Skip to main content

Stories from

Former UMMC employee attracts national attention as COVID-19 vaccine ‘whistleblower’

By Gretel Kauffman

conradhighwire.jpg

A now-former employee of United Memorial Medical Center in Batavia has attracted national attention in recent weeks as a self-proclaimed “whistleblower” around what she describes as a “cover-up” of potential dangers of the COVID-19 vaccine.

A GoFundMe campaign that appears to have been created by Deborah Conrad states that the hospitalist physician assistant “recently lost her job due to the COVID-19 vaccine mandate.” A spokesperson for the Rochester Regional Health system confirmed to The Batavian on Oct. 13 that Conrad was no longer employed at the hospital.

But in a description for the GoFundMe campaign, which had attracted more than $74,000 from roughly 1,500 donors as of Sunday morning, Conrad suggested that she intends to remain in the public eye. Conrad has spoken to multiple media outlets in recent months, at times making controversial statements about the COVID-19 vaccine that other medical professionals say misrepresent the risks of immunization.

“As I move into this new chapter in my life, no longer able to do the job I have loved for the last 15 years, I want to make my sacrifices count,” the GoFundMe description reads. “As I gain more and more exposure to media outlets, I need to travel to speak at these events, and also support my family at the same time. I need the community around me to lift me up as I march this path of truth.”

Conrad declined through a third party to be interviewed by The Batavian.

STATEMENTS TRIGGER CONTROVERSY

While employed at UMMC, Conrad spoke to multiple media outlets in September, including the New York Times, about her hesitancy around the COVID-19 vaccine. She has also spoken locally on the matter.

Speaking to a crowd at EverPresent Church in Batavia at an event hosted by the church on Sept. 30, Conrad said that her public statements should not be interpreted as an attempt to discourage people from getting the COVID vaccine.

“I support you no matter what decision you make,” Conrad said. “I just want to make sure you have an informed choice.”

But a number of the insinuations and speculations that Conrad has made publicly, particularly those regarding UMMC patients whose conditions she has suggested may have been caused by the vaccine, have been characterized by other medical professionals as highly unlikely and not in line with the most up-to-date scientific research.

In an hour-long video interview published in September by The HighWire, a website run by the Texas-based anti-vaccine group Informed Consent Action Network, Conrad stated that her hospital had seen a noticeable increase in patients coming in with conditions including heart attacks, strokes, blood clots, gastrointestinal bleeds, sepsis, pneumonia, appendicitis, pancreatitis and “recurrent cancers” following the initial public rollout of the COVID-19 vaccines in early 2021.

A spokesperson for Rochester Regional Health told The Batavian that hospital administration was not aware of any such increase.

“To our knowledge, no clinician, epidemiologist, hospital leader, or principal investigator running a clinical trial has commented, remarked or expressed similar experience or concern,” the spokesperson wrote in an email to The Batavian. “The only noticeable difference in admissions after the vaccines became available was that COVID-19 admissions significantly and dramatically decreased until the Delta variant became more prevalent in our area.”

If the hospital did see such an increase, that uptick could have been due to other factors including side effects of the COVID-19 virus itself, Dr. John Crane, a physician and professor at the University at Buffalo Jacobs School of Medicine and Biological Sciences, notes—"or to delays in needed care due to fear of catching COVID-19 in the hospital or in the emergency room, as has been seen many times in our country.”

Conrad went on to cite as examples several specific cases that she believed may have been linked to the vaccine, including a patient “whose cancer came back from remission and rapidly killed the individual” after they were vaccinated. She told the interviewer that she had also witnessed “new cancer [cases] come out of nowhere,” implying that any or all of these cases may have been caused by vaccination — a suggestion that Crane describes as “bogus.”

“There are millions of Americans receiving care for cancer at any given time in our country,” Crane wrote in an email to The Batavian. “Many of them achieve a prolonged remission or even achieve a cure. But there are thousands of others who relapse every week, regardless of whether they received a COVID-19 vaccination or not.”

While there is no medical evidence linking COVID vaccination with an increased likelihood of developing cancer, the U.S. Centers for Disease Control and Prevention and others are currently monitoring to learn whether COVID-19 infection itself carries a higher risk of developing subsequent cancers, Crane noted.

