth. Please enjoy this interesting tale of youth. Maybe you can find yourself and the monsters that pursued you in your youth."

Production Staff

• Directed and Staged by: Maryanne Arena
• Production Designer: Brodie McPherson
• Musical Director: Lauren Picarro-Hoerbelt
• Choreographer: Tara Freitag
• Assistant Director: Rob Reiss
• Stage Manager : Hayley Jo Denaro
• Audio Engineer: Chris Stawiasz
• Light Board Operator: Yuina Otsuka
• Run Crew: Trevor Clark, Kaine D'eredita, Lindsey Windham
• Costume Run Crew: Julianna Turoldo
• Costume Designer: Beth Ohman
• Wardrobe Supervisor: Loy Gross
• Posters: GCC Digital Arts and Pam Swarts
• PR, Photos: GCC Marketing Communications
• Arts Center Assistant/Box Office Attendant: Jessica Skehan
• Promotional Materials: GCC Marketing Communications & Jessica Skehan

You may contact the Stuart Steiner Theatre box office for more information and ticket sales. They can be reached by phone at (585) 343-0055 x6490, or by sending an email to jeskehan@genesee.edu. Seating is limited and advance reservations are strongly advised. The show is designed for mature audiences only.