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Something meaningful for the Oak Street Roundabout
Posted by Howard Owens on November 6, 2009 - 7:50pm
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Work crews were planting plants in the middle of the Oak Street Roundabout today, which reminded me of a few conversations I've had around town recently -- what to put in the middle of the roundabout? Mere plants won't do.
There should be something important and meaningful there.
And in thinking about it -- it's Batavia, it's Oak Street -- what would be more meaningful and appropriate than a statue of John Gardner, and perhaps the word "LOVE"?
So there's a suggestion: Let's get a committee together, raise some money and make it a little shrine to Batavia's most famous literary figure.
- Howard Owens
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If you want a statue, then raise the fund through donations. Government is not there is fund "art"
A statue of John Gardner would pay tribute to our most acclaimed literary figure, have a visual appeal and give an artist a job.
A project like Howard suggested could easily be a joint effort between volunteers and the proper agencies.
I used to read the short story by John Gardner -- "Dragon, Dragon" to my students, who then created illustrations from the story and competed in a county wide poster contest. It was great fun and introduced me to the very talented work of Gardner.
The first thing that came to mind was an Oak tree.
Also, now that the roundabout if fully functional, I applaud it. It's a much easier intersection to get through now.
The word committee sounds like government. And they say they raise cash but they mean taxes.
Go to the Ridgeway/Lake ave intersection. That is what I am talking about. 3 twisted pieces of metal that were welded together and called art. Its not, its 3 pieces of twisted metal. Then go to Atlanta's Hartsfield International Airport and look at some of the "art" in the tunnels between terminals. If the art is good it will sell on its own merits, not by government subsidy.
How do I respond to that except to say, "that's ridiculous."
In case you were wondering, 'Committee' is not a synonym for 'Government.'
The Middle section with the angeled curb and bricks was designed like that with the intention of ambulances , semi's , and plow trucks to be able to drive over it with ease . I have seen it done with many vehicles with no problem .
There will always be bad drivers that won't be able to navigate it . But those are the drivers that would have probably pulled out in front of you with the old set up.
Peter, art is subjective. What you might find sub standard or distasteful others might really like. I've been to Hartsfield on several occassions. Don't recall the art in the tunnels. I'll pay attention the next time I'm there.
Lorie,
...and called art. Its not,
Art, by definition, is subjective. Are we all to bend to your opinion and remove whatever pieces of art you deem not up to your standards?
What qualifications do you have, other than giving an opinion, that this is not "art"?
There are pieces of art that I find fascinating, and others make me shake my head in disbelief. That said, I would never dream to be the end authority on what is considered 'art'.
Conservatives don't hate art. We just don't believe that art should be government funded outside of schools. I have been a partner of GO ART!'s for many years, and I support GO ART! with corporate donations, and I believe that artists and art is useful in society, but it is wrong that GO ART! and artists receive government funding.
Ooops.
Just having fun with you all...;>)
Bea, I thought we were talking arts not tourism? These are very different subjects. I am very involved in tourism with the chamber. I think there are significant problems with the I Love NY grants. (That's not the fault of our local folks, but some really bad rules at the state level.) If you're interested, let me know, I'd love to talk tourism with you.
And, except for a bit of trimming now and then, it does not need to be taken care, painted or cleaned.
On top of all that Al Gore will approve.
I bet the John Gardner Society would gladly help raise funds for either effort!
--Charley Boyd
Hi everyone, thanks for the responses. I do cater functions that are paid by grants. I also cater functions that are paid by the government. I also cater functions that are paid by non-profit organizations. I also cater functions for private companies, houses, churches, etc - feel free to give me call, we do good job. There - now we have full disclosure. I take any job I can get my hands on - I do have to pay my very high taxes.
So the artists who receive grants aren't entitled, but you are entitled to receive the rewards from those same grants? Interesting
Maybe the artists need jobs to live as well. If you can turn the other way and stick your hand out for those jobs that are paid from grant money, why shouldn't they?
As far as tourism, in New York State. What is wrong with the rules regarding I Love New York? Do they insist that you not discriminate when it comes to patrons of your business? Tough rule to follow, isn't it?
While staying in Russia, the garden behind my apartment had a statue of Alexander Pushkin- tribute to the nation's poet. Some countries honor rather than ignore their artists.
Back to the grants - firstly, I rarely know from what account I'm being paid from. Client calls, books the party, tells me what they can spend, I design a menu, execute the job flawlessly, of course - and the check comes in a few weeks.
Secondly, I think that artists should be paid for their work - they have a skill and they use it to put out a product that a consumer wants. Almost sounds like supply and demand, huh? Maybe free market principles can apply here?
The parasites and collectors have excluded all but the well-heeled. The poorman picks over mass-produced artlike substitutes. The market provides frame-ready, textured prints that (at a distance) appear to have real brush strokes. Beauty (art) is no longer dependent on the eye of the beholder. Few people learn to appreciate art, because art history is taught to fewer children. 40% of elementary schools have no art teacher. 50% of junior high students have no exposure to art education. Art is first, music second when the budget axe falls. Smugness aside, art is defined by the pages of Christmas catalogues and Walmart.