VACCINE DATABASE IS A TOPIC OF CONCERN

One of Conrad’s primary concerns, as she has stated in multiple speaking engagements and on her GoFundMe page, is public awareness of the federally-run Vaccine Averse Event Reporting (VAERS) database. The database, which has existed since 1990 and is co-managed by the Centers for Disease Control and Prevention and the U.S. Food and Drug Administration, “accepts and analyzes” voluntarily-submitted reports of “adverse events,” or possible side effects, after a person has received a vaccination, according to a description on the official VAERS website.

“Most people don’t even know what VAERS is,” Conrad said at the EverPresent event in late September. “I didn’t know what VAERS was and I’m a health care worker.”

In the HighWire video interview, Conrad said that she had submitted the names and information of more than 120 UMMC patients to the database since the COVID-19 vaccine was rolled out, including an estimated 50 patients in the span of one particular month — accounting for the bulk of all the VAERS reports submitted by the hospital in that time, according to Conrad.

At one point, Conrad said, she approached hospital administration to ask for support in her work reporting patients to the VAERS database, as it had become a “full-time job.” That request was “met with resistance,” Conrad told the HighWire interviewer.

A spokesperson for Rochester Regional Health confirmed to The Batavian that such a conversation occurred, but disputed Conrad’s characterization of the hospital’s response as that of “resistance.”

“The administration has always confirmed that it is important to follow VAERS reporting requirements,” the spokesperson said.

In an undated phone call with UMMC President Dan Ireland recorded by Conrad, a clip of which was played in the video produced by The HighWire, Ireland clarified that the hospital system’s policy was that each health care provider “has the responsibility to report on their own patient” when it comes to submitting adverse events to the VAERS database.

The number of reports submitted by Conrad should not be interpreted as evidence that the same number of patients in fact experienced side effects from the vaccine, medical experts say. While health care workers are required by law to report certain adverse events—in other words, certain injuries, illnesses, or deaths—that occur within a specific time period after vaccination, not all events reported to VAERS are caused by vaccinations and VAERS reports “generally cannot be used to determine if a vaccine caused or contributed to an adverse event or illness,” according to the FDA website.

One example, according to Crane: If a newly-vaccinated patient becomes involved in a severe car crash on their way home from the vaccine clinic, their injuries from the crash could be reported as an adverse event—even if the crash was caused by their car’s malfunctioning autopilot feature and not by the vaccine.

For some patients and their families, a lack of broad public awareness of the database have lead to confusion around why certain cases are reported to VAERS and what these reports indicate.

Howard Owens of Batavia told The Batavian that he was contacted in August by a UMMC nurse, who informed him that his hospitalized wife, Billie, had been added to the VAERS database. (Note: Owens is the publisher of The Batavian. Billie Owens, who passed away on Oct. 15, was editor of The Batavian.) The call left Owens feeling perplexed. He had a clear understanding of his wife's health issues, some of which pre-dated her vaccination. He consulted with Billie's doctors who definitively agreed that her condition had not been caused by the COVID vaccine. 

“We knew why Billie had become ill,” Owens said. “It had nothing to do with COVID or the vaccine.”

The parameters of VAERS reporting -- and what his wife's inclusion in the database meant -- were not made clear to him during the call, Owens said. He said he was told during that call that Billie's inclusion in the database meant that she was confirmed to have had an adverse reaction. (When contacted by The Batavian, the nurse confirmed that she had provided Owens with a VAERS identification number but did not provide any other details about their exchange.)

When Owens watched Conrad’s interview with The HighWire — in which she suggested that a number of UMMC patients with serious conditions may have been hospitalized due to side effects from the vaccine — his confusion turned to frustration and anger, he said, largely on behalf of other families who may have found themselves in similar situations, leaving them susceptible to misinformation about the vaccine. 

"Making false claims about adverse reactions to patient families doesn't strike me as caring about patients,” Owens told The Batavian. “It seems like the exact opposite: Causing unnecessary drama in the lives of people already facing enough trauma at a critical time in their loved one's care.”

CONRAD: GOAL IS 'OPEN-MINDED HEALTHCARE'

Speaking at EverPresent Church, Conrad said she was invited to participate in the interview with The HighWire after she learned that ICAN had, unprompted, paid her legal fees for hiring a New York City-based attorney while she was employed at UMMC.

“Of course I was scared to death and I knew my job would be on the line as a result,” Conrad said, in reference to the interview. “I knew I would be exposed… I don’t want to hurt anybody, but I just can’t stand to see the injustice going on.”

In the description for her GoFundMe campaign, Conrad says that she is interested in opening her own local clinic “offering unbiased, open-minded healthcare” in the future. In the meantime, she wrote, she hopes that her public statements will prompt discussion of “how to help those possibly injured and give them a voice.”

“I didn’t want this job, but I just kept hearing [God] call me,” Conrad told the crowd at EverPresent Church. “I just keep hearing him tell me, ‘Don’t be afraid. Keep going. Keep doing what you’re doing.’”

Gretel Kauffman, a former resident of Elba, is a special corresponded for The Batavian.

Photo: Screen capture from video interview with Conrad on The HighWire

Jacobs loses corporate donors after voting against election certification

By Gretel Kauffman

Multiple corporate donors to U.S. Rep. Chris Jacobs (NY-27) have suspended contributions to the Western New York congressman following his objection to the 2020 Electoral College results. 

Jacobs received a total of $63,800 in donations from nine corporate PACs in the 2020 campaign cycle, campaign finance documents show. Of those companies, four -- accounting for $37,500 worth of Jacobs’s corporate donations -- have suspended contributions to some or all lawmakers in the aftermath of the vote to certify the presidential election results on Jan. 6. 

Jacobs was one of 147 Republican lawmakers who raised objections to the certification of electoral votes; he was one of four lawmakers from New York to do so -- along with Rep. Nicole Malliotakis (NY-11), Rep. Elise Stefanik (NY-21) and Rep. Lee Zeldin (NY-1). 

“I have a duty to represent my constituents and a constitutional duty to ensure the security and integrity of our elections,” Jacobs said in a statement at the time. “I do not take this decision lightly, but for these reasons feel it necessary to object to the certification of the electoral votes from contested states.”

Blue Cross/Blue Shield -- which gave Jacobs $10,000 in the 2020 cycle through its PAC -- announced several days after the vote that it had suspended all contributions to politicians who objected to the results.

“In light of this week’s violent, shocking assault on the United States Capitol, and the votes of some members of Congress to subvert the results of November’s election by challenging Electoral College results, BCSBA will suspend contributions to those lawmakers who voted to undermine our democracy,” President and CEO Kim Keck said in a statement. 

New York Life Insurance’s PAC, which gave $5,000 to Jacobs in the 2020 campaign cycle, has also suspended contributions to members of the U.S. House and Senate who voted against the certification of electoral votes, a spokeswoman for the company told The Batavian in a statement. 

“We will be evaluating our approach moving forward,” the spokeswoman said. 

Other companies have suspended PAC donations altogether following the vote, regardless of lawmakers’ stances on the electoral results. 

Those companies include the National Fuel Gas Company, which gave Jacobs $15,000 in the 2020 cycle.

The National Fuel PAC “contributes to candidates of both parties who support affordable and reliable natural gas access and delivery to fuel our homes, businesses and communities,” a spokeswoman told The Batavian in an email. “Every contribution receives considerable evaluation to serve those ends. In light of current events, we have hit pause on all of our political contributions.” 

The United Parcel Service -- which donated $7,500 to the congressman in the most recent campaign cycle -- announced in the days following the vote that it had also suspended all contributions to political candidates. 

Charter Communications and M&T Bank, which donated $5,000 and $1,000 to Jacobs in the 2020 cycle, respectively, acknowledged receipt of inquiries from The Batavian but did not provide a comment on the future of their PACs’ relationships with Jacobs. 