I occasionally see local artists work in a bank lobby or college Library. The last time I saw a clothesline art exhibit and sale was 40 years ago. Do local writers and poets have a forum for reading?
I bet John Gardner would chafe at the idea of being a perch for pigeons. He'd prefer being edified with an art center where authors and poets could be experienced in print and in person. ...Where artists could share their work and inspire budding talent. ...Where musicians could perform and expounders could expound...
Sounds vaguely like GOArt. Aren't they government funded? I bet they wouldn't turn away contributions for a John Gardner literary center.
Back to the grants - firstly, I rarely know from what account I'm being paid from. Client calls, books the party, tells me what they can spend, I design a menu, execute the job flawlessly, of course - and the check comes in a few weeks.
Secondly, I think that artists should be paid for their work - they have a skill and they use it to put out a product that a consumer wants. Almost sounds like supply and demand, huh? Maybe free market principles can apply here?
Unlike many businesses, an artist (musician, dancer, actor, sculptor, etc.) doesn't open the door to a 'shop' everyday and rely on a few hundred drop in customers to pay the bills.
A dancer, for example, doesn't sit around the rehearsal hall waiting for drop in customers to come and watch a dance. Supply and demand?
An actor doesn't stand on the stage waiting for drop in customers to come in and watch a performance. Supply and demand?
Musicians don't sit in the orchestra pit waiting for drop in customers to come in and hear them play. Supply and demand?
An artist or a sculptor may work at their craft on a daily basis, but the amount of drop in customers they have is no where close to what you have every day.
Just like you, they take jobs that are offered. Like you, they do the job, perform or create and then are paid. They may or may not know that the funding came from grants.
Why is that any different from what you do?
Public and private patronage of the arts is not new. Where would the art world be if the Florintine artists in the High Renaissance period weren't hired to create the fountains and statues that still stand in many Italian cities?
Leonardo da Vinci and Michelangelo; the Umbrian, Raffaello Sanzio; along with the great Venetian masters Titian, Tintoretto and Veronese all were subsidized from private and public funds.
I have benefited from community arts projects. Community art projects have public value, so if the public is enjoying the work maybe that same public doesn't mind public money helping to offset costs. If, for example, it's a sculpture or statue in memory of John Gardner in the roundabout -- that sculpture will have a profound public impact for years to come. The initial outlay of art dollars could have very positive long term benefits. It could spawn a yearly public ceremony where writers could come and give public oratory. Or it could spin off a scholarship fund for a would be writer.
Think of Batavia without the Upton monument. It would be interesting to do a little research and find out if the Upton monument was commissioned with public dollars back in the day. Probably public and private, but I have no idea.
To say a statue of John Gardner would have a profound public impact is a stretch. First, while people might notice it, it would be in the Roundabout. They can’t stop and look, and even looking too long would be dangerous (“watch the road”).
We have a statue of General Upson in the middle of the City of Batavia and I doubt you can say that it has a profound public impact. Gardner’s would have less.
If you want a place where writers and such can come and read, you might want to consider putting a statue of Gardner in a park where they don’t get run over. I recommend the Genesee County DeWitt Park off Cedar Street.
John Gardner might be the best known writer to have come from here, but most people have never heard of him. I am not against a statue, as long as it is raised by private money since it serves to make a limited group happy.
Personally, I still think the idea of a tree, or trees, would be a much better idea and look
I do worry about the distraction of a statue at a busy roundabout.
A tree would be no more nor less distracting than a statue, same with whatever random plants. Hell, empty cement can be distracting to the driver who keeps going by wondering -- what the hell?
A Gardner monument on Oak makes perfect sense and is long over due.
I do think that we have to be mindful of preserving our rich local history.
Again, it's the location. Why not in a park where people could really see it? How about Austin Park?
There's already a tribute to Gardner going in by the Pok-A-Dot.
That's not the point.
It's Oak Street. It's just an obvious location.
It doesn't have to be a statute -- just some stone letters spelling out LOVE would be amusing.
It's about embracing and celebrating our heritage, the things that give our local community distinction and notoriety and embracing and taking pride in the community, it's past, present and future.
I can get people not caring, but for the suggestion to be controversial is just a little over the top. I'm really rather amused by it.
It's such an obvious, simple thing.
I just think they should post a speed zone when going around it because people are flying through there and an accident is waiting to happen.
If we already have a tribute to Gardner going in, why wouldn’t you want to celebrate another Batavian with a statue?
http://www.cal-mum.com/monu_history.htm
"The place were the monument should stand proved for a time to be a trying question, but finally the place selected met with approval of all concerned. After a canvas of some length for bids upon the work, the contract was awarded to J.M. Hamilton and Son of Batavia, New York for $1870.00 exclusive of grading and the building of coping. Entirely completed the monument cost slightly over $2000.00, a sum the expenditure of which will always remain a source of pride to those who were active in securing its outlay for such a patriotic purpose. That committee in charge, as well as the workmen, who toiled so skillfully, deserved great praise was the subject of universal comment by all."