Constellation Brands, a Western New York-based producer and marketer of alcoholic beverages, contributed $7,500 to Jacobs’s campaign in 2020. Neither Constellation Brands nor the American Crystal Sugar Company, which donated $5,000 to Jacobs, responded to multiple inquiries from The Batavian

Delaware North -- which is owned by the Jacobs family -- also did not respond to multiple requests for comment from The Batavian. Delaware North donated $7,800 via PAC to Jacobs in the 2020 cycle.

Elba tweeks tradition with move of Onion Festival to Firemen's rec hall

By Gretel Kauffman

This year Elba's 76th annual Onion Festival will be held outside the Firemen’s Recreation Hall on the edge of town rather than in its usual location in the village park.

Fire Department President Bill Hynes said the decision to move the festival stemmed from the aging demographics of members of the department.

“We don’t have as many firemen as we used to, and some of them are getting older,” Hynes said. “It just got to be too much to move everything from the rec hall down to the village park.”

Festival coordinator Barbie Starowitz says that though the location will be different, many of the same traditions will remain, such as the Ladies Auxiliary’s roast beef dinner and the ever-popular bingo game “Dart-O.” Both will be held inside the rec hall.

The crowning of the 2012 Onion Queen, which would normally take place in the park gazebo, will “tentatively” be held inside the hall as well, according to Hynes.

The relocation has received mixed reviews, according to Starowitz: “There’s good and there’s bad.”

One of the less-favorable reactions was voiced by Leon Watson, a retired longtime member of the fire department who believes that these changes are “driving people away.”

“I think they’re going to lose a bundle on this,” Watson said. “There’s no place to park, and it’s a hazard with two roads coming together right there. I’d like to see them move it back to the park."

Watson, who belonged to the fire department for “about 60 years,” has been attending Onion festivals since he was a small boy and the festival was held at the Four Corners in Elba. Shortly after the birth of “Field Day” in 1937, it was moved to the village park due to a lack of space at the Four Corners, and has been there ever since.

“We get a lot of graduates who come back just for the Onion Festival,” he said. “They like it at the park. There’s space and there’s shade.”

So has the Onion Festival found a new permanent home at the rec hall, or will it return to the park in 2013? Hynes says it’s too early to tell:

“There will be a vote of the department. We’ll just see what happens.”

Musicians take a 'Ramble' down memory lane

By Gretel Kauffman

The Ramble Music and Arts Festival is known as a celebration of the musical culture of Genesee County—but to many of the musicians participating, it means so much more.

“I think it’s a very popular event because all the people get to reminisce about the old times,” says Andy Hare, who will participate in the 7th annual festival for the third time this Saturday. “It’s almost like a class reunion for many of the musicians and the people who follow them—the old guys like us, chasing the Sixties.”

The “us” Hare is referring to are the members of the Moonshine Valley Band, his former group that will be reunited Saturday night. The band is one of several from the good old days that is coming together specifically for this occasion.  

“It’s a chance for guys like me to get out and show they’ve got a few kicks left in them,” Hare jokes.

Founder Bill McDonald says that the festival was started to serve that very purpose — to take a walk down memory lane by reuniting all those local musicians who had played together years ago. It has since grown from its humble beginnings — this year’s event will feature 37 acts, several artists, and “many ramblin’ revelers.”

“The purpose has always been to get the current community and folks who once called our area home involved, to share in the fun and keep the music and friendships vibrant,” he explains.

The Ramble is not strictly geared toward the middle-aged crowd — the event attracts people of all ages and generations.

“The festival day and the weeks pre and post have brought many friends, young and old, musical mates, and people in general, together for some fun,” says McDonald.

The festival-goers falling under the “young” category give the Ramble its charm, as the majority are the receivers of a passed torch.

“It shows the young people what’s coming, because many of them are offspring of the performers,” says Hare. “It’s generational entertainment.”

The Ramble Music and Arts Festival will take place from noon to 8 p.m. this Saturday, July 7, in Downtown Batavia. The 37 participating acts will perform on two different stages: the electric acts in Jackson Square, and the acoustic acts on Center Street. A remembrance of past musicians will take place at 4 pm. Admission is free.

Get a haircut, give a glass of water

By Gretel Kauffman

When Kathy Kuss signed up to sponsor a Haitian child through the International Child Care Ministries five years ago, she had no way of anticipating the earthquake that would soon hit the island nation and its horrific consequences.

After the disaster struck, she received bad news: her sponsored child and the girl’s family were missing. The family was eventually discovered, safe and sound. However, the storm was not over yet — for the Haitians lucky enough to survive the earthquake and the subsequent hurricanes, the real horror had just begun.

Many had been rendered homeless by the natural disasters, and the lack of clean water was rapidly killing off people by the thousands, the majority of them children. It was upon hearing about these tragedies that Kuss, a Batavia hair salon owner, decided something had to be done—thus, Haircuts for Haiti was born.

“(The disaster) was all over the news and it was very frightening,” she says. “What I kept reading was that the water situation was so disgusting. There was no water there. I kept thinking, ‘What can I do to help?’ ”

The answer came to her in the form of an article about Sawyer Water Filters.

“There’s a lot of disease right now in Haiti that they have not seen for decades, like typhoid fever and dysentery, and the reason is because all this bacteria is in their water now,” she explains.

“That’s happening because people are not back into homes and there is no sanitation in place there yet, and disease bacteria is in the water again. This filter will actually take that bacteria out, and it will take out dirt and debris also. You get a clean glass of water.”

The filters that Kuss hopes to purchase will be sent to Haitian schools — or rather, what remains of them.

According to her research, “schools are particularly affected. ICCM sponsors children in Christian schools, and our sponsorships pay the fees for the children to go to the school and buy their lunches and books and education. When I was looking into this, they said that many of the schools had been demolished by the earthquakes. They were holding the schools in tents but there wasn’t any clean water for the kids.”

These lifesaving devises are, unfortunately, not free — each filter system costs $50. To raise enough money to send “many, many” filters to the children, Kuss has organized “Haircuts for Haiti,” an all-day fundraiser where people can get a haircut and make a donation.

This is Kuss’s first time organizing a “cut-a-thon,” but she has participated in one before and speaks highly of the experience:

“It’s really a lot of fun because obviously you have a large group of hairdressers and barbers. People love doing things like this because they really feel like they’re doing something to help.”

The 11 hairdressers and barbers will be at Northgate Free Methodist Church (located at 350 Bank St. Road in Batavia) from 10 a.m. to 4 p.m. Saturday, June 23  in the south campus gymnasium. A Sawyer Water Filter will be on display at the event.

If you are unable to attend but wish to make a donation, you can make a check out to Northgate Free Methodist Church with the memo line of “Sawyer Water Filter Fund” and send it to:

Northgate Free Methodist Church, 8160 Bank St. Road, Batavia, NY 14020.

'A Midsummer Night' in early spring

By Gretel Kauffman

Back in the spring of 2003, an ambitious group of local thespians decided to take a risk by boldly staging in Genesee County what no local troupe had staged here before: Shakespeare. Nine years later, "Shakespeare in Springtime" is thriving. This weekend the group is celebrating its 10th springtime with a repeat production of its first show, "A Midsummer Night’s Dream."

“Shakespeare wrote so many plays, and we wanted to choose something familiar that we could do justice to,” Director E. Jane Burk says of the group’s original decision to perform the show nine years ago. “It was very well-received. It showed us that there really are some people out there who are willing to come see Shakespeare.”

The characters, comedy, and iambic pentameter may be the same as it was a decade ago, but make no mistake — this show is “entirely different” and definitely “not a repeat of last time.” Whereas the pioneer effort took place in a Midwestern 1950s carnival, this time around the show has a San Francisco setting circa the 1960s. The traditional fairy characters have been changed to hippies, demonstrating, Burk explains, “the difference between establishment and anti-establishment.”

Cast members agree that despite the large gap in time periods, the play translates easily from the intended Shakespearean setting to the more contemporary backdrop.

“The characters are universal,” says Malloryann Flanagan, who has the role of Puck. “A lot of the themes are still prevalent in society and are still relevant today.”

Flanagan and her sister, Caryn Burk, are the only two cast members who also appeared in the original production. But although the majority of the ensemble did not take part in the first “Shakespeare in Springtime” show, many of them have been seen in at least one other production put on by the group. One such actor is Paul Judkins, who has the part of Egeus.

“It’s always a challenge,” says Judkins, who cites his favorite previous Shakespearean role as the title character in "Julius Caesar." “You can’t use your natural language — you have to find the meaning behind the words. At first it was mystifying.”

Derrick Pechie, who has the role of Oberon, the fairy king, agrees that understanding the language gets easier with time:

“My first lead role in a Shakespeare play was in 'Richard III' two years ago. I did not know what I was saying. But now I can read the script and right away I know what it’s talking about.”

The difficult language and seemingly hidden meanings are exactly what makes Shakespeare so attractive to cast member Shellene Bailey, however.

“The language is sneaky,” she declares. “It’s very in-depth and very funny. There are lots of jokes and innuendos. It's very beautiful.” 

Performances are at 7:30 p.m. March 22-24 and at 2 p.m. March 25 at the Harvester 56 Theater (located at 56 Harvester Ave. in Batavia). There will also be a dinner theater performance at Terry Hills on the 31st.  

"Piercings for Pierce" to benefit 10-year-old Batavia boy

By Gretel Kauffman

Pierce Malone, a 10-year-old Batavia boy, has suffered since birth from Neurofibromatosis (NF for short), a nerve disorder which causes tumors to grow anywhere and at any time throughout the inside and outside of his body. Pierce currently has multiple tumors throughout his body, including many on his brain and spinal cord.

A 7-inch tumor has recently been discovered in Pierce's throat. It has started to wrap around the two main arteries that supply the brain as well as his verterbrae, and is very close to his voice box. Doctors at Strong Memorial Hospital are extremely concerned about this, and Pierce is in desperate need of surgical treatment. However, the doctors at Strong are not equipped to handle the treatment, and there are no NF clinics in the area.

There is one doctor at an NF clinic in Boston who specializes in throat tumors. The doctor has been contacted, but unfortunately Pierce's insurance would not cover the cost of the treatment and the family is unable to afford the procedure without assistance.

To raise funds for Pierce's procedure, local entrepreneur Jason Lang has organized two benefits through his businesses. Throughout the month of January, patrons of the Batavia Cab Company will be asked to donate $1. At the end of the month, Jason will match all donations up to $2,500. Additionally, on January 29th, The Laughing Buddha tattoo and piercings shop will host an event called "Piercings for Pierce," the proceeds of which will go toward the treatment of Pierce's throat tumor. 

For more information regarding the benefits or to make a donation, contact Jason Lang at the Laughing Buddha at (585) 250-4175 or visit the "Passion for Pierce" page on Facebook.

Bullying prevention information session at Elba school

By Gretel Kauffman

All Elba residents are invited to a bullying prevention information session at Elba Central School on Thursday, Nov.17. Topics will include a review of current code of conduct, school response to bullying, prevention strategies, and parent resources. The presentation will be followed by a question-and-answer session.

The information session will begin at 6:30 p.m. in the Library Media Center. For more information, call Kelly Carlie at 757-9967, ext. 1602, or Donna Lougheed at 757-9967, ext. 1603.

Batavia Rotary 'produces' laughs in 63rd annual show

By Gretel Kauffman

Theater has long been thought of as a place where one can transform into someone else and lose touch with reality completely. This is particularly true for Eric Zweld, who has the "flamboyant" role of Roger DeBris in this weekend's Batavia Rotary Club production of "The Producers."

"When I go to a show I forget about the real world," says the construction project manager as he applies fake eyelashes and shimmering makeup. According to Zweld, there are "zero similarities" between himself and his character, who he describes as "very secure in his gayness." "I only wear these every other day," he jokes of the eyelashes. "I don't want the guys finding out."

Steve Valvano of Gates feels similarly toward his character of Max Bialystock, a "down-and-out" Broadway producer who "will take advantage of anyone and anything" to get what he wants: money. After Bialystock discovers that he can make more from a flop than he can from a successful show, he and accountant Leo Bloom set out to make the worst show ever, resulting in hilarity and a distinct lack of political correctness.

"It's an amazing challenge, and I like challenges," Valvano says. "The comedy is very physical. The whole show is very physical. I have to work at it just to keep up."

Cal Young, who plays Leo Bloom, is different from his castmates in that he seems to be the only one who truly identifies with his role.

"He's a scaredy little accountant nerd," he explains. "We're definitely very similar. He's very nerdy and just generally unversed in the ways of the world."

Young, like many of his fellow cast members, cites the show as a longtime favorite. But be warned: "The Producers," with its mature content and off-color jokes, is not for everybody.

"I felt it was an interesting change from the past two shows," says director Lynda Hodgins. "They were very family-friendly, very children-oriented."

Zweld and Valvano agree, describing the show as "an equal opportunity offender" and something that "a mature audience will have a ball with."

Hodgins describes the show as "PG-13."

"[The audience] will be fine if they get the fact that it's (written by) Mel Brooks," she explains. "You have to get his humor. There's nothing hidden, no subliminal messages. It's all out there, and when things are right in your face it becomes extremely comical. It's not a conservative show. It puts every stereotype out there. This is for people who like to laugh."

Showtimes: Nov. 3, 4, and 5 at 7:30 p.m. and Nov. 6 at 2 p.m.

Where: Batavia High School Auditorium, 260 State St., Batavia

Ticket prices: $12 for Thursday, $15 for Friday, Saturday and Sunday

Where to purchase tickets: At the door or online at www.bataviarotary.com or www.encoretheatrearts.com or in person at Lawley Insurance, Jefferson Square, Batavia or The Insurance Center, 50 Main St., Batavia, during regular business hours.

A six-course theatrical feast at GCC

By Gretel Kauffman

There's something for everyone in the Genesee Community College Forum Players' evening of "One Acts: Fast, Funny & Fabulous," which opens tonight at the Stuart Steiner Theatre.

"I wanted to give the students the widest variety of experiences I could," says GCC Fine Arts Director Maryanne Arena. "We have everything from a satire on Hamlet to a very farcical comedy to something very touching, and I like them all for different reasons. 'Naomi in the Living Room' is very slapstick, physical comedy. 'Blind Date' is the best written and the most poignant. 'Second Beam' is about actresses auditioning for a role, and I certainly haven't forgotten what that was like."

The aforementioned "Naomi in the Living Room" stars Peggy Marone as an insane, "child-like" woman who is visited by her son and his wife. Marone says the show was a step outside her usual comfort zone.

"At work sometimes I multitask and feel psychotic," Marone laughs. "But I don't know if I've ever been this psychotic." 

Tyler Eldred also faced challenges with character development, but for a different reason: Tyler is featured in three of the one acts -- "The Philadelphia", "15-Minute Hamlet", and "Foreplay or the Art of the Fugue" -- and plays four different characters within those shows. Although the third-year theater and theater tech student has been involved with shows offstage more often than on, he says he enjoys acting more than technical work.

"It's probably because I'm a sadist, and being onstage involves so much more work," he jokes. "It's also an opportunity for me to step outside my comfort zone."

Emily Jones, a sophomore theater arts major, also has her acting hands full.  She is in four of the one acts, and performs with a singing and dancing quartet in between each show. 

"It's so hard," she says of getting into character for each performance. "With a regular show you have the whole show to work up to it, but with this you only have a few minutes for each show. It's probably the hardest thing I've done in 10  years."

Fellow sophomore theater major Patrick Dodge is just as busy as Jones, with involvement in five of the shows. His amount of stage time, he says, is approximately the equivalent of having a role in a full-length production.

His favorite show out of the five is "Blind Date" -- a Horton Foote comedy about a seemingly sullen teenage girl who is set up on a blind date by her aunt, a former beauty queen. 

"I get to play kind of a nerdy guy," he explains. "And secretly I'm very clumsy and nerdy."

Playing opposite Dodge in the role of the sullen teenage girl is Sarah Lawson, a sophomore education major. Lawson also enjoys portraying her "Blind Date" character, but for different reasons.

"It's been really interesting finding out who (my character) is," she says. "At first she seems like an unpleasant person, but she's really just lonely and not very skilled socially. And she loves Rudy Vallee."

Three of the shows--"The Philadelphia", "15-Minute Hamlet", and "The Second Beam" -- are directed by Norm Gayford, an English professor at the college who has been extremely involved with the Forum Players for the past five years. 

"It's very challenging because you have to keep changing moods, and it's hard getting everybody focused," he says about the evening's fast pace. "It's like reading multiple short stories rather than reading a novel."

The showtimes are as follows:

Oct. 13 at 7:30 p.m.; Oct. 14 at 7:30 p.m., Oct. 15 at 7:30 p.m.; and Oct. 16 at 2 p.m.

Tickets are $8 for adults, $5 for high school students, GCC faculty and staff, and senior citizens (55+), and $3 for GCC students with a valid ID. Tickets can be purchased at the box office or advance by calling 345-6814. The Stuart Steiner Theatre is located at 1 College Road in Batavia.

Summer Youth Theater production is the 'CATS pajamas'

By Gretel Kauffman

WHAT: Batavia Players Summer Youth Theater production of CATS

WHEN: 7:30 p.m. Aug. 18-20th at 7:30 p.m.

WHERE: Batavia High School auditorium, 260 State St., Batavia

For most musical theater productions, the actors prepare by learning their lines, listening to show tunes, and practicing choreography. However, this year's Batavia Players Summer Youth Theater production of CATS required some slightly unorthodox preparation: the 64 young people who make up the cast got into character by watching their pets.

"Since I have three cats at home, it was easy to observe their movements and their habits and to draw from that to create my character," said Maryssa Peirick, who has the role of Victoria. This is not Peirick's first time playing a feline on stage: "I played the Cat in the Hat in "Seussical the Musical," though he's a very different kind of cat, and the Cheshire Cat in "Alice in Wonderland," who actually does have catlike mannerisms."

Those cast members who live in cat-less homes, such as Batavia High senior Melzie Case, were forced to draw their inspiration from "cat lessons" and multiple viewings of the 1998 movie.

"It was rather challenging at first to act like a cat," said Case, who portrays "motherly" cat Jellyrolum. "The arm and leg movements are obviously much more different than those of humans. You also have to crawl on the ground instead of simply walking, and it's also good to scratch your 'fleas' every now and then." 

CATS, which opens tonight, is an Andrew Lloyd Webber musical that is based on T.S. Eliot's "Old Possum's Book of Practical Cats." The show first opened in the West End in 1981 and then on Broadway in 1982. Its 18-year run made it the second-longest running show in Broadway history, and it has won numerous awards, including the Laurence Olivier Award and the Tony Award for Best Musical.

Peirick, a recent Batavia High grad who is headed to Fredonia in the fall to major in vocal performance, said she was not immediately thrilled when she heard CATS had been chosen as the summer show despite its popularity.

"Initially I was completely repelled by it, but as auditions neared and I watched more, I became slowly interested in the characters, who seem to have quite extensive back stories -- even if not all of them are known," she said. "Though it is seriously lacking in plot, it makes up for it in creativity and visual entertainment, so there really is no such thing as a boring moment."

Director Pat Burk said he chose the show because of its uniqueness.

"It is a dream show that needs to be done correctly in order to be effective on stage," he explained. "It also allows for a large cast and you can do a tremendous amount with dance and music because it is an all-dance, all-music show. It is more like a modern opera."

The extensive dancing could easily have been a problem, but the young actors handled it like pros.

"It's so different from conventional theater, and because we're a community theater youth production, we simply don't have professional dancers to fill up the stage," Peirick said. "However, long hours of intense dance rehearsals have caused everyone to really come together and make the choreography come to life. I'm constantly impressed with my fellow cast members' progress."

Burk says he has been very impressed with the young actors' hard work and character interpretations, and is confident that the production will be a success.

"Judging from pre-sale tickets, which are more than double of last year's show, it will be well-received. The dress rehearsal went extremely well and it is quite a magical show."

The only downside to the experience?

"Now that we've been acting like cats for so long, we're starting to act like cats in real life!" Case said.

Tickets for CATS can be purchased online at www.showtix4u.com or by calling 1-866-967-8167.

Authentically Local